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Sacred Correspondences
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Sacred Objects, Dress & Symbols

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This section gathers the physical and visual furniture of religious life: the objects handled in ritual, the clothing worn by the ordained and initiated, and the symbols that stand for a tradition at a glance. What holds the three together is a single idea, that meaning here is conferred by consecration, office and rule rather than by material. A cup is a chalice because of what is done with it and who may do it, and several of the categories below cover garments or regalia that only certain people, by ordination or office, are permitted to wear.

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The physical and visual furniture of religious life: objects handled in ritual, clothing worn by the ordained and initiated, and the symbols that stand for a tradition at a glance. Meaning here is conferred by consecration, office and rule rather than by material. 1
Categories in This Section
Animal2Anthropomorphic3Architectural2Astral29Body Part3Composite Set1Cross4Diagram4Implement7Interlace3Monogram4Notation23Path1Polygram4Vegetal4Wheel4Zoomorphic1

One undivided list of 60 entries.

Alabaster panel, England, 1440 to 1460, part of a Zamora apostle set, Victoria and Albert Museum A.153-19221Alabaster panel, England, 1440 to 1460, part of a Zamora apostle set, Victoria and Albert Museum A.154-19221Alabaster panel, England, 1440 to 1460, part of a Zamora apostle set, Victoria and Albert Museum A.157-19221Alabaster panel, England, 1440 to 1460, part of a Zamora apostle set, Victoria and Albert Museum A.158-19221Alabaster panel, England, 1440 to 1460, Victoria and Albert Museum A.150-19221Albumen silver print by Julia Margaret Cameron, 1874, Metropolitan Museum of Art 52.524.3.51Albumen silver print, 1874, Metropolitan Museum of Art1Albumen silver print, 1874-1875, Harvard Art Museums1Altarpieces2Anonymous Mexican engraving, 19th century, Metropolitan Museum of Art 30.82.2441artwork114Attic terracotta amphora, signed by Taleides as potter, ca. 540 to 530 BCE, Metropolitan Museum of Art 47.11.51Attic terracotta bell-krater, attributed to the Painter of London E 497, ca. 440 BCE, Metropolitan Museum of Art 24.97.301Attic terracotta calyx-krater, attributed to the Persephone Painter, ca. 440 BCE, Metropolitan Museum of Art 41.831Attic terracotta hydria, attributed to the Berlin Painter, ca. 500 BCE, Metropolitan Museum of Art 10.210.191Attributed to Hashimoto (Gyokuranzai) Sadahide, before 1868, National Diet Library of Japan1Babylonian limestone amulet, Neo-Babylonian period, Metropolitan Museum of Art 86.11.21Biscuit ceramic with polychrome enamels, China, Qing dynasty, Metropolitan Museum of Art 63.213.111Black and red chalk, Antoine Coypel, ca. 1695, Metropolitan Museum of Art 2022.3101Bois durci medallion, A. Latry et Cie., early 1870s, Metropolitan Museum of Art 2021.20.11Brass figure, 17th century, Metropolitan Museum of Art 2007.11Brass figure, India (Himachal Pradesh), 7th century, Metropolitan Museum of Art 2014.601Brass, India, 17th to 18th century, Brooklyn Museum1Brass, Yoruba, Nigeria, 1800s, Cleveland Museum of Art 2018.341Bronze coin, 37 to 4 BCE, Harvard Art Museums1Bronze figure, 13th century, Metropolitan Museum of Art 1987.142.3491Bronze figurine, SHM 14232, circa 1000 CE1Bronze inlaid with copper and silver, gold plugs, Tibet, 17th century, Metropolitan Museum of Art 1995.1761Bronze inlaid with silver and copper, 7th century, Swat Valley, Pakistan, Metropolitan Museum of Art 1974.2731Bronze medal, Giovanni V. Melon, Italian, active ca. 1570 to 1590, dated 1579, Metropolitan Museum of Art 12.140.11Bronze medallion, Edmond Johnson, Irish, 