Alphabet Letters
Avestan Nge 𐬢
Avestan Letters
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Origin Devised in the Sasanian period, commonly placed in the fifth or sixth century CE, long after the Avestan texts themselves were composed.
Nge writes a velar nasal, the sound English spells ng in sing, made at the soft palate with the air passing through the nose. It opens a run of six nasal signs, three of them velar. Six letters for the nasals is a striking allocation, and it exists because the recitation distinguished plain, palatalised and rounded nasals in a way that ordinary writing would not have troubled to record. The script was designed for a single text, and its unusual fineness of distinction follows from that. In Zoroastrian worship the sound of the recited word is itself the offering, so a sign that could stand for two sounds would be a defect. Avestan is written right to left, and its vowels are full letters standing in the line rather than marks hung on a consonant. That is the clearest break the script makes with the Pahlavi writing behind it.
Facts
Identity
Script TypeAn alphabet in the strict sense: its vowels are full letters standing in the line, not marks hung on a consonant, which is the sharpest break it makes with the Book Pahlavi writing it was drawn from. 1Tradition: The Avestan script PositionNineteenth of the thirty-eight consonant letters of the Avestan alphabet, which are ordered by where in the mouth the sound is made 2Tradition: The Avestan script How the Letter JoinsWritten right to left, with each sound kept to its own distinct sign. The Book Pahlavi hand behind it had let several sounds fall together into shared shapes, and undoing that ambiguity is what the Avestan alphabet was made for. 1Tradition: The Avestan script Attributions
Associated SoundVelar nasal, the sound English spells ng in sing 1Tradition: Avestan phonology Origins
Origin PeriodDevised in the Sasanian period, commonly placed in the fifth or sixth century CE, long after the Avestan texts themselves were composed. 1Tradition: The Avestan script Place of OriginSasanian Iran, where the Zoroastrian priesthood assembled the written Avesta. 1Tradition: The Avestan script Origin of the NameNamed directly for the velar nasal it writes, nge, following the alphabet's phonetic-analysis naming convention rather than an inherited word. 1 Sense of the Namethe ng of sing, a velar nasal 1Tradition: The Avestan script Transmission
Manuscript TraditionNo Avestan manuscript survives from earlier than the thirteenth century CE, so every witness to the script is many centuries younger than the script itself, and the script is younger again than the words it carries. 4Tradition: Zoroastrianism Practice
Liturgical and Scriptural RoleThe script exists to fix the sound of the Avesta, which is recited in Zoroastrian worship, a living practice with a small community. Its precision serves the requirement that the recited word be pronounced as it has been received. 3Tradition: Zoroastrianism Attestation
Meaning in the Attesting SourceEncoded at U+10B22 AVESTAN LETTER NGE in the Avestan block, which lies wholly above the Basic Multilingual Plane. 2Tradition: The Avestan script Meaning in the Attesting SourceThe Avesta was transmitted orally by priests for centuries before any script existed to hold it. This alphabet records a recitation, not a composition, and the gap between the two is the central fact about it. 4Tradition: Zoroastrianism Learn More
Avestan Nge: The Letter in the Avestan Alphabet
The sound is a velar nasal, the back of the tongue against the soft palate and the air released through the nose, which English spells ng in sing. The nasal letters form a block of eight, running from the velar nasal at the back of the mouth to the bilabial at the lips, with the palatal and the positionally restricted signs among them. Eight signs for the nasals is an unusual provision, and it exists because the recitation distinguished all eight. It stands thirty-fifth in the alphabet as a whole and nineteenth of the thirty-eight consonants, between Avestan Bhe and Avestan Ngye. That position is not arbitrary. The sequence follows a scheme, vowels before consonants and consonants by place of articulation, and each letter's place in it is a statement about the sound.
The tradition calls the script din dabireh, the religion writing. It served the Avesta and very little else, and the shape of its letter list follows the sounds of that one language rather than any general requirement of writing in Sasanian Iran. Whoever devised the alphabet is not recorded. The script can be dated and placed with reasonable confidence, but no source names the person or the group responsible, and the atlas records that absence rather than filling it. One sign to one sound is the rule this alphabet works to, and it is easier to state than to keep. Most scripts break it somewhere, usually where a sound is rare enough that no scribe could be bothered, and the interest of this one lies in how few exceptions it allows itself.
Avestan Nge and the Three-Way Velar Division
The nasal series is where the alphabet's three way velar division becomes a system rather than a set of separate signs. Plain, palatalised and rounded appear among the nasals exactly as they do among the fricatives. Vowel writing is the innovation that separates this alphabet from everything else written in Iran at the time. The letterforms are Pahlavi and the right to left direction is Pahlavi. The vowels are not: they are full letters, and they come first in the order.
No Avestan manuscript survives from earlier than the thirteenth century of the common era. Every copy in existence is therefore many centuries younger than the alphabet, and the alphabet is many centuries younger again than the words. What reaches a modern edition has passed through both gaps. In the digital record the letter is encoded at U+10B22 AVESTAN LETTER NGE. The Avestan block sits wholly in the supplementary planes, and every letter in it takes four bytes in the encoding most of the web runs on. That is the practical reason Avestan text is still uncommon online, and why a page carrying it depends on the reader having a font that covers the range. The practical test of the alphabet is whether a reciter reading from it produces what the tradition received, and by that test the fineness of its distinctions is not ornament. Each of the signs that looks redundant from outside answers to something a reciter kept apart.
Cross-Tradition Connections
Related To
The velar and dental nasals, the two ends of the nasal series by place of articulation.
The plain velar nasal and its rounded counterpart.
The rounded and plain velar nasal, completing the alphabet's three-way division of that one nasal by colouring.
The plain velar nasal and its palatalised counterpart.
The palatalised and plain velar nasal, the first two of the alphabet's three-way division of that one nasal by colouring.
Sources
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