The second line of Coming to Meet (King Wen 44) is drawn as yang, the numeral nine in the old divination manuals. James Legge's translation renders the line as a wallet holding fish, no error, but it will not do to let it advance to the guests. The image sits inside a hexagram whose judgment as a whole concerns a bold, strong female met unexpectedly; not good to marry such a one, since she should not be long associated with, and this line supplies one stage of that larger reading rather than a complete statement on its own.
Structurally the line stands at the middle place of the lower trigram Xun, wind in Legge's readings of the eight trigrams, while the upper trigram of the hexagram is Qian, heaven in the same traditional set of images. The Great Symbolism of the hexagram reads wind beneath heaven; the sovereign delivers his charges and announcements to the four quarters, and the second line takes its place inside that combined picture of Xun below and Qian above.
Read on its own the line neither opens nor closes the hexagram's argument. It marks the point where Xun is either forming (in the lower trigram) or completing itself (in the upper), and later interpreters treat its image, The Wallet Holding Fish, as the concrete case through which the hexagram's abstract judgment becomes visible in a single situation rather than a general principle.