19th to 20th century, Metropolitan Museum of Art 08.2401Bronze ritual vessel, Ptolemaic Period, Metropolitan Museum of Art1Bronze with silver inlay, Java, second half of the 9th to early 10th century, Metropolitan Museum of Art 1987.142.221Bronze, circle of Severo Calzetta da Ravenna, mid-16th century, Metropolitan Museum of Art 1971.1711Bronze, India (probably Bihar), 10th century, Metropolitan Museum of Art 1987.142.3401Bronze, Indonesia (Java), late 9th century, Metropolitan Museum of Art 1987.142.231Bronze, Roman, 1st century CE, Metropolitan Museum of Art 13.227.81Brush and ink and wash over black chalk, Francesco Solimena, 1728 to 1733, Metropolitan Museum of Art 63.98.11Calligraphy & Inscriptions1Carrara marble, Michelangelo, 1501 to 1504, Galleria dell'Accademia, Florence1Carved marble, high relief, about 166 to 156 BC1Cast bronze, India, Harvard Art Museums1Chalk Drawing1Chiaroscuro woodcut, Hendrick Goltzius, 1588 to 1590, Metropolitan Museum of Art 18.17.2-181Chiaroscuro woodcut, Hendrick Goltzius, ca. 1589-90, Metropolitan Museum of Art 17.3.26241Color woodblock print, Totoya Hokkei, 1820s, Art Institute of Chicago 1970.5201Colored woodcut broadsheet, S. & W. Koene, 1757 to 1830, Rijksmuseum1Colorless glass, silver stain and vitreous paint, style of Jan Swart van Groningen, ca. 1530 to 1540, Metropolitan Museum of Art 32.24.401Colorless glass, vitreous paint and silver stain, ca. 1515, Metropolitan Museum of Art 32.24.391Commercial color lithograph, W. Duke Sons and Co., American, 1888, Metropolitan Museum of Art 63.350.206.126.391Commercial color lithograph, Wm. S. Kimball and Co., 1889, Metropolitan Museum of Art 63.350.216.188.261Consecration drawing, ink and watercolour on paper, Tibet, ca. 13th century, Victoria and Albert Museum IM.121BB-19101Conte crayon and white chalk on paper, Merry Joseph Blondel, ca. 1822 to 1828, Metropolitan Museum of Art 2020.2781Copper alloy statuette, Late Period 664 to 332 BCE, Musee du Louvre1Copper alloy statuette, Nepal, Kathmandu Valley, 10th century, Metropolitan Museum of Art 1978.394.11Copper alloy with copper and silver inlay, Western Tibet or Ladakh, 14th century, Metropolitan Museum of Art 2012.4591Copper alloy, Akota, Gujarat, India, late 7th century, Metropolitan Museum of Art 2008.2791Copper alloy, British(?), ca. 1125 to 1150, Metropolitan Museum of Art 17.190.7691Copper-alloy votive statuette, Late Period to Ptolemaic Period, Metropolitan Museum of Art 30.8.941Cylinder seal, 6th to 4th century BC1Dehua porcelain figure with white glaze, China, 1800 to 1900, Victoria and Albert Museum C.545-19101Distemper and gold on cloth, Tibet, early to mid-12th century, Metropolitan Museum of Art 1993.4791Distemper on cloth, Tibet, 15th century, Metropolitan Museum of Art 2021.2901Drawing by Jacques Bellange, ca. 1606 to 1608, Metropolitan Museum of Art 1994.2091Drawing, Anonymous, Italian, 18th century, Metropolitan Museum of Art 66.771Drawing, c. 1535, Cleveland Museum of Art1Drawing, Nicolai Abraham Abildgaard, mid-18th to early 19th century, Metropolitan Museum of Art 2011.2541Egyptian bronze statuette, Late Dynastic to Hellenistic period, Metropolitan Museum of Art 74.51.55841Egyptian limestone statue, end of Late Period to Ptolemaic Period, Metropolitan Museum of Art 69.1051Elephant ivory diptych with metal mounts, French, circa 1350, Metropolitan Museum of Art 17.190.2081Elephant ivory, German, 11th century, Metropolitan Museum of Art 17.190.361Embossed silver, Roman, 2nd to 5th century CE (disputed)1Engraving after Maerten de Vos, 1585, Metropolitan Museum of Art 53.601.335(4)1Engraving and etching, Aegidius Sadeler (II), 1609, Rijksmuseum1Engraving and etching, Dirck Volckertsz Coornhert, 1555, plate 4 of The Victories of Emperor Charles, Metropolitan Museum of Art 28.4(220)1Engraving and etching, Etienne