Divinity Atlas

Sacred Correspondences
Sacred Art & Iconography

The Burney Relief (The Queen of the Night)

Fired clay relief plaque, Old Babylonian period c. 1800 to 1750 BCE, British Museum

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A large fired clay relief plaque from the Old Babylonian period, roughly 1800 to 1750 BCE, known both by its former owner's name, the Burney Relief, and by the modern museum title The Queen of the Night. It shows a nude, winged goddess with birds' talons for feet, a horned crown, and rod and ring symbols in each hand, standing on the backs of two lions and flanked by two owls, originally painted in red, black and white pigment against a background thought to have been black. Held at the British Museum, registration 2003,0718.1, acquired in 2003 as a principal purchase for the museum's 250th anniversary. The goddess's identity has never been settled: the museum's own stated preference reads the hanging wings and dark background as underworld imagery pointing to Ereshkigal, queen of the Mesopotamian netherworld, while an equally credentialed line of scholarship reads the lions and mountain symbolism as pointing instead to Ishtar, and an older, largely abandoned proposal read the figure as the demon Lilitu. The relief is presented here as engaging Ereshkigal honestly, as one of two live candidate readings rather than a settled depiction.

Cross-Tradition Connections

Belongs to Tradition

Depicts

Ereshkigal, Deities

Why this is disputed. A sympathetic outside identification, not the tradition's own voice: the British Museum's own stated preference among two genuinely live scholarly candidates for the relief's unnamed goddess, the other being Ishtar. Stated as debated rather than settled.

Sources
The Queen of the Night, Museum Catalogue Text (Google Arts and Culture / British Museum)
Google Arts and Culture, British Museum partner contentView the Source
Burney Relief, Encyclopedia Record (Wikipedia)
WikipediaDepicts: Ereshkigal
Quote, Depicts: Ereshkigal
Burney Relief, registration 2003,0718.1, Old Babylonian period, terracotta, British Museum; identity disputed between Ishtar and Ereshkigal, with an earlier, largely superseded reading as Lilitu.
View the Source
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