Mmere Dane, "time changes," is generally rendered as a rotating or spiral pinwheel form, visually evoking cyclical motion. Its proverb observes that circumstances, fortune, and power shift over time, so that present advantage or hardship should not be mistaken for a permanent condition. It counsels humility toward good fortune and patience toward misfortune alike, since both are subject to change.
Facts
Origins
Place of OriginThe Akan-speaking region of West Africa, chiefly the Asante and Gyaman kingdoms in what is now Ghana and eastern Ivory Coast 2 Place of OriginThe stamping of adinkra cloth centres on Ntonso and the towns north of Kumasi, where each symbol is cut into a calabash stamp and printed with a dye boiled from tree bark and iron slag 1 Contested Use
Contested or Appropriated Modern UseAdinkra symbols are reproduced worldwide on goods made outside Ghana and outside the Akan tradition, where the proverb the symbol carries is usually not reproduced with it. The hand-stamped cloth trade at Ntonso now competes with screen-printed imitations of its own designs. 1 Meaning
Literal Meaning Learn More
Mmere Dane: A Turning Shape Before Any Word Is Attached
Mmere Dane, time changes, is generally rendered as a rotating or spiral pinwheel form, and Willis reads the design's visual motion, a shape that only reads correctly as a pinwheel because it implies turning, as directly encoding the proverb's central claim before any words are attached to it: circumstances, fortune and power shift over time, so present advantage or hardship should not be mistaken for a permanent condition.
Willis situates the proverb within a broader Akan sensibility toward the impermanence of worldly standing that recurs, in different forms, across several proverbs in the wider oral tradition beyond the Adinkra corpus specifically, Mmere Dane being the design that gave this particular strand of proverbial wisdom a dedicated cloth stamp. Willis notes the pinwheel's arms are sometimes rendered as three and sometimes as four or more, a count he treats as a matter of carver preference with no fixed canonical number, unlike some of the corpus's more numerically precise designs such as Mpuannum's five tufts, where the specific count is itself part of the symbol's identity. Willis records no single count of arms as more authoritative than another across the carvers and cloth he surveyed.
Worn On Both Sides Of The Same Transition
Willis records Mmere Dane counselling humility toward good fortune and patience toward misfortune alike, since both, by the proverb's own logic, are equally subject to change, a symmetry that distinguishes it from symbols addressing only one side of that equation, such as Bese Saka's straightforward celebration of abundance or Owuo Atwedee's sober acknowledgment of mortality. Willis notes this even-handedness has made Mmere Dane a recorded choice for cloth marking a significant reversal of fortune in either direction, worn as readily by someone newly prosperous, as a reminder not to presume permanence, as by someone recently fallen on hard times, as a reminder that the reversal need not be permanent either.
Willis records Mmere Dane appearing on cloth commissioned around a change in political or institutional leadership specifically, worn by those leaving office as a reminder that their new circumstance is itself temporary, and by those entering office as a caution against presuming permanence, a dual application to the same transitional occasion viewed from its two different sides. Willis treats this dual application as a natural consequence of a single transition necessarily having two sides, an outgoing office holder and an incoming one.
Connections
Associated With
Akan, Cultures Mmere Dane, time changes, represents the shifting nature of fortune and circumstance.
Source The Adinkra Dictionary: A Visual Primer on the Language of AdinkraW. Bruce Willis
Originated In
Source The Adinkra Dictionary: A Visual Primer on the Language of AdinkraW. Bruce Willis
Sources
1. The Adinkra Dictionary: A Visual Primer on the Language of Adinkra
2. Asante in the Nineteenth Century: The Structure and Evolution of a Political Order
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