Desrochers, c. 1726, Rijksmuseum1Engraving and etching, Jan van de Velde II, 1613 to 1641, Metropolitan Museum of Art 34.84.51Engraving, Abner Reed, 1808, Art Institute of Chicago1Engraving, Albrecht Durer, 1526, Metropolitan Museum of Art 19.73.1171Engraving, Albrecht Durer, Germany, 1523, Metropolitan Museum of Art 19.73.551Engraving, Andrea Mantegna, Italian, ca. 1475, Metropolitan Museum of Art 21.281Engraving, artist unknown, in Blasius Ugolinus's Thesaurus Antiquitatum Sacrarum, Venice, circa 17441Engraving, first state, designed by Maarten van Heemskerck, engraved by Philips Galle, Netherlandish, ca. 1569, Metropolitan Museum of Art 66.629.221Engraving, Francesco Rosselli, 1480 to 1490, Metropolitan Museum of Art 29.16.161Engraving, Francesco Rosselli, Italian, 1480 to 1490, from Prophets and Sibyls, Metropolitan Museum of Art 29.16.281Engraving, Frans Huys, published by Hieronymus Cock, 1559 to 1562, Rijksmuseum1Engraving, Georg Pencz, German, ca. 1543, from The Story of Abraham, Metropolitan Museum of Art 2012.136.766.21Engraving, Giovanni Volpato, Italian, 18th century, Metropolitan Museum of Art 53.600.7221Engraving, Giulio Bonasone, 1531 to after 1576, Metropolitan Museum of Art 64.682.1021Engraving, Giulio Sanuto, ca. 1557 to 1570, Metropolitan Museum of Art 53.601.3411Engraving, Jacques de Gheyn II, 1584 to 1594, from the series The Twelve Sons of Jacob, Metropolitan Museum of Art 1970.635.121Engraving, Jacques de Gheyn II, 1584 to 1594, from the series The Twelve Sons of Jacob, Metropolitan Museum of Art 49.95.17991Engraving, Jacques de Gheyn II, 1584 to 1594, from the series The Twelve Sons of Jacob, Metropolitan Museum of Art 49.95.18011Engraving, Jacques de Gheyn II, 1584 to 1594, Metropolitan Museum of Art 49.95.18031Engraving, Jacques de Gheyn II, 1584 to 1594, Metropolitan Museum of Art 49.95.18041Engraving, Jacques de Gheyn II, 1584 to 1594, Metropolitan Museum of Art 49.95.18061Engraving, Jacques de Gheyn II, 1584 to 1594, Metropolitan Museum of Art 49.95.18081Engraving, Jan Collaert I after Jan Snellinck I, 1585, Metropolitan Museum of Art 53.601.335(1)1Engraving, Lucas Vorsterman I, Flemish, 1615 to 1675, Metropolitan Museum of Art 51.501.75801Engraving, Michel van Lochom, 1611 to 1647, Rijksmuseum1Engraving, Nicolas Bazin, 1703, Metropolitan Museum of Art 57.639.11Engraving, Pieter Serwouters, 1626, Rijksmuseum1Engraving, Rijksmuseum1Engraving, Rijksmuseum, series of archangels1Engraving, Rijksmuseum, series of twelve archangels1Engraving, William Blake after Henry Fuseli, 1795, Metropolitan Museum of Art 2007.49.3891Etching after Ernest Duez, published in L'Art, 1879, British Museum1Etching and aquatint, John Kay, 1810, Metropolitan Museum of Art 17.3.756-1166, rights restricted1Etching and engraving by Marcantonio Raimondi after Raphael, ca. 1515 to 1516, Metropolitan Museum of Art 2012.136.911Etching and engraving, anonymous British, 17th to 18th century, after Gerlach Flicke, Metropolitan Museum of Art 17.3.756-1134, rights restricted1Etching and engraving, Dirck Volckertsz Coornhert after Maarten van Heemskerck, 1554, Metropolitan Museum of Art 2023.3821Etching and engraving, Joseph Andrews, 1837 to 1870, Metropolitan Museum of Art 41.88(19)1Etching and engraving, William Bromley after Henry Fuseli, 1802, British Museum1Etching by Joseph Marie Vien, 1748, Metropolitan Museum of Art 64.605.31Etching with letterpress, Romeyn de Hooghe, Dutch, 1689, Metropolitan Museum of Art 49.95.6881Etching, anonymous Italian printmaker, circa 1640-60, Metropolitan Museum of Art 26.70.3(13)1Etching, Augustin Hirschvogel, 1550, Metropolitan Museum of Art 53.512.11Etching, c. 1760-1790, Metropolitan Museum of Art1Etching, Giovanni Battista Galestruzzi, 1640 to 1660, after Polidoro da Caravaggio, Metropolitan Museum of Art 51.501.6891Etching, Giuseppe