Divinity Atlas

Sacred Correspondences
Tonalpohualli Day Signs

Crocodile (Cipactli)

Also Known As Cipactli

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Day sign 1 of the twenty in the tonalpohualli, the 260-day Aztec divinatory calendar: Cipactli, the primordial earth caiman. Its patron is Tonacatecuhtli, the lord of sustenance who presided over creation, and its direction is east, the region of light and abundance. The caiman is the floating earth itself, the first of all signs, and the count begins on its back. The colonial sources read it as a fortunate opening: Sahagun's informants held that those born under it could look for prosperity and honour if they kept the sign's observances, and Duran records it as a day of beginnings.

Facts
Attributions
Ruling Deity
Tonacatecuhtli 1Tradition: Aztec
Direction
East 1Tradition: Aztec
Reading Keys
Augury
A fortunate opening sign: those born under it were promised prosperity and honour if they kept its observances. 2Tradition: Aztec
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Cipactli, the First Day Sign

Cipactli, the earth caiman, opens the twenty day signs of the tonalpohualli, and Sahagun's informants read the day itself as a fortunate beginning, promising those born under it the chance of prosperity if the observances the sign demanded were kept. Nahua cosmology across central Mexico holds Cipactli as the primordial creature whose body became the floating earth, torn apart by Tezcatlipoca and Quetzalcoatl acting together in one version of creation recorded in colonial sources, so the day sign carries the whole world's own origin behind its name rather than only an animal's character. As the sign that opens both the twenty day count and, doubled with the number one, the entire 260 day tonalpohualli at 1 Cipactli, its augury set the tone the tonalpouhque, the calendar readers, used to introduce the count to a new client, a foundation day before the readings that followed grew more varied and more mixed. The caiman's own nature, a creature of the water's edge belonging fully to neither land nor sea, gave later interpreters a natural image for beginnings that have not yet settled into a fixed shape, fitting a sign that stands at the exact threshold of the count rather than within its ordinary run.

Cipactli's Patron and the East

Cipactli's patron in the twenty day sign count is Tonacatecuhtli, lord of sustenance, one half of the creator pair Sahagun places at the origin of the Mexica pantheon, dwelling with his consort Tonacacihuatl in Omeyocan, the place of duality atop the highest of the thirteen heavens, a fittingly foundational patron for the sign that opens the whole count. Its direction is east, the quarter of sunrise and of light, the first of a four direction rotation, east, north, west and south, that repeats every four day signs across the full twenty, so that Cipactli shares its eastward association with Coatl, Atl, Acatl and Ollin, the signs standing five places apart from it in the cycle.

Cipactli is not among the four year bearer signs, the select group of Calli, Tochtli, Acatl and Tecpatl spaced five places apart that alone could open a solar year in the separate 365 day xiuhpohualli, since 365 divided by 20 leaves a remainder of five and only signs sharing that particular spacing recur as year openers; Cipactli's role stays confined to the 260 day divinatory count rather than extending into the civic calendar of years. As the trecena patron of its own opening week, Tonacatecuhtli governs identically in both roles, a rare case where a day sign's own patron and its trecena's patron are the same deity.

Cross-Tradition Connections

Associated With

East, Directions

Namesake Of

1 Cipactli, Trecenas
Source Florentine Codex: General History of the Things of New SpainBernardino de Sahagun; translated by Arthur J. O. Anderson and Charles E. Dibble
Sources
1. Cycles of Time and Meaning in the Mexican Books of Fate
Elizabeth Hill Boone, University of Texas Press, 2007View the Source
2. Florentine Codex: General History of the Things of New Spain
Bernardino de Sahagun; translated by Arthur J. O. Anderson and Charles E. Dibble, School of American Research and University of Utah Press, 1950View the Source
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