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Rama, Sita, and Lakshmana in the Forest, 1989.332 (Cleveland Museum of Art)

source

The Cleveland Museum of Art's own collection record for its Kangra school Pahari painting "Rama, Sita, and Lakshmana in the Forest," accession 1989.332, made around 1830 at the court of Aniruddh Chand of Kangra, bequest of Mrs. Severance A. Millikin, showing the three during their years of forest exile: Lakshmana preparing food at a fire, Rama and Sita resting beneath a tree near a shrine, a peacock and deer in the foreground beneath jagged white mountains.

Facts
Assessment
Reliability Tier
2
Tier two: the holding institution's own catalog record, used here for the object's date, court, medium and subject, corroborated independently by the same painting's Wikimedia Commons file listing.
Citation
Publisher
Cleveland Museum of Art
URL
https://www.clevelandart.org/art/1989.332
Source Type
Museum
Connections

Associated With

Lakshmana, Figures

This source names Lakshmana directly: "Pahari painting "Rama, Sita, and Lakshmana in the Forest," accession 1989.332, made around 1830 at the court of Aniruddh Chand of Kangra, bequest of Mrs."

Source Rama, Sita, and Lakshmana in the Forest, 1989.332 (Cleveland Museum of Art)
Sita, Figures

This source names Sita directly: "Kangra school Pahari painting "Rama, Sita, and Lakshmana in the Forest," accession 1989.332, made around 1830 at the court of Aniruddh Chand of Kangra, bequest of Mrs."

Source Rama, Sita, and Lakshmana in the Forest, 1989.332 (Cleveland Museum of Art)
Sita, Deities

This source names Sita directly: "Kangra school Pahari painting "Rama, Sita, and Lakshmana in the Forest," accession 1989.332, made around 1830 at the court of Aniruddh Chand of Kangra, bequest of Mrs."

Source Rama, Sita, and Lakshmana in the Forest, 1989.332 (Cleveland Museum of Art)
Claims Backed By This Source (26 claims)

This source backs 26 claims across the atlas. As facts: 16 well-attested. As cited relationships: 9 holds. Plus 1 entities citing it as a general reference with no single fact or relationship attached.

Disposition By Topic

  • Sacred Art & Iconography, 18 claims: 11 well-attested, 6 holds, 1 general references.
  • Sources, 8 claims: 5 well-attested, 3 holds.
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