Diamantini, published by Paolo Pagani, Italian, after 1663, Art Institute of Chicago 2024.5911Etching, Jacques Callot, 1636, from Les Images De Tous Les Saincts et Saintes de L'Annee, Metropolitan Museum of Art 17.50.17-371(131)1Etching, Jacques Callot, 1636, from Les Images De Tous Les Saincts et Saintes de L'Annee, Metropolitan Museum of Art 17.50.17-371(152)1Etching, Jacques Callot, 1636, from Les Images De Tous Les Saincts et Saintes de L'Annee, Metropolitan Museum of Art 17.50.17-371(453)1Etching, Jacques Callot, 1636, from Les Images De Tous Les Saincts et Saintes de L'Annee, Metropolitan Museum of Art 17.50.17-371(89)1Etching, Jacques Callot, 1636, Metropolitan Museum of Art 17.50.17-371(146)1Etching, Jan Luyken, 1683, Rijksmuseum1Etching, John Kay, Scottish, 1790, Metropolitan Museum of Art 33.30(133)1Etruscan bronze mirror, early 3rd century BCE, Metropolitan Museum of Art 03.24.31Faience falcon amulet, 26th to 30th Dynasty, Metropolitan Museum of Art 74.51.44971Faience figurine, Ptolemaic Period, 332 to 30 BCE, Metropolitan Museum of Art 26.7.8871Faience inlay, Late Period to Ptolemaic Period, 4th century BCE1Faience scarab, New Kingdom, ca. 1300 to 1080 BCE, Metropolitan Museum of Art 09.180.10081Faience statuette, Ptolemaic Period, Metropolitan Museum of Art 26.7.8601Faience, Dynasty 19-20, New Kingdom, Metropolitan Museum of Art 22.1.4511Fired clay relief plaque, Old Babylonian period c. 1800 to 1750 BCE, British Museum1Folio from an illustrated manuscript, ink, opaque watercolor and gold on paper, ca. 1616 to 1617, Metropolitan Museum of Art 55.121.301Folio from an illustrated manuscript, ink, opaque watercolor and gold on paper, ca. 1616 to 1617, Metropolitan Museum of Art 55.121.321Folio from an illustrated manuscript, opaque watercolour and gold on paper, ca. 1598, Victoria and Albert Museum CIRC.243-19221Folio, workshop of Nainsukh, India, Punjab Hills, kingdom of Kangra, ca. 1780, Metropolitan Museum of Art 1976.141Framed woodblock print, ink on paper, by Munakata Shiko, blocks carved 1939 to 1948, printed 1960, Metropolitan Museum of Art 2017.245.101Fresco by Domenico Ghirlandaio, 1469 to 1494, Metropolitan Museum of Art 80.3.6741Frescoes1Gelatin silver press photograph, Keystone Press Agency, 1963, Rijksmuseum1Gelatin silver print, 1899 to 1901, Rijksmuseum1Gilded copper, French, ca. 1250, Metropolitan Museum of Art 1999.5201Gilded copper, rock crystal and paint, Nepal, 16th century, Metropolitan Museum of Art 2012.444.21Gilt bronze medallion, Italian, 1712, Metropolitan Museum of Art 09.194.261Gilt copper alloy figure, Chen Yanqing, dated 1438, Metropolitan Museum of Art 1997.1391Glazed Brick Relief1Glazed earthenware, 12th to 13th century, Metropolitan Museum of Art 64.274.31Glazed terracotta, Andrea della Robbia, ca. 1475, Metropolitan Museum of Art 60.127.21Gold bracteate, SHM 1164, Migration Period1Gold coin, circa 340 to 400, British Museum1Gouache painting, album of eighty-two paintings of Hindu deities, British Museum 1993,0806.0.551Granodiorite statue, New Kingdom, Dynasty 18, Metropolitan Museum of Art 15.8.11Greywacke statue group, Fourth Dynasty, circa 2551 to 2523 BCE1Guler painting, opaque watercolour on paper, ca. 1740, Victoria and Albert Museum IS.131-19511Gum tempera, ink, color and gold on paper, Mughal India, 1602 to 1604, Cleveland Museum of Art1Handscroll, ink and color on silk, Qing dynasty, 18th century, Art Institute of Chicago1Hanging scroll by Nishikawa Sukenobu, Edo period, 18th century, Metropolitan Museum of Art 2015.300.1151Hanging scroll, ink and color on silk, Japan, Kamakura period, 14th century, Metropolitan Museum of Art 29.160.291Hanging scroll, ink and color on silk, Tani Buncho, 1796, Metropolitan Museum of Art 2023.583.271Hanging scroll, ink, color and gold on silk, Edo period, early 