Divinity Atlas

Sacred Correspondences
Alphabet Letters

Devanagari Va व

Devanagari Letters

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Origin Devanagari forms settle between roughly the seventh and the tenth centuries CE, descending from Brahmi through the Gupta and Nagari hands

Va is the twenty-ninth consonant of the varnamala, the last of the four semivowels, and the partner of the labial vowel u. Its pronunciation across the subcontinent ranges between a v made with the lip and teeth and a w made with both lips, and the two are not distinguished in the script or in the classical phonetic descriptions, which treat the sound as a single labial semivowel. Its written form is close to that of the voiced labial stop, which is why manuscripts confuse the two and editions have to decide between them. Under the sandhi rules the vowel u becomes this letter whenever a dissimilar vowel follows it.

Facts
Origins
Origin Period
Devanagari forms settle between roughly the seventh and the tenth centuries CE, descending from Brahmi through the Gupta and Nagari hands 3Tradition: Indian epigraphy
Place of Origin
Northern India 3Tradition: Indian epigraphy
Origin of the Name
Named by its own sound plus the inherent short a. Devanagari letter names carry no word meaning, unlike the Greek and Semitic names 1Tradition: Sanskrit phonetics of the grammarians
Sense of the Name
The semivowel answering to the vowel u; pronounced across the subcontinent as either a v or a w, with no distinction made in the script. 2
Use
Ritual Use
Base of a bija associated with the element water in one widely circulated Tantric scheme 4Tradition: Hindu Tantra, one scheme of elemental seed syllables
One tradition's arrangement. Other Tantric schemes assign the letters differently. Described, not instructed.
Attestation
Meaning in the Attesting Source
Counted among the matrika, the fifty little mothers of the letter-garland; the count belongs to the series, not to this letter alone 4Tradition: Hindu Tantra, the garland of letters
A property of the fifty-letter series. Individual schools assign further correspondences that differ between traditions and are not adopted here.
Identity
Script Type
Consonant sign of a Brahmi-derived abugida; it carries the inherent short a unless a dependent vowel sign is written 1
Position
Twenty-ninth consonant of the varnamala, last of the four semivowels 1Tradition: Sanskrit phonetics of the grammarians
Attributions
Associated Sound
Labial semivowel, the consonantal counterpart of the vowel u. Realised between a lip-and-teeth v and a two-lipped w by region, a distinction neither the script nor the classical descriptions make 2Tradition: Sanskrit phonetics of the grammarians
Learn More
Va: The Labial Semivowel

Va is the twenty-ninth consonant of the varnamala, the last of the four semivowels, and the partner of the labial vowel u. Its pronunciation across the subcontinent ranges between a sound made with the lower lip against the upper teeth and one made with both lips, closer to an English w, and the two are not distinguished either in the script or in the classical phonetic descriptions, which treat it as a single labial semivowel. Which realisation a speaker uses depends on region and on the neighbouring sounds, and neither is more correct than the other by the tradition's own account. Its written form is close to that of the voiced labial stop, which is why manuscripts confuse the two and why critical editions have to decide between them on grounds of sense.

Under the sandhi rules the vowel u becomes this letter whenever a dissimilar vowel follows, exactly as i becomes the palatal semivowel, so a written text carries it at joins where the separated words had a vowel. That conversion is one of the most frequently applied rules in the language and is among the first a learner has to be able to reverse. The variation between the two realisations is not random, and speakers follow regular habits about where each is used, but those habits differ from region to region and neither the script nor the classical phonetic descriptions record them. The consequence is that this is one of the few things about reading Devanagari that has to be learned by ear rather than read off the page.

The Four Semivowels as a Set

Read as a group, the four semivowels are the clearest demonstration that the varnamala is an analysis rather than a list. The grammarians identified four vowels, i, vocalic r, vocalic l and u, and observed that each has a consonantal counterpart made at the same place; they then placed those four counterparts together in the table, in the order of the vowels they answer to, between the stops and the sibilants. The class name they gave them, antahstha or standing between, states the analysis in a word. The rules that convert each vowel into its own semivowel before a dissimilar vowel follow directly, and so does the reverse process by which a semivowel becomes a vowel in certain grammatical formations.

Nothing about this is inherited from an older alphabet: it is a description of Sanskrit arrived at by examining Sanskrit. That is the difference between the varnamala and the Greek, Hebrew and Roman series covered elsewhere in this atlas, whose letters sit in an order transmitted from Phoenician and whose names are Semitic words for ox, house and camel. This atlas records for each semivowel its place, its articulation, and the vowel it answers to, and does not assign any of them a numerical or symbolic value, because the tradition does not assign one.

Cross-Tradition Connections

Derived From

Devanagari Va descends from the Brahmi sign of the same value, through the Gupta and Nagari hands of northern India. The two alphabets align letter for letter because both are laid out in the varnamala order, the arrangement the Sanskrit phoneticians fixed by place of articulation.

Related To

Ranjana Va and Devanagari Va hold the same position in the inherited varnamala and write the same sound, as separate northern Brahmi descendants rather than as variants of one script. Devanagari is the relative most readers know, so the two charts can be read against each other.

Source The World's Writing SystemsPeter T. Daniels and William Bright (eds.)

The same letter of the same order in Devanagari. The two scripts are separate descendants of the same late Brahmi stock rather than one being taken from the other, which is why the sound value and the position agree while the shapes do not.

Devanagari Va and the Gurmukhi letter Vava answer to the same sound and to the same slot of the varnamala. Gurmukhi descends from Sharada rather than from the Nagari line, so the agreement is inherited from a shared Brahmi ancestor rather than borrowed from Devanagari.

Vava and the Devanagari letter Va answer to the same sound and to the same slot of the varnamala. Gurmukhi descends from Sharada rather than from the Nagari line, so the agreement is inherited from a shared Brahmi ancestor rather than borrowed from Devanagari.

Sources
1. The World's Writing Systems
Peter T. Daniels and William Bright (eds.), Oxford University Press, 1996View the Source
2. Sanskrit Grammar, Including Both the Classical Language and the Older Dialects of Veda and Brahmana
William Dwight Whitney, Breitkopf and Hartel, 1889View the Source
3. Indian Epigraphy: A Guide to the Study of Inscriptions in Sanskrit, Prakrit, and the Other Indo-Aryan Languages
Richard Salomon, Oxford University Press, 1998View the Source
4. Vac: The Concept of the Word in Selected Hindu Tantras
Andre Padoux, State University of New York Press, 1990View the Source
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