Divinity Atlas

Sacred Correspondences
Sacred Art & Iconography

Venus and Mars (Botticelli)

artwork

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A tempera panel painting by the Florentine artist Sandro Botticelli, made around 1483 to 1485, showing the Roman goddess of love watchfully alert beside the sleeping god of war. Four infant satyrs play with Mars's discarded armor and lance, one blowing a conch shell in his ear without waking him, while a swarm of wasps hovers near his head, likely a reference to the Vespucci family whose name means little wasps and who may have commissioned the panel to mark a wedding. Its long, low format suggests it was set into bedroom furniture or paneling. Botticelli drew on the Greek writer Lucian's description of a lost ancient painting of Alexander the Great's wedding, recasting its cupids as satyrs. The panel was bought in Florence by the English collector Alexander Barker and passed to the National Gallery, London, at auction in 1874, the only recorded open-market sale of one of Botticelli's large mythological paintings.

Facts
Origins
Creation
1483 to 1485 1
Date of Creation
About 1483 to 1485 1
Attributed To
Sandro Botticelli 1
Custody
Current LocationSourced to the subject's own account
National Gallery, London, accession NG915 2
Current CustodianSourced to the subject's own account
National Gallery, London 2
Rights and Reproduction
Reproduction and CopyrightSourced to the subject's own account
The panel itself is centuries past any copyright term, but a specific modern photograph of it carries its own separate copyright. This atlas describes and cites the work rather than reproducing an image of it. 2
Physical Form
Medium
Tempera (and some oil) on poplar panel 1
Dimensions
69 cm by 173.4 cm (27.2 by 68.1 inches) 1
Subject Matter
Depicted Subject
Venus, goddess of love, watching over the sleeping Mars, god of war, an allegory of love's power over martial strength drawn from Renaissance Neoplatonism. 1
Cross-Tradition Connections

Associated With

Florence, Cities

This source names Florence directly: "The panel was bought in Florence by the English collector Alexander Barker and passed to the National Gallery, London, at auction in 1874, the only recorded open-market sale of one of Botticelli's..."

Belongs to Tradition

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