18th century, Metropolitan Museum of Art 2020.396.61Hanging scroll, Kano Tan'yu, inscribed by Takuan Soho, Japan, 1635 to 1645, Metropolitan Museum of Art 2006.1741Hanging scroll, Yuan dynasty, attributed to Liu Minshu, Smithsonian National Museum of Asian Art1History Painting1Icon1Icons1Illuminated Papyri1Illustrated book, 1867, Metropolitan Museum of Art1Ink and color on cryptomeria (sugi) wood, Nagano Yasunosuke, Japanese, 1898, Metropolitan Museum of Art 1985.396.21Ink and color on paper, thirteenth century, Metropolitan Museum of Art1Ink on bark paper, China, 20th century, Metropolitan Museum of Art 1986.267.2701Ivory carving with gold and polychrome, Northern India, Kashmir, 8th century, Cleveland Museum of Art 1971.181Ivory casket panel, France, 1330, Cleveland Museum of Art1Japanese quilted cotton hikeshi-banten, Edo to Meiji period, mid-19th century, Metropolitan Museum of Art 1983.158a to c1Jingdezhen porcelain, China, mid-17th century, Metropolitan Museum of Art 79.2.3661Kalighat painting, Bengal, c. 1890, Cleveland Museum of Art1Kalighat painting, watercolour and tin alloy on cardboard, ca. 1890, Victoria and Albert Museum IS.272-19611Kalighat painting, watercolour and tin alloy on cardboard, ca. 1890, Victoria and Albert Museum IS.316-19611Kalighat painting, watercolour and tin alloy on paper, ca. 1890, Victoria and Albert Museum IS.32-19591Kalighat painting, watercolour and tin alloy on paper, ca. 1890, Victoria and Albert Museum IS.40-19591Kalighat painting, watercolour and tin alloy on paper, Kolkata, ca. 1890, Victoria and Albert Museum IS.38-19591Kalighat-style painting, watercolour and tin alloy on cardboard, Kolkata, ca. 1890, Victoria and Albert Museum IS.360-19611Kawahara Keiga, silk with sumi ink and pigment, 1822 to 1830, National Museum of World Cultures1Kenzan IV, Tokyo ware in the Kenzan style, Japan, ca. 1840, Metropolitan Museum of Art 36.120.6271Lead plaquette, Master H.G, Nuremberg, circa 1580, Victoria and Albert Museum A.36-19271Lead statuette, Greek Laconian, Metropolitan Museum of Art 24.195.911Limestone statue, dated 583, Sui dynasty, China, Metropolitan Museum of Art 68.1241Limestone with traces of pigment, Northern Qi dynasty, c. 550, Cleveland Museum of Art 1972.1661Limewood with traces of paint, Hans Leinberger, ca. 1525 to 1530, Metropolitan Museum of Art 1981.57.2a, b1Line engraving, William Marshall, 1642, British Museum1Literati Landscape Painting1Lithograph, Calcutta, ca. 1885-90, Metropolitan Museum of Art 2020.181Lithograph, Raja Ravi Varma and the Ravi Varma Press, circa 1904, Ganesh Shivaswamy Foundation (Hemamalini and Ganesh Shivaswamy collection)1Manuscript folio, India, Gujarat, 1461, Metropolitan Museum of Art 18.104.81Marble cylinder seal, Akkad period c. 2340 to 2200 BCE, Musee du Louvre1Marble head, Roman Imperial, circa 120 to 160 CE, Metropolitan Museum of Art 2012.221Marble relief by Agostino d'Antonio di Duccio, 1459, Metropolitan Museum of Art 14.451Marble relief, second half of the 2nd century BCE1Marble statue by Antonio Canova, 1804 to 1806, Metropolitan Museum of Art 67.110.11Marble statue by William Wetmore Story, modeled 1865, carved 1868, Metropolitan Museum of Art 94.8a to d1Marble statue on limestone base, Ptolemaic Period, Metropolitan Museum of Art 1979.180a, b1Marble statue, Roman copy after a Hellenistic original1Marble statue, Roman copy, about 125 to 150 CE1Marble statue, Roman Imperial, 1st or 2nd century CE, Metropolitan Museum of Art 21.88.951Marble upper statue, Roman Imperial, 1st to 2nd century CE, Metropolitan Museum of Art 24.97.151Marble, Roman, early 3rd century CE, Metropolitan Museum of Art 47.100.4a, b1Mezzotint, 1731, British Museum, Cheylesmore Collection1Mithraic Cult Relief1Modified lithograph printed in relief from a stone, William Blake, English, 1806 to 