The Right Angle Cross of the Vessel of Love is named for Gate 46 and Gate 25, both seated in the G, or Identity, centre. Human Design reads Gate 46, from Hexagram 46, Pushing Upward, as a love of the body together with a knack for arriving in the right place at the right time, and Gate 25, from Hexagram 25, Innocence, as an innocence that places universal love above any particular attachment. It falls in the Right Angle family, the most populous of the three, and practitioners read that group as personal, a direction shaped chiefly by what the individual decides.
Its design half is also seated entirely in the Identity centre: Gate 15 and Gate 10. Gate 15 is read as a love of humanity broad enough to embrace extremes, with no fixed rhythm; elsewhere it pairs with Gate 5 in the channel of Rhythm. Gate 10 is read as conduct that stays true to one's own nature rather than to expectation; it pairs with Gate 20 in the channel of Awakening.
All four gates named here sit in the same Identity centre, so a chart carrying this cross reads its love of the body, its innocence, its tolerance and its self-regard as four expressions of the one place rather than four separate systems answering to each other. The hexagrams are ancient texts; assembling four of them into one personal cross is the modern system's own construction, dated to 1987.