Alphabet Letters
Brahmi Kha 𑀔
Brahmi Letters
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Origin Mature Brahmi is securely attested in the edicts of Ashoka in the middle of the third century BCE, and the script could be read again only after James Prinsep worked out its values in 1837
Kha is the aspirated partner of ka, a voiceless velar stop released with a following breath. Aspiration is one of the two features on which the Indian phonetic table is built, the other being voice, and each of the five classes contains all four combinations of them followed by a nasal. The distinction is not a matter of accent or emphasis: it separates words in both Sanskrit and the Prakrit of the Ashokan edicts, and Brahmi gives it a letter of its own rather than a modification of ka. Like every consonant sign it is read with the inherent short a, so it spells a syllable rather than a single sound. The Prakrit of the edicts keeps the aspirated stops throughout, so the letter is common in the inscriptions rather than a refinement of the Sanskrit-writing script.
Facts
Disputed
Origin PeriodMany epigraphists derive Brahmi from a Semitic prototype, most often Aramaic, adapted in the centuries before the Mauryan empire 2Tradition: Indian epigraphy Brahmi's ancestry is disputed among epigraphists. Richard Salomon's Indian Epigraphy (Oxford University Press, 1998) surveys two live positions on the origin of the script attested in the Ashokan inscriptions: one derives Brahmi from a Semitic prototype, most often Aramaic, adapted in the centuries before the Mauryan empire; the other holds that it developed inside India itself. The dispute turns on the corpus, since Brahmi is securely attested only from Ashoka's edicts in the middle of the third century BCE onward, first read again by James Prinsep in 1837, and no earlier specimen on either side is securely dated. Both camps compare Brahmi's letterforms against Aramaic and other Semitic scripts using the same paleographic method, and without an intermediate dated example bridging the gap between any proposed ancestor and the Mauryan era script, neither derivation has been shown to fit the evidence better than the other. Origin PeriodOthers argue for a development inside India, and with no securely dated specimen earlier than the edicts the question stays open 2Tradition: Indian epigraphy Brahmi's ancestry is disputed among epigraphists. Richard Salomon's Indian Epigraphy (Oxford University Press, 1998) surveys two live positions on the origin of the script attested in the Ashokan inscriptions: one derives Brahmi from a Semitic prototype, most often Aramaic, adapted in the centuries before the Mauryan empire; the other holds that it developed inside India itself. The dispute turns on the corpus, since Brahmi is securely attested only from Ashoka's edicts in the middle of the third century BCE onward, first read again by James Prinsep in 1837, and no earlier specimen on either side is securely dated. Both camps compare Brahmi's letterforms against Aramaic and other Semitic scripts using the same paleographic method, and without an intermediate dated example bridging the gap between any proposed ancestor and the Mauryan era script, neither derivation has been shown to fit the evidence better than the other. Origins
Origin PeriodMature Brahmi is securely attested in the edicts of Ashoka in the middle of the third century BCE, and the script could be read again only after James Prinsep worked out its values in 1837 2Tradition: Indian epigraphy Place of OriginThe Indian subcontinent. The Ashokan edicts carry the script from the Gangetic plain across the Deccan to the far south, while the northwest of the same empire wrote in Kharosthi instead 2Tradition: Indian epigraphy Origin of the NameThe letter has no traditional name of its own. It is called by its own sound plus the inherent short a, and the form used here is the name the Unicode Standard gives the character 3Tradition: Modern scholarly naming of the Brahmi letters Sense of the Namethe voiceless aspirated velar; second consonant of the Brahmi order 3Tradition: Modern scholarly naming of the Brahmi letters Transmission
Manuscript TraditionAttested from the Asokan rock and pillar edicts of the third century BCE, the earliest substantial Brahmi corpus. 2 Identity
Script TypeAn abugida: every consonant sign carries an inherent short a, which a vowel mark alters and the virama cancels, so the unit written is the syllable rather than the single sound 1Tradition: Comparative writing systems PositionSecond consonant of the Brahmi order and second member of the velar class 2Tradition: Indian epigraphy How the Letter JoinsConsonants that meet with no vowel between them are written as a conjunct, the second stacked beneath or ligatured to the first, rather than as two separate signs 1Tradition: Comparative writing systems Attributions
Associated SoundVoiceless aspirated velar stop, a k released with a following breath; aspiration is one of the two features on which the whole consonant table is built 2Tradition: Indian epigraphy Attestation
Meaning in the Attesting SourceThe letter belongs to the received Brahmi order, and the corresponding sign in the scripts descended from Brahmi across South and Southeast Asia goes back to it 2Tradition: Indian epigraphy Learn More
What the Breath Separates
Aspiration in these languages is not emphasis and not an accent. It separates one word from another, and a speaker who drops it is not speaking less forcefully but saying something else. Sanskrit and the Prakrit of the Ashokan edicts both hold the two velars apart throughout their vocabulary, and Brahmi accordingly gives the aspirated one a letter of its own rather than a mark added to the unaspirated sign. That is a real decision about how to write a language and not the only one available: a script could as easily have written the feature with a diacritic, as the Semitic scripts of western Asia came to do for sounds they lacked signs for.
