Divinity Atlas

Sacred Correspondences
Human Design Channels

Channel of The Beat

G/Identity and Sacral

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Origin 1987

Joins the G or Identity centre to the Sacral, carrying Gate 2 and Gate 14. Its hexagrams are the second, The Receptive, six broken lines and the counterpart of The Creative, whose counsel is to follow rather than to lead; and the fourteenth, Possession in Great Measure. Human Design reads the pair as direction receiving fuel: a sense of where life is going, supplied with the working energy to get there. The reading of the Sacral as a defined generator of life force is the modern system's own, drawn from chakra models rather than from any Chinese source.

Facts
Origins
Origin Period
1987 2Tradition: Human Design (Ra Uru Hu, 1987)
Origin Period
Channel of The Beat, connecting Gate 2 and Gate 14, is one of the thirty-six channels of the Human Design system, synthesized in 1987 out of the I Ching, the chakra teaching, Kabbalah and astrology. 2
Contested Use
Contested or Appropriated Modern Use
The I Ching of China, the chakra teaching of India, Kabbalah and astrology are drawn on here inside a scheme assembled in 1987 and offered as an instrument of psychological counselling. The four traditions it draws on are old; the arrangement that joins them is not, and none of them produced it. 2
Correspondences
Gate PairSourced to the subject's own account
Gate 2 and Gate 14 1
Connects CentersSourced to the subject's own account
G/Identity to Sacral 1
I Ching CorrespondenceSourced to the subject's own account
Hexagram 2 (The Receptive) and Hexagram 14 (Great Possession) 1
Learn More
The Channel in the Human Design Bodygraph

The Channel of The Beat (2-14) is one of the thirty-six channels of the Human Design bodygraph, a system originated in 1987 by Ra Uru Hu and described here as a modern esoteric framework rather than an ancient tradition. A channel is a defined pathway joining the G/Identity centre and the Sacral centre, and it is completed by two gates: Gate 2 ("Receptive Direction") and Gate 14 ("Skilled Power"), whose numbers come from the King Wen sequence of the I Ching. The channel idea and its Tree-of-Life-style pathways, the gates' I Ching numbering, and the centres' chakra roots were combined for the first time in the 1980s; the channel is part of that composite, presented as the system's own model, not as verified fact.

In the system's own account, the G/Identity centre carries a sense of self, direction and love, read as the seat of identity in the model, and the Sacral centre carries life force and work energy, read as the body's own generator and its yes or no gut response; the channel is read as a direct circuit between those two functions whenever both gates are defined in the same chart.

The same two numbers appear elsewhere in this atlas as Gene Keys 2 and 14, Richard Rudd's later, contemplative reading of the identical hexagram pair. Gene Key 2 runs from the Shadow of Dislocation through the Gift of Orientation to the Siddhi of Unity; Gene Key 14 runs from Compromise through Competence to Bounteousness. Rudd's system drops the bodygraph and its channels entirely, so this particular pairing is a Human Design structure only, with no equivalent in his contemplative method.

The Two Hexagrams Behind the Gates

The Channel of The Beat joins the G/Identity centre to the Sacral centre through Gates 2 and 14, and both of those numbers are borrowed. They are positions in the King Wen sequence of the I Ching, the Chinese divinatory classic whose sixty-four hexagrams Human Design maps one to one onto the sixty-four gates of its bodygraph. Read as I Ching rather than as Human Design, the two numbers name two independent oracle texts.

Hexagram 2, The Receptive (Kun). Earth doubled, six broken lines of pure yin. It is devotion and carrying capacity, the mare that serves tirelessly across open country, achieving not by leading but by receiving and completing what the creative begins.

Hexagram 14, Great Possession (Da You). Fire high in heaven, its light reaching everything. It is abundance held without arrogance, possession in great measure that succeeds because the strong yields the place of honour to the clear.

The I Ching itself never sets these two hexagrams in a pair. Each stands alone in the sequence, consulted about a changing situation and answered in counsel that passes. The pairing is a construction of Ra Uru Hu's system, published from 1987, which fixes each hexagram to a position in a birth chart and reads the joined pair as a lasting trait of the person. The correspondence of number is real, and both hexagrams can be followed into their own entries in this atlas; the pairing, and the character read out of it, belong to the modern system alone.

Cross-Tradition Connections

Corresponds To

Channel of The Beat bridges Hexagram 2, The Receptive, and Hexagram 14, Great Possession, per its own iching-correspondence fact; this edge names the 14 side.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

Channel of The Beat bridges Hexagram 2, The Receptive, and Hexagram 14, Great Possession, per its own iching-correspondence fact; this edge names the 2 side.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

Disciplines That Use This

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Sources
1. The Human Design System
Ra Uru Hu (Alan Robert Krakower), Human Design America, 1992The channels of the bodygraph
Quote, The channels of the bodygraph
The pairing of two hexagram numbers into a channel, the centres it connects and the meaning assigned to it are all Ra Uru Hu's construction, dating from 1987 and published in 1992. None of it is present in the Chinese source.
View the Source
2. Über den Tellerrand, ein Blick ins Human Design System (HDS)
Petra Stute, Virineya Würgler and Johnny Würgler, Springer, Journal für Gynäkologische Endokrinologie/Schweiz 24 (2021), pp. 50-51, 2021p. 50: the four systems synthesised, and the use made of the synthesisView the Source
The I Ching, or Book of Changes
Richard Wilhelm (trans.); Cary F. Baynes (English trans.), Princeton University Press, 1980The hexagram at each end of the channel
Quote, The hexagram at each end of the channel
The classical judgement and image of the two hexagrams whose numbers the channel carries, given here to keep the ancient text distinct from the modern reading placed on it.
View the Source

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