Divinity Atlas

Sacred Correspondences
Sources

Colour and Culture: Practice and Meaning from Antiquity to Abstraction

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John Gage was an art historian specializing in the history of colour theory and practice, and this study works from direct engagement with the primary material, historical treatises on colour, liturgical texts specifying colour use, and Newton's own optical writings dividing the visible spectrum, rather than presenting colour symbolism as a timeless, uniform system. That primary source based, period by period method is the book's real evidentiary basis. Use it for established scholarly facts about the history of colour theory, pigment and symbolic colour use, including liturgical colour, across the periods and cultures it covers; a claim about a specific living tradition's current colour symbolism needs a source addressing that tradition directly, since this is a history rather than a current ethnography.

Facts
Assessment
Reliability Tier
1
John Gage's standard scholarly history of colour theory, symbolism and pigment across cultures, from Thames and Hudson, including Newton's division of the spectrum and liturgical colour use.
Notes
Standard scholarly history of colour theory, symbolism and pigment across cultures, including Newton's division of the spectrum and liturgical colour use.
Citation
Author
John Gage
Publisher
Thames and Hudson
Publication Year
1993
Source Type
Monograph
Claims Backed By This Source (49 claims)

This source backs 49 claims across the atlas. As facts: 25 well-attested. As cited relationships: 2 holds. Plus 22 entities citing it as a general reference with no single fact or relationship attached.

Disposition By Topic

  • Colors, 28 claims: 4 well-attested, 2 holds, 22 general references.
  • Articles, 14 claims: 14 well-attested.
  • Sources, 7 claims: 7 well-attested.
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