Divinity Atlas

Sacred Correspondences
Scripture Portions

52. At-Tur

Also Known As The Mount · Mount Sinai · At-Tur The surah name without its ordinal prefix, so the name index and site search resolve the form readers and the corpus actually use.Original Term Surat at-Tur
The Quran

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At-Tur, the Mount, is a Meccan surah named for Mount Sinai, sworn by at its opening (52:1). Its subject is the certainty of the Judgment, the bliss of the God-fearing reunited with their offspring, and a series of challenges to the deniers to produce the like of the revelation.

Facts
Identity
Parent Work
The Quran 1
Position in the Canon
Surah 52 1
Canonical Reference
52:1-52:49 1
Origins
Era of Composition
610 to 622 CE 1
Language
Classical Arabic 1
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The Mount: The Certainty of the Reckoning

At-Tur ('The Mount'), 49 Meccan verses, swears by Mount Sinai and the inscribed Book that the punishment of the Lord will surely come (52:7). It answers the objections of the deniers point by point and pictures the God-fearing at ease in gardens, reunited with their offspring. The surah takes its name from Mount Sinai (al-Tur), sworn by in its opening verse alongside the divine Book and the roofed-over sky, an oath-cluster classical commentators read as invoking the setting of Moses's revelation to authenticate the new one given to Muhammad. Its extended answer to Meccan objections, that the Quran is neither poetry nor sorcery nor a merely human composition (52:29-34), closes with a direct challenge to produce anything comparable, an early instance of the inimitability argument (i'jaz al-Quran) later Islamic theology developed into a full doctrine.

The closing instruction to glorify God 'before sunrise and before sunset' and 'part of the night, and after the stars turn pale' (52:48-49) is read by some classical commentators as an early, unsystematised precursor to the later fixed schedule of the five daily prayers, though the historical process by which those five times were actually settled is documented mainly through hadith rather than through this verse alone. The surah's banquet imagery of the righteous reclining on couches in rows, served by immortal youths (52:20, 52:24), belongs to a small cluster of similarly worded paradise scenes repeated with variation across several Meccan surahs of this same stylistic group.

The Verse That Reportedly Moved an Opponent to Faith

At-Tur poses a compact cosmological challenge to the deniers: 'were they created by nothing, or were they themselves the creators? Or did they create the heavens and earth? Rather, they are not certain' (52:35-36). A widely transmitted early account holds that Jubayr ibn Mutim, a Meccan pagan who had not yet accepted Islam, heard Muhammad recite this passage during the evening prayer and reported that his heart nearly took flight toward belief on the spot, an episode biographical sources cite as an example of the surah's argument working precisely as intended, on a hearer with no prior inclination to accept it.

Classical commentators read the argument as a closed logical set of alternatives, that something exists, and its existence must be explained either by self-creation, which is incoherent, by chance from nothing, which explains nothing, or by an eternal Creator, leaving the last as the only remaining possibility once the others are set aside; later Islamic theology developed this compact Quranic argument at much greater length in formal works of kalam addressing the existence of God through cosmological reasoning of a similar basic shape. The report is cited in later biographical literature as an example of the argument working precisely as the surah frames it, addressed to genuine uncertainty rather than settled hostility.

Cross-Tradition Connections

Contained In

Originates in Language

Source The Study Quran: A New Translation and CommentarySeyyed Hossein Nasr (editor-in-chief)
Sources
1. The Study Quran: A New Translation and Commentary
Seyyed Hossein Nasr (editor-in-chief), HarperOne, 2015from the parent text's own language recordView the Source
The Qur'an
Quran 52:1-52:49View the Source
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