Divinity Atlas

Sacred Correspondences
Tarot

Nine of Cups

Also Known As 9 of Cups · Happiness
Minor Arcana

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Rider-Waite-Smith
Visconti-Sforza
Tarot de Marseille
Thoth

The Nine of Cups carries the Golden Dawn title Material Happiness (also called Happiness) and answers to Jupiter in Pisces, the second decan of Pisces. In the Rider-Waite-Smith image a satisfied man sits with arms crossed before a curved counter on which nine cups are arrayed like a wish granted. Long known as the wish card, it is contentment and emotional fulfilment, the pleasure of having what one longed for. Upright it means satisfaction, comfort, gratitude, and wishes coming true; reversed it warns of smugness, overindulgence, shallow pleasure, or a wish that satisfies less than expected.

Facts
Identity
Arcana
Minor, pip 1
Suit
Cups 1
Element
Water 1
Rank
Nine 1
Card Number
1
Across the Decks
Rider-Waite-SmithSourced to the subject's own account
Nine of Cups 2
MarseilleSourced to the subject's own account
Neuf de Coupes 3
ThothSourced to the subject's own account
Happiness 4
Attributions
Golden Dawn TitleSourced to the subject's own account
Lord of Material Happiness 5
AstrologySourced to the subject's own account
11 Pisces - 20 Pisces 5
Reading Keys
UprightSourced to the subject's own account
Satisfaction, contentment, wishes fulfilled 2
ReversedSourced to the subject's own account
Overindulgence, dissatisfaction, smugness 2
Learn More
The Card and Its Imagery

The Nine of Cups occupies the middle decan of Pisces in the water suit's zodiacal sequence, ruled by Jupiter, the planet of expansion and good fortune, and carrying the Golden Dawn title Material Happiness. Its long popular nickname, the wish card, is not a Golden Dawn or Waite invention but a piece of twentieth-century cartomantic folklore that has attached itself firmly enough to the card that most modern guidebooks repeat it without explanation.

Pamela Colman Smith's picture, a satisfied man seated with arms crossed before a curved counter bearing nine cups arranged like a display, is a considerably more self-contained image than most of her Cups pips, showing satisfaction achieved rather than sought, in contrast to the reaching, offering or dancing figures found on several neighboring cards. The Marseille pattern gives none of this, showing nine cups in a lattice with no figure, and cartomancers working that pattern read the card from number and suit for material comfort generally, without the specifically wish-granting sense later attached to Smith's picture.

The Thoth deck, keeping the title Happiness, renders the nine cups as a lotus-form geometric arrangement built on Jupiter's glyph, and Crowley's own commentary is notably more guarded than the wish-card folklore, warning that the card can describe a satisfaction that is complacent rather than earned, closer to smugness than to fulfillment, a caution that Smith's picture, with its folded arms and slightly self-satisfied expression, arguably supports better than the popular nickname does.

Reading the Card

Upright the Nine of Cups is read as satisfaction, comfort and, per its popular name, a wish granted; reversed, as smugness, overindulgence, or a satisfaction that proves shallower than expected once examined.

The wish-card reputation deserves some skepticism as a source claim: it does not appear in Waite's own 1910 text, which gives the more modest concord, contentment, physical wellbeing for the upright card, and it is not part of the Golden Dawn's Book T material either. It is best treated as a later layer of popular cartomantic tradition, genuinely widespread in current practice but no older than the mid twentieth century as far as the printed record shows, and readers who present it as ancient are passing off a relatively recent convention as something ancestral.

Because of its reputation, the card is disproportionately likely to be drawn into questions phrased as wishes or hopes, and experienced readers generally treat this with some caution, since a card's folk reputation can lead a querent to hear more certainty in a reading than the tradition actually supports. The reversed meaning, smugness or a wish that satisfies less than hoped, functions partly as a corrective to the upright card's popularity, a reminder built into the system that comfort achieved is not the same as comfort that was worth having.

Waite's reversed meanings, imperfection, mistakes and defect, are notably harsher and less psychological than the smugness reading now standard.

Cross-Tradition Connections

Associated With

Corresponds To

Decan 2 of Pisces corresponds to the Nine of Cups, the Golden Dawn pip card assigned to this decan, per its own decan-tarot fact.

Source A History of the Occult TarotRonald Decker and Michael Dummett
Sources
1. The Game of Tarot: From Ferrara to Salt Lake City
Michael Dummett, Duckworth, 1980Part I, on the standard patterns and the regional trump ordersView the Source
2. The Pictorial Key to the Tarot
Arthur Edward Waite, William Rider & Son, 1910The Pictorial Key to the Tarot, on the cards and their meaningsView the Source
3. Le Tarot de Marseille
Paul Marteau, B.-P. Grimaud, 1930Le Tarot de Marseille, on the card titles of the standard pattern
4. The Book of Thoth
Aleister Crowley, Samuel Weiser Inc, 1944The Book of Thoth, on the titles of the seventy-eight cardsView the Source
5. The Golden Dawn: The Original Account of the Teachings, Rites, and Ceremonies of the Hermetic Order of the Golden Dawn, 6th edition
Israel Regardie, Llewellyn, 1989Book T and the tables of correspondenceView the Source
Pamela Colman Smith: The Untold Story
Stuart R. Kaplan, with Mary K. Greer, Elizabeth Foley O'Connor and Melinda Boyd Parsons, U.S. Games Systems, 2018Catalogue of the 1909 Rider deck drawings, s.v. Nine of CupsView the Source
Rules of Card Games: Tarot (pagat.com)
John McLeod, pagat.comTarocchi in Piedicavallo, on the digit-and-suit shorthand for tarot pip cards
Quote, Tarocchi in Piedicavallo, on the digit-and-suit shorthand for tarot pip cards
the 1, 2, 3 and 4 of swords and batons and the 10, 9, 8 and 7 of cups and coins
View the Source
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