Writing aspiration as a separate letter is what makes the Indian consonant table run to thirty-four signs rather than to a smaller set with modifiers, and it is the decision that gives the table its five by five shape. Each class holds four stops because voice and aspiration vary independently, and a learner who has the pattern for one class has it for all five. The cost is a large inventory; the return is that a reader is told the aspiration rather than left to infer it from context, and that a word can be read correctly by someone who does not know it. In the descendant scripts of the north this letter later took a subscript dot to write the velar fricative that arrived with Persian and Arabic vocabulary, a use that lies many centuries beyond anything Brahmi itself was asked to record.
Common on Stone From the Beginning
The aspirated stops survived the passage from Old to Middle Indo-Aryan largely intact, where a good deal else of the older sound system did not, so this letter is well represented in the Prakrit of the third century BCE rather than being a refinement added later when the script was adapted for Sanskrit. That matters for the palaeography: a letter attested in quantity in the earliest surviving material gives a scholar a firm starting point for the sequence of its shapes, which is exactly what the rarer letters of the vowel series cannot supply.
Middle Indo-Aryan in fact produced new aspirates of its own. A large class of inherited consonant clusters simplified by assimilating to a single doubled consonant, and where the cluster had contained a sibilant the result was frequently an aspirate, so words that show a cluster in Sanskrit show an aspirated stop in the Prakrit of the edicts. The correspondence is regular enough to be used in the other direction, and an editor reading a damaged inscription will often be able to say what the Sanskrit form behind a Prakrit word must have been. That relationship between the two stages of the language is one of the reasons the Ashokan material is studied as closely as it is, quite apart from what the edicts actually say.
Cross-Tradition Connections
Derived from This
Devanagari Kha descends from the Brahmi sign of the same value, through the Gupta and Nagari hands of northern India. The two alphabets align letter for letter because both are laid out in the varnamala order, the arrangement the Sanskrit phoneticians fixed by place of articulation.
The Gurmukhi letter Khakkha continues the sign Brahmi Kha writes in the same place of the inherited series. The descent is not direct: it runs through the Sharada script of the northwest and then the Landa hands of the Punjab, and it is stated from position in the order rather than from shape.
Ranjana Kha continues the sign Brahmi Kha writes in the same place of the inherited varnamala. The descent is not direct: it runs through the Gupta and Siddhamatrka stages of the northern Brahmi line and then the scripts of Nepal, and it is stated from position in the order rather than from shape.
Siddham continues the Brahmi order letter for letter. The descent runs through the late Brahmi of the Gupta period and the Siddhamatrka hand that grows out of it, so this is a lineage rather than a direct copy of the older shape.
Tibetan kha continues the Brahmi kha, keeping its value and its place in the inherited order. The descent of the Tibetan script from the Brahmi family is not disputed; which Indic script of that family served as the immediate model in the seventh century is, and this link names the ancestor the atlas holds rather than choosing among the candidates.
Related To
Opposite corners of the velar class, the first of the five groups of five. Between them the two carry one feature each from the pair the table is built on.
Voicing partners in the velar class. Both are aspirated stops, and they differ only in voice, which is the second of the two features the table is built on.
Aspiration partners in the velar class. The two are the same voiceless stop, and only the breath that follows the release separates them.
The nasal of the velar class. The five nasals were arrived at by asking where each was made rather than by hearing one sound with variants.
Kha answers to Brahmi Kha, the same aspirated velar stop, the second member of the velar line in both scripts.
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