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Sacred Correspondences
Tzolkin Tones

Spectral

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Origin 1987 to 1990

Tone Eleven is the eleventh of the thirteen numbers of the Tzolkin, the 260-day Maya sacred calendar. As the number eleven, it brings dissonance and dissolution, the shaking loose of structure that has served its purpose. In the traditional count the number simply modifies its day sign, but in the modern Dreamspell system of Jose Arguelles (1987) it is named the Spectral tone, expressing release and liberation: the stage at which the manifested form is dissolved and let go, freeing what was bound within it. It is read as the moment of release, the necessary breaking-down and letting-go that clears away the old structure so that new life can be liberated.

Facts
Origins
Origin Period
1987 to 1990 2Tradition: Dreamspell (José Argüelles, 1987)
Origin Period
250 to 900 CE 1Tradition: Classic Maya inscriptions
Origin Period
600 BCE to 250 CE 1Tradition: Preclassic Mesoamerican inscriptions
Origin Period
Spectral is the eleventh of the thirteen Dreamspell tone names, but the coefficient it labels, the plain number eleven running through the Tzolkin's thirteen day trecena, is genuinely ancient Maya, attested on Classic Maya monuments from 250 to 900 CE and rooted further back in Preclassic use of the day count. The name Spectral carries none of that antiquity: it is one of the thirteen Galactic Tone names Jose Arguelles coined for his Dreamspell system, announced at the Harmonic Convergence of 1987 and published in worked out form in 1990. 2
Place of Origin
Mesoamerica. Among the Maya, the lowlands of the Yucatan peninsula, Guatemala, Belize and Chiapas, and the Guatemalan highlands. 1
Origin of the Name
Daykeepers reckon by the number itself 3Tradition: Highland Maya daykeeping in Guatemala
Origin of the Name
In the living Kiche count this coefficient is simply the number eleven, junlajuj 3Tradition: Highland Maya daykeeping in Guatemala
Origin of the Name
The name recorded here, Spectral, is one of the thirteen Galactic Tone names coined by Jose Arguelles for the Dreamspell in 1987. It is an English coinage, not a Maya term, and the Maya count has no names for its coefficients at all. 2Tradition: Dreamspell (José Argüelles, 1987)
Language
Kiche Maya 3
Language
English 2
Identity
Position
11 of 13 1
Meaning
Themes
Release, liberation 1
Status
Standing as a Comparative Category
A standard analytic category in the study of religion 1Tradition: Classic Maya inscriptions
Standing as a Comparative Category
Used, but its validity as a comparative category is disputed 2Tradition: Dreamspell (José Argüelles, 1987)
Status Today
Living tradition, practised today 3
Attestation
Meaning in the Attesting Source
The coefficient is the number eleven running against the twenty day signs, and it is the day eleven of the thirteen-day trecena the day sign opens. It carries no name. 3Tradition: Highland Maya daykeeping in Guatemala
Contested Use
Contested or Appropriated Modern Use
This page's own title is the Dreamspell tone name Spectral, and the keyword beside it is the Dreamspell keyword. Both belong to a system devised in 1987 and neither is Maya; the Maya coefficient is the bare number eleven. 2
Learn More
The Eleventh Tone of the Tzolk'in

This is the eleventh of the thirteen numbers, or tones, that combine with the twenty day signs to form the 260-day Tzolk'in. In living Maya daykeeping the coefficient is simply the number eleven, junlajuj, falling among the high numbers of the thirteen, often felt as a day of dissolving and letting go as the trecena nears its close. The name recorded here, Spectral, and its keyword of release and liberation belong to the modern Dreamspell system of Jose Arguelles, a New Age overlay from the 1980s that is distinct from the Maya calendar and not part of traditional daykeeping. The daykeepers reckon by the number itself. The authentic element is the coefficient eleven and its role in the interlocking of thirteen numbers with twenty day signs that produces the 260 unique days of the sacred count.

The eleventh of the thirteen numbers that combine with the twenty day signs to generate the Tzolk'in's 260-day count, marking the eleventh day of its trecena, in the final stretch before the thirteen-day cycle completes and the next trecena begins with the number one again attached to a new day sign five positions further along the twenty-sign sequence. Because twenty and thirteen share no common factor greater than one, every combination of a number and a day sign is unique across the full 260-day count, a property epigraphers regard as central to why the Tzolk'in functioned so effectively as a system for naming individual days without ambiguity across a person's entire lifetime.

Sources Time and the Highland MayaBarbara Tedlock with Dreamspell: The Journey of Timeship Earth 2013Jose Arguelles

The Coefficient Eleven in the Count

Eleven is written as two bars and a dot. It falls eleventh in a trecena of thirteen, near the close of the run, and the numbered day it forms with any given sign recurs once in each 260-day round like every other combination.

The regularity is worth restating because it is the whole basis of the count's use. There is no irregularity anywhere in the Tzolk'in, no intercalation, no correction and no leap day; it is a pure product of two cycles turning against each other. That is why it can be run continuously for millennia without accumulating error of any kind, and why the count kept by highland daykeepers today can be matched against Classic inscriptions.

Maya numerals are written with a dot for one and a bar for five, and the coefficient of a day is written in exactly that way in the inscriptions, set beside the day sign in its cartouche. The system is positional and includes a sign for zero, which is why the Long Count can be written as a string of places, but within the 260-day count no number above thirteen ever occurs and the notation stays simple.

Spectral, the modern name for this coefficient, is from Jose Arguelles's Dreamspell of 1987. The Dreamspell's own count does not track the traditional Tzolk'in day by day, since it handles leap days differently, so the two systems give different answers for the same date, which is a practical as well as a historical distinction.

Sources Maya Hieroglyphic Writing: An IntroductionJ. Eric S. Thompson with Dreamspell: The Journey of Timeship Earth 2013Jose Arguelles

Cross-Tradition Connections

Contained In

Tzolkin, Calendars

One of the thirteen numbers the count runs against the twenty day signs.

Originates in Language

Sources
1. The Maya (9th edition)
Michael D. Coe and Stephen Houston, Thames and Hudson, 2015ch. on Maya arithmetic, writing and the calendarView the Source
2. The 2012 Phenomenon: New Age Appropriation of an Ancient Mayan Calendar
Robert K. Sitler, University of California Press (Nova Religio 9:3, pp. 24-38), 2006Dreamspell tone name Spectral: part of Jose Arguelles's 1980s New Age system (The Mayan Factor; Dreamspell), a modern reinterpretation distinct from the traditional Maya day-count.
3. Time and the Highland Maya
Barbara Tedlock, University of New Mexico Press (revised edition), 1992Coefficient 11 (junlajuj) in K'iche' daykeeping; the 13-day trecena and 13x20 pairing that yields the 260-day count of the highland Guatemala ajq'ij.
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