1807, Metropolitan Museum of Art 2013.1461Mosaics1Mughal painting, India, c. 1610 to 1620, Cleveland Museum of Art1Murals & Frescoes5Oil and gold on canvas, Cuzco School, circa 1730 to 1740, Metropolitan Museum of Art1Oil and gold on wood, Spanish painter, ca. 1485 to 1495, Metropolitan Museum of Art 1976.100.241Oil on canvas by Jules Bastien-Lepage, 1879, Metropolitan Museum of Art 89.21.11Oil on canvas, Abraham van Diepenbeeck, Metropolitan Museum of Art 29.100.141Oil on canvas, Benjamin West, 1776, reworked 1803, Metropolitan Museum of Art 95.22.81Oil on canvas, Francisco de Zurbaran, Spanish, ca. 1640 to 1645, Metropolitan Museum of Art 1976.100.211Oil on canvas, Georges de La Tour, c. 1640 to 1644, Musee du Louvre1Oil on canvas, Gerbrand van den Eeckhout, 1642, Metropolitan Museum of Art 25.110.161Oil on canvas, Giovanni Gerolamo Savoldo, Italy, circa 1508 to 1548, Metropolitan Museum of Art 12.141Oil on canvas, Jean Francois de Troy, ca. 1736, Metropolitan Museum of Art 07.225.2851Oil on canvas, workshop of El Greco, Spain, circa 1610, Metropolitan Museum of Art 61.101.81Oil on limewood, Antonello da Messina, c. 1474 to 1475, National Gallery, London1Oil on linden by Lucas Cranach the Elder, ca. 1510, Metropolitan Museum of Art 57.221Oil on oak, Master of the Saint Barbara Legend, circa 1480, Metropolitan Museum of Art 32.100.56a-d1Oil on oak, one of three scenes on a panel by the Master of the Saint Barbara Legend and a collaborator, ca. 1480, Metropolitan Museum of Art 32.100.56a-d1Oil on panel transferred to canvas, Giovanni Girolamo Savoldo, c. 1510, National Gallery of Art, Washington1Oil on panel, circa 1638, by Nicolaes Moeyaert, Rijksmuseum1Oil on wood by Rembrandt, 1643, Metropolitan Museum of Art 14.40.6511Oil on wood transferred to canvas, Pedro Berruguete, c. 1476 to 1482, Cleveland Museum of Art1Oil on wood, Northern French painter, circa 1450, Metropolitan Museum of Art 32.100.108-111Oil on wood, probably 1532, Metropolitan Museum of Art 55.220.21Oil on wood, Workshop of Peter Paul Rubens, Metropolitan Museum of Art 17.190.191Oil over pen and brown ink, Hippolyte Flandrin, French, 1856 to 1863, Metropolitan Museum of Art 1985.246.11Oil painting by Camille Corot, 1835, Metropolitan Museum of Art 38.641Oil, gold and silver on wood, ca. 1360, Metropolitan Museum of Art 1984.3431Opaque watercolor, gold, silver and beetle-wing-case folio, India, Basohli, circa 1700 to 1710, Metropolitan Museum of Art 1991.32.11Opaque watercolor, ink and gold on paper, Iran or Turkey, circa 1580 to 1590, Arthur M. Sackler Gallery S1986.2191Opaque watercolour on paper, Punjab, 19th century, Victoria and Albert Museum IM.2:128-19171Painting10Painting, Artist Unknown1Painting, India (Rajasthan), circa 1800, Metropolitan Museum of Art 57.70.61Panel Painting3Panel painting, Maso di Banco, ca. 1340, Metropolitan Museum of Art 43.98.131Pen and black ink, Daniel Lindtmayer, 1574, Metropolitan Museum of Art 1996.4151Pen and brown ink, brown wash, over black chalk or graphite, Bertel Thorvaldsen, ca. 1790 to 1844, Metropolitan Museum of Art 2013.5551Pen and brown ink, gray wash over black chalk, Crispijn van den Broeck, 16th century, Metropolitan Museum of Art 2001.871Pen and ink drawing, Johann Jacob Eybelwieser, Metropolitan Museum of Art 2010.1601Pendant, ca. 8th to 7th century BCE, Metropolitan Museum of Art 1993.1811Pendant, Third Intermediate Period1Photograph5Photographic portrait, Yousuf Karsh, 1979, Art Institute of Chicago1Polychrome and gilded wood, German, late 15th to early 16th century, Metropolitan Museum of Art 50.233.21Polychromed wood, late 16th century, Metropolitan Museum of Art 59.203.21Portrait print, Rijksmuseum, 17931Sacred Art & Iconography1Sandstone relief, Uttar Pradesh, 9th century, Victoria and Albert Museum IS.12-19961Sandstone sculpture, India, Gupta