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Stravinsky: The Rite of Spring (Boosey & Hawkes Catalogue)

Publisher's own catalogue and programme note, boosey.com, read 2026-08-19

The publisher Boosey & Hawkes' own catalogue page for Igor Stravinsky's ballet "The Rite of Spring" (Le Sacre du printemps), composed 1911 to 1913 and premiered 29 May 1913 at the Theatre des Champs-Elysees in Paris, subtitled "Pictures of Pagan Russia in Two Parts." The publisher's own programme note quotes Stravinsky's letter to conductor Serge Koussevitzky describing the work as representing "pagan Russia... unified by a single idea: the mystery and great surge of the creative power of Spring," and his description of "a solemn pagan rite: wise elders, seated in a circle, watching a young girl dance herself to death. They were sacrificing her to propitiate the god of spring." Collaborator Nicholas Roerich, an archaeologist and painter versed in Slavic folklore, is quoted stating his aim to present "a number of scenes of earthly joy and celestial triumph as understood by the Slavs."

Facts
Citation
Publisher
Boosey & Hawkes
URL
https://www.boosey.com/cr/music/Igor-Stravinsky-The-Rite-of-Spring/5253
Source Type
institutional record
Assessment
Reliability Tier
1
The work's own publisher, Boosey & Hawkes, whose own catalogue programme note quotes the composer and his collaborator naming pagan Slavic ritual outright as the ballet's subject.
Connections

Associated With

Russia, Countries

This source names Russia directly: "in Paris, subtitled "Pictures of Pagan Russia in Two Parts." The publisher's own programme note quotes Stravinsky's letter to conductor Serge Koussevitzky describing the work as representing "pagan..."

Source Stravinsky: The Rite of Spring (Boosey & Hawkes Catalogue)
Slavs, Cultures

This source names Slavs directly: "celestial triumph as understood by the Slavs..."

Source Stravinsky: The Rite of Spring (Boosey & Hawkes Catalogue)
Claims Backed By This Source (16 claims)

This source backs 16 claims across the atlas. As facts: 10 well-attested. As cited relationships: 5 holds. Plus 1 entities citing it as a general reference with no single fact or relationship attached.

Disposition By Topic

  • Musical Works, 9 claims: 5 well-attested, 3 holds, 1 general references.
  • Sources, 7 claims: 5 well-attested, 2 holds.
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