Divinity Atlas

Sacred Correspondences
Human Design Channels

Channel of Emoting

Root and Solar Plexus

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Origin 1987

Joins the Root to the Solar Plexus, carrying Gate 39 and Gate 55. The hexagrams are the thirty-ninth, Obstruction, whose image is water on the mountain and whose counsel is to turn attention to oneself when the way is blocked; and the fifty-fifth, Abundance, in which fullness is reached and the warning is that the sun at noon begins to decline. Human Design reads the pair as provocation stirring feeling into spirit, and names it emoting. The system's emotional wave, in which mood cycles rather than settles, is its own doctrine.

Facts
Origins
Origin Period
1987 2Tradition: Human Design (Ra Uru Hu, 1987)
Origin Period
Channel of Emoting, connecting Gate 39 and Gate 55, is one of the thirty-six channels of the Human Design system, synthesized in 1987 out of the I Ching, the chakra teaching, Kabbalah and astrology. 2
Contested Use
Contested or Appropriated Modern Use
The I Ching of China, the chakra teaching of India, Kabbalah and astrology are drawn on here inside a scheme assembled in 1987 and offered as an instrument of psychological counselling. The four traditions it draws on are old; the arrangement that joins them is not, and none of them produced it. 2
Correspondences
Gate PairSourced to the subject's own account
Gate 39 and Gate 55 1
Connects CentersSourced to the subject's own account
Root to Solar Plexus 1
I Ching CorrespondenceSourced to the subject's own account
Hexagram 39 (Obstruction) and Hexagram 55 (Abundance) 1
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The Channel in the Human Design Bodygraph

The Channel of Emoting (39-55) is one of the thirty-six channels of the Human Design bodygraph, a system originated in 1987 by Ra Uru Hu and described here as a modern esoteric framework rather than an ancient tradition. A channel is a defined pathway joining the Root centre and the Solar Plexus centre, and it is completed by two gates: Gate 39 ("Provoking Spirit") and Gate 55 ("Abundance Of Spirit"), whose numbers come from the King Wen sequence of the I Ching. The channel idea and its Tree-of-Life-style pathways, the gates' I Ching numbering, and the centres' chakra roots were combined for the first time in the 1980s; the channel is part of that composite, presented as the system's own model, not as verified fact.

In the system's own account, the Root centre carries a pressure that drives the other centres into action, read as a low grade adrenal stress, and the Solar Plexus centre carries emotional awareness, read not as a fixed state but as a wave moving between poles over time; the channel is read as a direct circuit between those two functions whenever both gates are defined in the same chart.

The same two numbers appear elsewhere in this atlas as Gene Keys 39 and 55, Richard Rudd's later, contemplative reading of the identical hexagram pair. Gene Key 39 runs from the Shadow of Provocation through the Gift of Dynamism to the Siddhi of Liberation; Gene Key 55 runs from Victimisation through Freedom to Freedom. Rudd's system drops the bodygraph and its channels entirely, so this particular pairing is a Human Design structure only, with no equivalent in his contemplative method.

The Two Hexagrams Behind the Gates

The Channel of Emoting joins the Root centre to the Solar Plexus centre through Gates 39 and 55, and both of those numbers are borrowed. They are positions in the King Wen sequence of the I Ching, the Chinese divinatory classic whose sixty-four hexagrams Human Design maps one to one onto the sixty-four gates of its bodygraph. Read as I Ching rather than as Human Design, the two numbers name two independent oracle texts.

Hexagram 39, Obstruction (Jian). Water high on the mountain, the pass blocked. Its counsel runs against instinct: when the way is obstructed, do not press on; turn back, gather friends, and seek the great man.

Hexagram 55, Abundance (Feng). Thunder and lightning at their culmination. It is fullness at the zenith, the sun at noon, and the eclipse already implicit in it; greatness that cannot be held but can be spent without sadness.

The I Ching itself never sets these two hexagrams in a pair. Each stands alone in the sequence, consulted about a changing situation and answered in counsel that passes. The pairing is a construction of Ra Uru Hu's system, published from 1987, which fixes each hexagram to a position in a birth chart and reads the joined pair as a lasting trait of the person. The correspondence of number is real, and both hexagrams can be followed into their own entries in this atlas; the pairing, and the character read out of it, belong to the modern system alone.

Cross-Tradition Connections

Corresponds To

Channel of Emoting bridges Hexagram 39, Obstruction, and Hexagram 55, Abundance, per its own iching-correspondence fact; this edge names the 55 side.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

Channel of Emoting bridges Hexagram 39, Obstruction, and Hexagram 55, Abundance, per its own iching-correspondence fact; this edge names the 39 side.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

Disciplines That Use This

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Sources
1. The Human Design System
Ra Uru Hu (Alan Robert Krakower), Human Design America, 1992The channels of the bodygraph
Quote, The channels of the bodygraph
The pairing of two hexagram numbers into a channel, the centres it connects and the meaning assigned to it are all Ra Uru Hu's construction, dating from 1987 and published in 1992. None of it is present in the Chinese source.
View the Source
2. Über den Tellerrand, ein Blick ins Human Design System (HDS)
Petra Stute, Virineya Würgler and Johnny Würgler, Springer, Journal für Gynäkologische Endokrinologie/Schweiz 24 (2021), pp. 50-51, 2021p. 50: the four systems synthesised, and the use made of the synthesisView the Source
The I Ching, or Book of Changes
Richard Wilhelm (trans.); Cary F. Baynes (English trans.), Princeton University Press, 1980The hexagram at each end of the channel
Quote, The hexagram at each end of the channel
The classical judgement and image of the two hexagrams whose numbers the channel carries, given here to keep the ancient text distinct from the modern reading placed on it.
View the Source
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