period, 6th century, Metropolitan Museum of Art 1993.477.21Sandstone stele, 7th to early 8th century, Metropolitan Museum of Art 2015.500.4.91Sandstone, India, 6th to 8th century, Metropolitan Museum of Art 19.901Schist sculpture, Karnataka, 12th century, Art Institute of Chicago1Sculpture6Shahnama folio, India, Kashmir, late 19th to early 20th century, Metropolitan Museum of Art1Shahnama folio, Iran, Tabriz, circa 1525 to 1530, Metropolitan Museum of Art1Silver medal, Sebastian Dadler, 1641, Metropolitan Museum of Art 2023.569.1941Silver pendant, SHM 16429, circa 1000 CE1Soapstone hearth stone, circa 1000 CE1Stained glass design, Christopher Whitworth Whall, Britain, circa 1910s, Victoria and Albert Museum E.2136-19241Stained glass panel, South Netherlandish, ca. 1520, Metropolitan Museum of Art 07.371Stained glass roundel, Cologne School, Germany, circa 1470 to 1480, Victoria and Albert Museum C.48-19191Stained glass, pot-metal glass and vitreous paint, French, ca. 1245 to 1248, Metropolitan Museum of Art, The Cloisters, 37.173.31Statue, Aztec (Mexica) period1Statue, Aztec (Mexica) period, 1450-15211Statue, Nepal, 17th to 18th century1Statue, Roman period1Stencil print (kappa-zuri), Edo period, late 1600s, Cleveland Museum of Art 1988.1191Stone cross, St Mary's churchyard, Gosforth, Cumbria, 9th to 10th century1Stone relief fragment, India (Jammu and Kashmir) or Pakistan, 6th to 7th century, Metropolitan Museum of Art 1987.142.901Stone relief, Gandhara, Kushan period, circa 2nd century, Metropolitan Museum of Art 1987.417.11Surimono print, attributed to Teisai Hokuba, circa 1801/18, Art Institute of Chicago1Tapestry, Bernard van Orley, ca. 1525, Metropolitan Museum of Art 41.190.801Tempera and gold ground on wood, Pacino di Bonaguida, Metropolitan Museum of Art 64.189.3ab1Tempera and gold on panel, Giotto di Bondone, c. 1295 to 1300, Musee du Louvre1Tempera and gold on wood, Giovanni di Paolo, ca. 1447 to 1465, Metropolitan Museum of Art 1975.1.341Tempera and gold on wood, Workshop of Fra Filippo Lippi, Italian (Florence), ca. 1447 to 1469, Metropolitan Museum of Art 1975.1.70B1Tempera and oil on canvas, Andrea Mantegna, c. 1480, Musee du Louvre1Tempera on canvas, transferred from wood, Bartolomeo degli Erri, Italian (Modena), 1467 to 1474, Metropolitan Museum of Art 22.60.591Tempera on wood with gold ground, Giovanni di Paolo, ca. 1465 to 1470, Metropolitan Museum of Art 1975.1.301Tempera on wood, Bartolomeo degli Erri, Metropolitan Museum of Art 23.1401Tempera on wood, gold ground and silver, Giovanni Baronzio, Italian, ca. 1330 to 1335, Metropolitan Museum of Art 1975.1.1031Tempera on wood, gold ground, by Fra Filippo Lippi, 1440s, Metropolitan Museum of Art 35.31.1a-c1Terracotta column-krater, Greek, Attic, Classical period, ca. 470 to 460 BCE, Metropolitan Museum of Art 34.11.71Terracotta figurine, Greece, Athens, 400s BCE, Cleveland Museum of Art 1926.5211Terracotta statuette by Augustin Pajou, ca. 1768 to 70, Metropolitan Museum of Art 1978.21Terracotta statuette by Clodion, 1766, Metropolitan Museum of Art 1975.312.61Terracotta, Greek, late 5th century BCE, Metropolitan Museum of Art 07.286.231Thangka, late 13th century1Tone lithograph, Adrien Dauzats after Julien Michel Gue, 1842, Rijksmuseum1Watercolor and gouache, Dante Gabriel Rossetti, British, 1867, Metropolitan Museum of Art 08.162.11Wayang golek rod puppet, carved and painted wood, West Java, Indonesia, collected 1974 to 1976, Smithsonian National Museum of Natural History 361230 (USNM E431808-0)1White marble, Gian Lorenzo Bernini, 1621 to 16221Wood engraving, Paul-Parcel Jonnard, French, circa 1875 to 1885, Metropolitan Museum of Art 46.58.42(70)1Wood engraving, Richard Brend'amour after Alfred Rethel, 1870, Rijksmuseum1Wood sculpture attributed to Hans Klocker, ca. 1475, Metropolitan