Divinity Atlas

Sacred Correspondences
Tzolkin Tones

Lunar

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Origin 1987 to 1990

Tone Two is the second of the thirteen numbers of the Tzolkin, the 260-day Maya sacred calendar. As the number two, it introduces duality and pairing, the first division of the original unity into this and that, self and other. In the traditional count the number simply modifies its day sign, but in the modern Dreamspell system of Jose Arguelles (1987) it is named the Lunar tone, expressing polarity and challenge: the tension of opposites that reveals an obstacle and, by naming it, gives the emerging intention something firm to stabilize against. It is read as the stage of encountering the difficulty, the necessary friction through which purpose is tested and made real.

Facts
Origins
Origin Period
1987 to 1990 2Tradition: Dreamspell (José Argüelles, 1987)
Origin Period
250 to 900 CE 1Tradition: Classic Maya inscriptions
Origin Period
600 BCE to 250 CE 1Tradition: Preclassic Mesoamerican inscriptions
Origin Period
Lunar is the second of the thirteen Dreamspell tone names, but the coefficient it labels, the plain number two running through the Tzolkin's thirteen day trecena, is genuinely ancient Maya, attested on Classic Maya monuments from 250 to 900 CE and rooted further back in Preclassic use of the day count. The name Lunar carries none of that antiquity: it is one of the thirteen Galactic Tone names Jose Arguelles coined for his Dreamspell system, announced at the Harmonic Convergence of 1987 and published in worked out form in 1990. 2
Place of Origin
Mesoamerica. Among the Maya, the lowlands of the Yucatan peninsula, Guatemala, Belize and Chiapas, and the Guatemalan highlands. 1
Origin of the Name
In the living Kiche count this coefficient is simply the number two, keb'. Daykeepers reckon by the number itself. 3Tradition: Highland Maya daykeeping in Guatemala
Origin of the Name
The name recorded here, Lunar, is one of the thirteen Galactic Tone names coined by Jose Arguelles for the Dreamspell in 1987. It is an English coinage, not a Maya term, and the Maya count has no names for its coefficients at all. 2Tradition: Dreamspell (José Argüelles, 1987)
Language
Kiche Maya 3
Language
English 2
Identity
Position
2 of 13 1
Meaning
Themes
Polarity, challenge 1
Status
Standing as a Comparative Category
A standard analytic category in the study of religion 1Tradition: Classic Maya inscriptions
Standing as a Comparative Category
Used, but its validity as a comparative category is disputed 2Tradition: Dreamspell (José Argüelles, 1987)
Status Today
Living tradition, practised today 3
Attestation
Meaning in the Attesting Source
The coefficient is the number two running against the twenty day signs, and it is the day two of the thirteen-day trecena the day sign opens. It carries no name. 3Tradition: Highland Maya daykeeping in Guatemala
Contested Use
Contested or Appropriated Modern Use
This page's own title is the Dreamspell tone name Lunar, and the keyword beside it is the Dreamspell keyword. Both belong to a system devised in 1987 and neither is Maya; the Maya coefficient is the bare number two. 2
Learn More
The Second Tone of the Tzolk'in

This is the second of the thirteen numbers, or tones, that combine with the twenty day signs to build the 260-day Tzolk'in. In living Maya daykeeping the coefficient is simply the number two, keb' or ka'ib', and it is often felt as the day of duality and challenge, the tension that follows a beginning, the second step of the thirteen-day trecena. The name recorded here, Lunar, and its keyword of polarity and challenge belong to the modern Dreamspell system devised by Jose Arguelles in the 1980s, a New Age reinterpretation distinct from traditional Maya practice; the daykeepers of highland Guatemala reckon by the number itself, not by these invented tone names. The authentic element is the coefficient two and its place in pairing thirteen numbers with twenty signs to produce the 260 distinct days of the sacred count.

The second of the thirteen numbers that combine with the twenty day signs to generate the Tzolk'in's 260-day count. In the trecena, the thirteen-day week formed by counting a fixed day sign's number upward from one to thirteen before the sign itself advances, a day numbered two falls on the second day of its trecena, one step past the trecena's opening day. Contemporary K'iche' daykeepers in highland Guatemala read the numbers using their own counting vocabulary and traditional associations, distinct from the widely circulated Dreamspell tone names such as "Lunar," which derive from Jose Arguelles's unrelated 1987 system rather than from Maya tradition. Within the trecena structure, low numbers near the start of a thirteen-day cycle are generally read by daykeepers as carrying the qualities of initiation and gathering momentum, building toward the trecena's culmination at thirteen.

Sources Time and the Highland MayaBarbara Tedlock with Dreamspell: The Journey of Timeship Earth 2013Jose Arguelles

The Coefficient Two in the Count

Two is written as two dots. A day numbered two stands in the second place of whichever trecena it belongs to, one day past the sign that names that run, and the count proceeds by advancing the number by one and the sign by one simultaneously, so that the two cycles of thirteen and twenty turn together like meshed gears.

That simultaneous advance is what generates the 260 distinct combinations. Thirteen and twenty share no common factor, so every number meets every sign once before any pairing repeats, and thirteen times twenty is 260. Nothing further needs to be stipulated; the length of the count follows from the two cycle lengths alone.

Maya numerals are written with a dot for one and a bar for five, and the coefficient of a day is written in exactly that way in the inscriptions, set beside the day sign in its cartouche. The system is positional and includes a sign for zero, which is why the Long Count can be written as a string of places, but within the 260-day count no number above thirteen ever occurs and the notation stays simple.

The word Lunar, attached to this coefficient in modern popular literature, comes from Jose Arguelles's Dreamspell of 1987 and not from any Maya source. The thirteen coefficients in the living count kept by highland Guatemalan daykeepers are simply the numbers, and no separate names for them are recorded in the Classic inscriptions or the colonial sources.

Sources Maya Hieroglyphic Writing: An IntroductionJ. Eric S. Thompson with Dreamspell: The Journey of Timeship Earth 2013Jose Arguelles

Cross-Tradition Connections

Contained In

Tzolkin, Calendars

One of the thirteen numbers the count runs against the twenty day signs.

Originates in Language

Sources
1. The Maya (9th edition)
Michael D. Coe and Stephen Houston, Thames and Hudson, 2015ch. on Maya arithmetic, writing and the calendarView the Source
2. The 2012 Phenomenon: New Age Appropriation of an Ancient Mayan Calendar
Robert K. Sitler, University of California Press (Nova Religio 9:3, pp. 24-38), 2006Dreamspell tone name Lunar: part of Jose Arguelles's 1980s New Age system (The Mayan Factor; Dreamspell), a modern reinterpretation distinct from the traditional Maya day-count.
3. Time and the Highland Maya
Barbara Tedlock, University of New Mexico Press (revised edition), 1992Coefficient 2 (keb' (ka'ib')) in K'iche' daykeeping; the 13-day trecena and 13x20 pairing that yields the 260-day count of the highland Guatemala ajq'ij.
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