Divinity Atlas

Sacred Correspondences
Disciplines

Human Design

Divinatory Disciplines

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Origin from 1987

Human Design is a modern synthesis system that presents itself as a map of a person's energetic makeup and best way of moving through life. It combines the sixty-four hexagrams of the I Ching, the Tree of Life of Kabbalah, the Hindu chakra system reworked into nine centres, and the placements of Western and sidereal astrology into a single chart called the bodygraph. From the moment of birth and a second calculation some three months before it, the system derives a person's Type, one of Manifestor, Generator, Manifesting Generator, Projector, or Reflector, together with a Strategy and an inner decision making Authority meant to guide choices. Its centres, channels, and gates are read as defined or open, describing consistent traits and areas of conditioning by others. Devised by Ra Uru Hu in 1987, Human Design is used as a tool of self-understanding that blends astrology, the I Ching, and chakra theory into a contemporary language of type and strategy.

Facts
Debunked
Contested or Appropriated Modern Use
Human Design is a late-twentieth-century synthesis of the I Ching, astrology, the Kabbalah and the chakra system, presented as a mechanics; it has no standing in the sciences it borrows from. 1
Sourced to the subject's own accountHuman Design presents itself as a precise mechanics of personality and life purpose built from the body graph's centres, channels and gates, but the system is a late-twentieth-century synthesis rather than an inheritance from the traditions it draws on. Ra Uru Hu, born Alan Robert Krakower, set the system out in The Human Design System (Human Design America, 1992), following a mystical experience he reported having in 1987; the atlas cites this as the founding presentation of the system in his own words. The method available is comparative, checking Human Design's centres, channels and type scheme against the I Ching, astrology, Kabbalah and the chakra system it names as sources, and finding no version of those centres, channels or types in any of them before 1992. Because the specific mechanics are demonstrably Krakower's own construction, and none of the four source traditions or the sciences the system invokes recognizes the scheme, the atlas records Human Design's own claim of ancient or scientific standing as contested.
Origins
Origin PeriodSourced to the subject's own account
from 1987 1Tradition: Ra Uru Hu revelation
Place of OriginSourced to the subject's own account
Spain 1
Creator / OriginatorSourced to the subject's own account
Ra Uru Hu (Alan Robert Krakower, 1948-2011). 1
Status
Status TodaySourced to the subject's own account
Living tradition, practised today 1
Learn More
A 1987 System, and What It Is Made Of

Human Design is a modern synthesis, first articulated in 1987, and there is no ambiguity about that date because its founder gave it himself.

Ra Uru Hu, born Alan Robert Krakower, a Canadian formerly working in advertising and media, reported an encounter on the island of Ibiza in January 1987 with a presence he called the Voice, over eight days, during which the system was dictated to him. That is the movement's own account of its origin, and it is not offered as a scholarly reconstruction of anything older.

What the system assembles is identifiable, and the components are much older than the assembly. The sixty-four hexagrams of the I Ching supply the gates. A modified Kabbalistic Tree of Life supplies the diagram, with its ten sephiroth reworked. The chakra system supplies the centres, with the classical seven expanded to nine. And astrology supplies the input: planetary positions determine which gates are activated.

The chart, called the bodygraph, is calculated from two moments, the time of birth, and a second calculation for the point some three months earlier at which the Sun was about eighty-eight degrees of arc back, which the system calls the design and treats as the unconscious layer.

From the pattern of defined and undefined centres the system derives a Type, Manifestor, Generator, Manifesting Generator, Projector or Reflector, each with a Strategy for engaging with the world and an inner Authority for making decisions. Centres that are defined are read as consistent traits; centres that are open are read as areas where a person takes in and amplifies conditioning from others.

None of this exists before 1987 in this configuration, and the system's own literature does not claim otherwise.

Type, Strategy, Authority

The practical content of Human Design is a small set of instructions, and it is worth setting them out because they are what a reading actually delivers.

Manifestors, roughly a tenth of people on the system's own figures, are described as able to initiate; their strategy is to inform those affected before acting. Generators and Manifesting Generators, together the large majority, are described as having a defined sacral centre and sustainable working energy; their strategy is to respond to what life presents rather than to initiate. Projectors are described as guides who see others clearly but lack consistent self-generated energy; their strategy is to wait for invitation or recognition. Reflectors, rare, have no defined centres at all and are described as sampling the environment; their strategy is to wait a full lunar cycle before major decisions.

Authority is the second half. Depending on which centres are defined, a person is assigned a decision-making mechanism: emotional authority, in which nothing is decided in the moment and the person waits for clarity across an emotional wave; sacral, a gut response; splenic, a single instantaneous intuition; and several others. The instruction in every case is to make decisions through that channel rather than through the mind, which the system treats as unreliable for personal decisions and suited instead to reflection and communication.

Further layers include the Profile, a pair of numbers from one to six describing a life role; the Definition, describing how connected the defined centres are; and the channels and gates themselves, each carrying a description.

