Colonial British courts administering Hindu personal law in India relied heavily on court pandits, scholars formally attached to the judicial system to advise judges, including British judges with no training in Sanskrit or Hindu legal texts, on the correct interpretation of classical law in individual cases, a role that lasted through much of the nineteenth century until codification and reform gradually replaced case-by-case pandit opinion with settled statute.
The word's most visible afterlife is in English itself, where pundit, borrowed directly from pandit, has lost every trace of Sanskrit learning and become an ordinary term for a media commentator or self-appointed expert, particularly in political and sports broadcasting, an evolution that follows the same pattern of dilution seen in words like guru and mullah, in which a specific and demanding traditional title becomes a generic label for confident public opinion. In India itself the older sense survives alongside the newer one, with pandit still used for genuinely learned scholars of Sanskrit and ritual even as the English cognate empties the word of that content entirely.
A further specialised sense survives prominently in Indian classical music, where pandit is the standard honorific for a male master of Hindustani classical music, paired with vidushi for a woman, conferred by recognition within the musical community rather than by any single certifying body, so that a concert programme announcing Pandit Ravi Shankar or a comparable figure is using a genuinely separate branch of the word's history, tied to musical mastery rather than to Sanskrit scholarship, court advisory work, or the diluted English media sense the word has also acquired.