Divinity Atlas

Sacred Correspondences
Tarot

Page of Wands

Minor Arcana

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Rider-Waite-Smith
Visconti-Sforza
Tarot de Marseille
Thoth

The Page of Wands is the earthy, apprentice aspect of Fire, the student and messenger of the suit. In the Rider-Waite-Smith image a youth in a patterned tunic decorated with salamanders stands in a desert admiring a sprouting wand he holds before him. As a person he is enthusiastic, curious, and free-spirited; as a message he brings exciting news or the offer of a new venture. Upright he means discovery, inspiration, and eager first steps; reversed he warns of restlessness, hasty starts, unformed ideas, or enthusiasm that fizzles.

Facts
Identity
Arcana
Minor, court 1
Suit
Wands 1
Element
Fire 1
Rank
Page 1
Across the Decks
Rider-Waite-SmithSourced to the subject's own account
Page of Wands 2
MarseilleSourced to the subject's own account
Valet de Batons 3
ThothSourced to the subject's own account
Princess of Wands 4
Attributions
Golden Dawn TitleSourced to the subject's own account
The Princess of the Shining Flame 5
Elemental PairingSourced to the subject's own account
Earth of Fire 5
Reading Keys
UprightSourced to the subject's own account
Curiosity, enthusiasm, exploration, free spirit 2
ReversedSourced to the subject's own account
Recklessness, lack of direction, hesitation 2
Learn More
The Card and Its Imagery

Within Waite's four-rank court, the Page is the fire suit's junior figure; the Golden Dawn's equivalent rank, the Princess of Wands, carries the elemental pairing Earth of Fire, will and enthusiasm given the most grounded and least active of the suit's four expressions, the fire suit's own energy just beginning to take a concrete, embodied form. Like the other three Princess ranks she carries no zodiacal decan of her own; Book T completes fire's share of the sixteen-card elemental matrix through her rather than through any decanic placement.

Pamela Colman Smith's picture, a youth in a tunic patterned with salamanders standing in a desert admiring a staff that has visibly sprouted new growth in his hand, has no equivalent in the Tarot de Marseille, whose Valet de Batons is a static heraldic figure holding a plain staff with no desert, salamanders or sprouting growth at all; the desert setting is notable among the four Pages, the only one placed in an arid rather than a green, watery or windswept landscape, a contrast commentators generally read as underscoring fire's ability to generate life even where the ground itself offers none.

Crowley's Thoth card keeps the Golden Dawn name Princess of Wands, her full title the Princess of the Shining Flame, and renders her amid a burst of geometric flame rather than any desert scene, Harris's more purely emblematic equivalent of Smith's sprouting staff.

Reading the Card

Upright the Page of Wands is read as curiosity, enthusiasm and free-spirited exploration, eagerness at its most unformed and least tested; reversed, as recklessness, a lack of direction, or hesitation that stalls the same enthusiasm before it starts.

As a court card he carries the deck's double reading, standing for a young or youthful person, or for an influence of fresh inspiration entering a situation; readers commonly treat him as the deck's most purely enthusiastic figure across all sixteen courts, since unlike the other three pages he faces no water, wind or settled ground to react to, only an open desert and his own sprouting staff.

Waite's own printed meaning, a dark young man, faithful, a lover, an envoy, a postman, generally news of some sort, is more concretely a messenger reading than the personality-trait reading of curiosity and free-spiritedness most contemporary practice now favors, another instance of the deck's general twentieth-century drift from event-cards toward character-cards.

Because the Princess ranks are structurally the least fixed of the court, carrying no decan and standing at the entry point of each suit's elemental matrix, some commentators read this page's characteristic hesitancy, enthusiasm without yet a plan, as built into the position itself rather than as any personal failing.

Cross-Tradition Connections

Associated With

Sources
1. The Game of Tarot: From Ferrara to Salt Lake City
Michael Dummett, Duckworth, 1980Part I, on the standard patterns and the regional trump ordersView the Source
2. The Pictorial Key to the Tarot
Arthur Edward Waite, William Rider & Son, 1910The Pictorial Key to the Tarot, on the cards and their meaningsView the Source
3. Le Tarot de Marseille
Paul Marteau, B.-P. Grimaud, 1930Le Tarot de Marseille, on the card titles of the standard pattern
4. The Book of Thoth
Aleister Crowley, Samuel Weiser Inc, 1944The Book of Thoth, on the titles of the seventy-eight cardsView the Source
5. The Golden Dawn: The Original Account of the Teachings, Rites, and Ceremonies of the Hermetic Order of the Golden Dawn, 6th edition
Israel Regardie, Llewellyn, 1989Book T and the tables of correspondenceView the Source
Pamela Colman Smith: The Untold Story
Stuart R. Kaplan, with Mary K. Greer, Elizabeth Foley O'Connor and Melinda Boyd Parsons, U.S. Games Systems, 2018Catalogue of the 1909 Rider deck drawings, s.v. Page of WandsView the Source
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