Alphabet Letters
Devanagari Ssa ष
Devanagari Letters
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Origin Devanagari forms settle between roughly the seventh and the tenth centuries CE, descending from Brahmi through the Gupta and Nagari hands
Ssa is the thirty-first consonant of the varnamala, the retroflex sibilant and the second of the three, made with the tongue tip curled back. In classical Sanskrit it arises very largely by rule, a dental sibilant being converted into it in the neighbourhood of certain preceding sounds, in the same way the dental nasal becomes retroflex; a written text therefore shows it at places where a rule has operated. Modern pronunciation across much of northern India merges it with the palatal sibilant, so the distinction that the script preserves is one that many present-day speakers of Devanagari-writing languages no longer make in speech.
Facts
Origins
Origin PeriodDevanagari forms settle between roughly the seventh and the tenth centuries CE, descending from Brahmi through the Gupta and Nagari hands 3Tradition: Indian epigraphy Place of OriginNorthern India 3Tradition: Indian epigraphy Origin of the NameNamed by its own sound plus the inherent short a. Devanagari letter names carry no word meaning, unlike the Greek and Semitic names 1Tradition: Sanskrit phonetics of the grammarians Sense of the NameThe retroflex sibilant; in classical Sanskrit it mostly arises by rule from a dental sibilant near certain other sounds, and merges with the palatal sibilant in most modern pronunciation. 2 Attestation
Meaning in the Attesting SourceCounted among the matrika, the fifty little mothers of the letter-garland; the count belongs to the series, not to this letter alone 4Tradition: Hindu Tantra, the garland of letters A property of the fifty-letter series. Individual schools assign further correspondences that differ between traditions and are not adopted here. Identity
Script TypeConsonant sign of a Brahmi-derived abugida; it carries the inherent short a unless a dependent vowel sign is written 1 PositionThirty-first consonant of the varnamala, second of the three sibilants 1Tradition: Sanskrit phonetics of the grammarians Attributions
Associated SoundRetroflex sibilant. In classical Sanskrit it arises very largely by a rule converting the dental sibilant after certain preceding sounds 2Tradition: Sanskrit phonetics of the grammarians Learn More
Ssa: The Retroflex Sibilant, Mostly Made by Rule
Ssa is the thirty-first consonant of the varnamala, the retroflex sibilant and the second of the three, made with the tongue tip curled back towards the roof of the mouth. In classical Sanskrit it arises very largely by rule: a dental sibilant is converted into it in the neighbourhood of certain preceding sounds, in the same way and under related conditions to those by which the dental nasal becomes retroflex. A written text therefore shows it at places where a rule has operated, and reading it back to the underlying dental is part of the analysis a student of the grammar performs.
In modern speech across much of northern India it has merged with the palatal sibilant, so the letter marks a distinction that many present-day readers of the script do not make aloud. It is also one of the two elements of a famous conjunct, joining the first consonant of the varnamala to form a compound sign so distinctive that many schoolbooks teach it at the end of the alphabet chart as though it were a letter in its own right. It is not one; it is a cluster, and the varnamala proper has thirty-three consonants. Because most of its occurrences are derived rather than inherited, the letter is a useful diagnostic when reading. Meeting it usually means that the underlying form carried a dental sibilant and that a rule has applied, and a reader working out the constituents of a long compound can use it as evidence about where the internal boundaries of that compound fall.
The Conjuncts Taught as Letters
Devanagari primers commonly finish the alphabet chart with two or three conjuncts, most often the cluster of the first consonant with this sibilant, the cluster of the dental stop with the semivowel ra, and the cluster of the palatal nasal with the voiced palatal that opens the word for knowledge. They are printed in the same grid as the letters and learned in the same recitation, and a great many learners consequently believe the alphabet has a few more members than it does. It does not.
The varnamala has fourteen independent vowels and thirty-three consonants, and these three are compound signs built from letters already in the table. They are taught because they are frequent, because their written forms are far enough from their components to need separate learning, and because the last of them is pronounced so differently across the subcontinent that a learner benefits from meeting it explicitly. This atlas seeds the forty-seven letters and not the conjuncts, on the ground that a conjunct is a way of writing a sequence rather than a member of the series. That is a decision about scope and it is recorded here so that a reader who counts the entries and expects fifty knows why the count comes out where it does.
Cross-Tradition Connections
Derived From
Devanagari Ssa descends from the Brahmi sign of the same value, through the Gupta and Nagari hands of northern India. The two alphabets align letter for letter because both are laid out in the varnamala order, the arrangement the Sanskrit phoneticians fixed by place of articulation.
Related To
Ranjana Ssa and Devanagari Ssa hold the same position in the inherited varnamala and write the same sound, as separate northern Brahmi descendants rather than as variants of one script. Devanagari is the relative most readers know, so the two charts can be read against each other.
The same letter of the same order in Devanagari. The two scripts are separate descendants of the same late Brahmi stock rather than one being taken from the other, which is why the sound value and the position agree while the shapes do not.
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