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Chapter 12

Also Known As Laozi 12 (English) · Daodejing 12 (English)
Tao Te Ching

The five colours blind the eye, the five notes deafen the ear, the five flavours numb the mouth. Racing and hunting drive the mind wild, and goods that are hard to get warp conduct. So the sage goes by the belly and not by the eye, and lets the one go in favour of the other.

Facts
Disputed
Position in the Canon
Chapter 12 of 81, in the Dao part of the received text 1
Robert G. Henricks's translation (Lao Tzu: Te-Tao Ching, A New Translation Based on the Recently Discovered Ma-wang-tui Texts, Ballantine Books, 1989) compared the received chapter numbering against two excavated manuscript witnesses: the Mawangdui silk texts, recovered from a Han-dynasty tomb near Changsha and dated to the second century BCE, and the Guodian bamboo slips, excavated near Jingmen and dated to around 300 BCE. The comparison found the Mawangdui texts place the De material before the Dao material, reversing the received order, and that the Guodian slips hold only about a third of the received material with no division into the received chapters at all. Because the received numbering appears in neither older witness, Henricks's philological comparison concludes it is a later editorial convenience rather than a feature of how the text was composed, which is why the atlas treats the chapter number as a reliable citation address and not as a claim about original structure.
Origins
Language
Classical Chinese 3
Classical Chinese of the Warring States period, in a terse rhymed and parallel style that leaves grammatical subjects, number and tense unmarked, which is a principal reason the translations differ so widely
Text
Literary Form
aphorism-collection 4
Identity
Parent Work
Dao Jing 1
Meaning
Theme
Stimulation as a form of impairment 2
Canonicity (class)
Canonical 1
Literary form (class)
Wisdom literature 4
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The Five Colours Blind the Eye

Chapter twelve is a short catalogue of ways in which stimulation impairs the faculty it stimulates. The five colours blind the eye, the five notes deafen the ear, the five flavours numb the mouth. Racing and hunting drive the mind wild, and goods that are hard to get warp conduct.

The numbers are not decorative. Five colours, five notes and five flavours are the standard classificatory sets of Chinese thought, and naming them is naming the whole ordered systems of vision, music and taste. What is being described is therefore not excess of a random kind but the fully elaborated cultural product of each sense, which is exactly what a court would supply.

The claim is not that colour, music and food are bad. It is that a sense worked to the limit of its refinement loses its capacity, and that the person who has eaten the most elaborate food available can no longer taste. This is chapter nine's argument about limits applied to perception rather than to possessions.

The final item breaks the pattern usefully. Goods that are hard to get do not impair a sense; they warp conduct, which moves the chapter from perception into behaviour and connects it to chapter three, where the same phrase appears in a political setting. The progression is deliberate: over-refinement first degrades the faculties, then it degrades the person, and then, in chapter three, it degrades the state.

The Belly and the Eye

The closing line of chapter twelve is a choice between two organs: the sage goes by the belly and not by the eye, and lets the one go in favour of the other.

The pairing is precise and easy to misread as asceticism. The belly is not being recommended as a virtue and the eye is not being condemned as a vice. A belly wants a definite and limited thing, is satisfied by it, and then stops wanting. An eye wants whatever it can see, is not satisfied by acquiring any of it, and generates further wanting from the acquisition. One appetite has a natural terminus and the other does not.

Read that way the line is not about restraining desire but about which desires can be met. The book is consistently suspicious of wanting that cannot be finished, and consistently untroubled by ordinary need: chapter three fills bellies while emptying minds, chapter eighty wants people to find their food sweet and their clothes fine, and chapter forty-six defines the calamity as not knowing what is enough rather than as having anything.

That distinction separates this book from the ascetic traditions it is often filed alongside. Nothing here recommends going without. What is recommended is preferring the kind of want that can be satisfied, and the reason given is practical rather than moral.

Connections

Attributed To

Laozi, Figures
Source Wikipedia: Tao Te Ching

Authored By

Laozi, Figures
Source Wikipedia: Tao Te Ching

Belongs to Tradition

Taoism, Religions
Source Wikipedia: Tao Te Ching

Contained In

The grouping into two parts is that of the received text. The Mawangdui manuscripts reverse the order of the two.

Source Tao Te ChingLaozi (attributed)
Source Tao Te ChingLaozi (attributed)

In Language

Originates in Language

Source Sources of Chinese Tradition, Volume 1Wm. Theodore de Bary and Irene Bloom (eds)
Sources
1. Lao Tzu: Te-Tao Ching, A New Translation Based on the Recently Discovered Ma-wang-tui Texts
Robert G. Henricks, Ballantine Books, 1989View the Source
2. Readings in Classical Chinese Philosophy
P. J. Ivanhoe and Bryan W. Van Norden (eds), Hackett, 2005View the Source
3. Sources of Chinese Tradition, Volume 1
Wm. Theodore de Bary and Irene Bloom (eds), Columbia University Press, 1999View the Source
4. New World Encyclopedia: Tao Te Ching
New World EncyclopediaLead and overview
Quote, Lead and overview
A small text consisting of a mere five thousand words and divided into 81 chapters, it is written in a pithy style (a set of concise, cryptic aphorisms) and often employs ambiguous and paradoxical language to present profound philosophical teachings.
View the Source
Tao Te Ching
Laozi (attributed)View the Source
Wikipedia: Tao Te Ching
Wikipedia
  • Attributed To: Laozi, Lead states the text is traditionally credited to the sage Laozi; authorship and dating are debated among scholars
  • Belongs to Tradition: Taoism, Lead states the text is regarded as the foundational Taoist text, central to philosophical and religious Taoism
  • Authored By: Laozi, Lead
    an ancient Chinese classic text traditionally credited to the sage Laozi
View the Source
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