Museum of Art 1979.3791Wood statue, Kaikei, Japan, circa 1202, Metropolitan Museum of Art 2015.300.250a, b1Wood, Kamakura period, 1326, Important Cultural Property1Woodcut by Albrecht Durer, 1511, Metropolitan Museum of Art 20.65.31Woodcut on paper, Amritsar, circa 1875, Victoria and Albert Museum IM.2:21-19171Woodcut, after Tobias Stimmer, 1549 to 1573, Rijksmuseum1Woodcut, Albrecht Durer, German, ca. 1508, from The Small Passion, Metropolitan Museum of Art 19.73.1831Woodcut, first state, Lucas van Leyden, ca. 1517, Metropolitan Museum of Art 22.67.291Woodcut, Lahore or Amritsar, about 1870, Victoria and Albert Museum IM.2:146-19171Woodcut, Nuremberg Chronicle, 1493, Rijksmuseum4Woodcut, Wolgemut/Pleydenwurff workshop, 1493, Rijksmuseum1Woodcut, workshop of Michel Wolgemut and Wilhelm Pleydenwurff, 1493, Rijksmuseum1Woodcut, workshop of Michel Wolgemut, 1493, Nuremberg Chronicle, Rijksmuseum1Wool tapestry, South Netherlandish, ca. 1400 to 1410, Metropolitan Museum of Art, The Cloisters, 32.130.3a1Wool warp, wool and silk wefts tapestry, South Netherlandish, ca. 1435 to 1450, Metropolitan Museum of Art 07.57.41
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What This Section Gathers

This section holds the material culture of religion, the objects a tradition uses, wears or eats rather than the beliefs it holds or the figures it reveres. Sacred Objects & Ritual Items covers implements used in rite and devotion; Artifacts & Relics covers named physical survivals, often historically contested, tied to a specific event or figure; Religious Dress & Vestments covers what a tradition sets its adherents or officiants apart in; Religious Symbols and the related Adinkra Symbols of Akan visual proverb cover the graphic shorthand a tradition reads at a glance; Sacred Foods covers what is eaten, offered or forbidden.

Object, Symbol, or Relic

An object earns its place here by what a tradition does with it, not by how old or valuable it is. A vestment is worn, a ritual item is handled in rite, a symbol is read, a relic is venerated for what it is claimed to be a remainder of. The categories overlap more in practice than the boundary suggests, and an object can be sacred, symbolic and later a relic once its owner is gone, so entries cross link rather than forcing one answer. Where an object belongs to a closed or restricted tradition, the entry describes what it is and what it is used for without reproducing its regalia or restricted symbolism, the same caution held throughout the atlas for material a tradition does not display outside its own initiates.

The overlap is not hypothetical. The Stone of Scone was a ritual item, the enthronement stone of the kings of Scots, until Edward I seized it as spoil in 1296 and built it into the coronation chair at Westminster Abbey, where it kept being used, now in a rite belonging to the tradition that had taken it, the same object doing double duty as a working seat and a venerated token of conquest rather than one giving way to the other. The Black Stone set into the Kaaba shows the same doubling without a change of hands at all, pilgrims kiss or point to it as they circle the Kaaba during the hajj, an object actively used in rite, while tradition simultaneously traces it to Abraham, so it is used and venerated at once rather than in sequence. A relic can also arrive without the object it began as ever surviving to be labeled one: the Second Temple menorah vanished when Rome carried it off in 71 CE, so it never itself became a relic anywhere, and the Arch of Titus's relief of soldiers bearing it away became the enduring symbol read in its place instead.

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View At A Past Year

The atlas records no dated fact of its own for this entry, so there is no other year to choose.