The sea splits and the Song at the Sea is sung on the far side, and that song is the oldest stratum of Hebrew in the Torah on almost every linguistic assessment, archaic forms, no definite articles where later prose would demand them. It is written in the scroll in a distinctive brick-like layout rather than ordinary columns, one of only two such passages in the Torah, and a scribe who writes it as plain text has invalidated the scroll. Miriam takes a timbrel and leads the women in a reprise, which is the only place in the Torah where a woman leads liturgy. The midrash famously refuses to let the triumph stand unqualified, imagining God silencing the angels who would sing while the Egyptians drown. What follows the song is complaint (water, then manna, then water again), establishing the pattern that will govern the whole wilderness.
Facts
Reckoning
Date RuleIt is the 16th of the fifty-four parashiyot and covers Exodus 13:17-17:16 1 Date RuleOn its appointed Sabbath in the annual Babylonian reading cycle 1 Date RuleRead as the weekly Torah portion (parashat ha-shavua) 1 Identity
Position in the Canon Canonical Reference Text
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When He Let Go: The Sea and the Song at the Sea
In the synagogue the Torah is read aloud in a fixed annual cycle of fifty-four weekly portions (parashiyot), one each Shabbat morning, with certain adjacent portions doubled in ordinary years so the sequence fits the calendar. Each portion is named for a distinctive word near its opening and is paired with a haftarah, a reading from the Prophets. The cycle closes and restarts on Simchat Torah. Beshalach ('When he let go', Exodus 13:17-17:16) recounts the crossing of the Sea of Reeds and the drowning of Pharaoh's army, followed by the Song of the Sea (Shirat HaYam), the giving of the manna and the quail, water drawn from the rock, and the battle with Amalek. Its Shabbat is called Shabbat Shirah, the Sabbath of Song.
The splitting of the Sea of Reeds, with the waters described as forming 'a wall to them on their right hand and on their left' (Exodus 14:22), is read by rabbinic commentary alongside a tradition, preserved in the midrash, that the sea did not part until Nahshon, a leader of the tribe of Judah, walked forward into the water up to his neck, a reading later Jewish ethical teaching cites as an example of decisive faith preceding, rather than following, divine intervention. The Song of the Sea (Exodus 15), sung by Moses and the Israelites and echoed by Miriam and the women with timbrels, is written in the Torah scroll itself in a distinctive brick-like layout of separated half-lines, one of the few passages accorded special scribal formatting, and its recitation forms part of the daily morning liturgy in addition to its annual reading on Shabbat Shirah.
The Sabbath of Song
The Shabbat on which Beshalach is read is called Shabbat Shirah for the Song of the Sea, chanted to a special melody; the song is also embedded in the daily morning liturgy. The crossing of the sea became the archetype of divine deliverance at the last moment, and the manna, the water from the rock and the war with Amalek supplied later tradition with enduring images of dependence on God and of implacable enmity.
The battle with Amalek (Exodus 17:8-16), in which Israel prevails only so long as Moses' hands remain raised, supported by Aaron and Hur when he tires, is read by rabbinic commentary, including a statement in the Mishnah, as teaching that Moses' hands held no independent power but functioned to direct the people's hearts toward heaven, victory following not from the gesture itself but from the faith it prompted. God's oath of enduring hostility toward Amalek 'from generation to generation' (Exodus 17:16) established a distinct category in later Jewish law and memory, Amalek read not merely as a historical enemy but as a recurring symbol of gratuitous cruelty. Water struck from the rock at Massah and Meribah (Exodus 17:1-7), given in response to the people's complaint against Moses, closes the portion on a note commentators read as anticipating a strikingly similar but consequential episode decades later in the book of Numbers, when a comparable complaint and a comparable striking of a rock instead costs Moses entry into the land.
Connections
Associated With
Fixed liturgical pairing: this haftarah is read alongside this parashah.
Source Judaism 101: Torah Readings and HaftarotTracey R. Rich
Attributed To
Authored By
Moses, Figures Source Torah (Wikipedia)Wikipedia contributors
Belongs to Tradition
Source Beshalach (Wikipedia)
Contained In
In Language
Originates in Language
Source Jewish Liturgy: A Comprehensive HistoryIsmar Elbogen, translated by Raymond P. Scheindlin
Sources
1. Jewish Liturgy: A Comprehensive History
Ismar Elbogen, translated by Raymond P. Scheindlin, Jewish Publication Society and Jewish Theological Seminary, 1993from the parent text's own language recordView the Source 2. Beshalach (Wikipedia)
- Belongs to Tradition: Judaism, Introduction
- Attributed To: Moses, Introduction; traditionally attributed to Moses (Mosaic authorship)
View the Source3. The Hebrew Bible (Tanakh)
Torah (Wikipedia)
Wikipedia contributors, Wikipedia, 2026Authored By: Moses, Traditional authorshipQuote, Authored By: Moses, Traditional authorship
Rabbinic tradition's understanding is that all of the teachings found in the Torah (both written and oral) were given by God through the prophet Moses, some at Mount Sinai and others at the Tabernacle, and all the teachings were written down by Moses, which resulted in the Torah that exists today.
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