Practitioners describe the work as an experiment: the instruction is to live by strategy and authority for a period, usually said to be seven years, and observe the results. Framed that way the system asks to be tested by the individual rather than to be believed.

Claims That Reach Beyond the Chart

Human Design makes a claim about physical mechanism that most divinatory systems do not, and because it is a physical claim it can be assessed as one.

The system holds that neutrinos streaming from the Sun carry information, and that as they pass through the body they imprint the design described in the chart. The 88-degree design calculation is explained in the same terms. The system's literature has pointed to the discovery that neutrinos have a small but non-zero mass, established experimentally in the late 1990s, as vindication of an assertion made in 1987.

What can be said accurately is this. Neutrinos do exist, they do stream from the Sun in enormous numbers, they do pass through matter, and they do have a very small mass. What is not established, and what physics does not hold, is that they carry or transmit information of the kind the system describes, or that they imprint biological or psychological characteristics. That step is the system's own assertion, and it is not supported by the physics it cites. It should be reported as a claim of the system rather than as a finding.

The wider position is straightforward. Human Design has not been the subject of controlled study, its type categories have not been validated against any independent measure, and it does not appear in personality research. Its practitioners generally do not present it as science, and the more careful ones present it explicitly as an experiment in self-observation whose value is to be judged by the person living it.

Commercially the system is substantial: charts are generated free by many sites, and the paid layer is analysis, reports and a training path through the founding organisation and a network of analysts. Anyone buying a reading is buying an interpretation of a 1987 synthesis, and that is the honest description of the product.

Cross-Tradition Connections

Belongs to Tradition

Folk practice casts the I Ching as an oracle for a question in the moment. Human Design instead derives its chart from birth data and a second calculation some three months earlier, so it uses the same figures for the opposite purpose.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

The I Ching underlying the system is a Confucian classic through the Ten Wings, but Human Design uses the sixty-four figures as a fixed birth typology rather than as the guide to timely and ethical action the Confucian reading makes of them.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Hinduism, Religions

The chakra system of Hindu tantra is expanded from seven centres into the system's nine, read as defined or open; the borrowing supplies vocabulary and layout rather than any yogic practice, and Hindu tradition has no part in the system.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Judaism, Religions

The system's nine centres are laid over a modified Tree of Life taken from Jewish mysticism through the Western esoteric tradition; the diagram is borrowed and the sefirot renamed and renumbered, and no Kabbalistic content travels with it.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Taoism, Religions

The bodygraph is built on the sixty-four hexagrams of the I Ching, a cornerstone of Taoist cosmology, mapped onto gates and channels. The borrowing is structural: no Taoist practice travels with it, and Ra Uru Hu devised the system in 1987.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

Founded By

Ra Uru Hu presented the Human Design System as material he received on Ibiza in January 1987 and spent the rest of his life teaching.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

Related To

Human Design: an esoteric system whose modern practice and teaching is substantially transmitted through apps, charting websites and online communities rather than any print-first tradition.

Works With

The nine centers, defined or undefined in a given chart.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

The nine centers, defined or undefined in a given chart.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

The five aggregate types a chart resolves to.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

The nine centers, defined or undefined in a given chart.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

The nine centers, defined or undefined in a given chart.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

The twelve profiles read from the conscious and unconscious lines.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

The twelve profiles read from the conscious and unconscious lines.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

The twelve profiles read from the conscious and unconscious lines.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

The twelve profiles read from the conscious and unconscious lines.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

The twelve profiles read from the conscious and unconscious lines.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

The twelve profiles read from the conscious and unconscious lines.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

The five aggregate types a chart resolves to.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

The five aggregate types a chart resolves to.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

The twelve profiles read from the conscious and unconscious lines.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

The twelve profiles read from the conscious and unconscious lines.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

The twelve profiles read from the conscious and unconscious lines.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

The twelve profiles read from the conscious and unconscious lines.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

The five aggregate types a chart resolves to.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

The five aggregate types a chart resolves to.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

The twelve profiles read from the conscious and unconscious lines.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

The twelve profiles read from the conscious and unconscious lines.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

The nine centers, defined or undefined in a given chart.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

The nine centers, defined or undefined in a given chart.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

The nine centers, defined or undefined in a given chart.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

The nine centers, defined or undefined in a given chart.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

The nine centers, defined or undefined in a given chart.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Sources
1. The Human Design System
Ra Uru Hu (Alan Robert Krakower), Human Design America, 1992Ra Uru Hu's own presentation
Quote, Ra Uru Hu's own presentation
The system's own account dates it to an eight-day experience on Ibiza in January 1987.
View the Source
The I Ching, or Book of Changes
Richard Wilhelm (trans.); Cary F. Baynes (English trans.), Princeton University Press, 1980The sixty-four hexagrams
Quote, The sixty-four hexagrams
The gates of the bodygraph are the hexagrams of the Book of Changes, reassigned within a modern synthesis.
View the Source
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