"The Glory of Kings," the Ethiopian national epic and sacred chronicle narrating the Queen of Sheba's visit to Solomon, the birth of their son Menelik I, and Menelik's removal of the Ark of the Covenant to Ethiopia, a text central to the legitimacy of Ethiopia's Solomonic dynasty and to the Ethiopian Orthodox Tewahedo Church.
Facts
Origins
Era of Compositionis a 14th-century national epic of Ethiopia, written in Ge'ez by Nebure Id Yeshaq of Aksum. 1 Era of CompositionReached its present Ge'ez form around the 14th century CE, compiled from older Arabic and Coptic source material and oral tradition of uncertain earlier age 2 Attributed Author / CompilerAnonymous; the text's own colophon names a group of Ethiopian clergy involved in its compilation and translation from Arabic sources, but no single author is credited 2 Status
Canonical StatusNon-canonical 2Tradition: Ethiopian Orthodox Tewahedo Canonical Status DetailNot part of the biblical canon, even the unusually broad 81-book Ethiopian Orthodox canon, but held in a status close to sacred history within the Ethiopian Orthodox Tewahedo Church and central to Ethiopian imperial legitimacy for centuries 2Tradition: Ethiopian Orthodox Tewahedo Text
Literary Form Structure
Structure117 chapters narrating the Queen of Sheba's journey to Solomon, the birth and education of Menelik I, and his removal of the Ark of the Covenant to Aksum 2 Learn More
A Queen, a King, and an Ark That Never Went Home
The Kebra Nagast tells, at unhurried length, how Makeda, Queen of Sheba, hears of King Solomon's wisdom and travels to Jerusalem to test it, is received with great honor, and, after a night spent in Solomon's palace under a pledge neither will take anything from the other by force, a pledge Solomon engineers his way around through a trick involving a cup of water, conceives a son. She returns to her own kingdom and bears Menelik, who as a young man travels to Jerusalem to meet his father, is honored and anointed, and then departs for home accompanied, at the text's climax, by a group of young Israelite nobles who secretly take the Ark of the Covenant with them rather than leave it behind, arriving in Ethiopia with the Ark still in their possession, an act the text presents not as theft but as evidence that divine favor has transferred from Israel to the new Ethiopian kingdom.
The narrative frames this transfer as the deliberate will of God, folding Ethiopia into biblical history as the true, chosen heir once Israel's own kingdom later falls into disobedience, and closes with an extended theological reflection on Ethiopia's resulting special status among nations. The text draws its authority not from any single dramatic revelation but from its careful, cumulative citation of earlier scripture and prophecy, presenting Ethiopia's new status as the fulfillment of a pattern it argues runs throughout the Hebrew Bible rather than as an isolated claim standing on its own.
The Text That Justified a Dynasty for Six Centuries
The Kebra Nagast's claim that Ethiopia's rulers descend directly from Solomon through Menelik I underwrote the legitimacy of Ethiopia's Solomonic dynasty from the text's compilation in the 14th century until the overthrow of Emperor Haile Selassie in 1974, making it one of the longest continuously politically consequential religious narratives anywhere in the world, cited explicitly in Ethiopian royal chronicles and even, in modified form, in the 1955 Ethiopian constitution, which affirmed the emperor's descent from the Solomonic line.
The Ethiopian Orthodox Tewahedo Church has long maintained that the actual Ark of the Covenant described in the text still resides today in a chapel at the Church of Our Lady Mary of Zion in Aksum, guarded by a single dedicated monk who alone may view it, a claim the church treats as an article of faith rather than a matter open to independent verification and that has never been tested by outside examination. The text also carries significant weight well beyond Ethiopian Orthodoxy, since the Rastafari movement, which emerged in Jamaica in the 1930s, drew directly on the Kebra Nagast's Solomonic genealogy in recognizing Haile Selassie as a messianic figure, making this medieval Ethiopian chronicle a living scriptural touchstone for a modern religious movement thousands of miles from its origin. Scholars generally read the narrative as legendary rather than historical, noting no independent evidence corroborates either the Queen of Sheba's visit as described or the Ark's removal to Ethiopia.
Connections
Attests
His dynastic claim rests on the Solomonic descent this text sets out, and the constitutions of 1931 and 1955 wrote that descent into Ethiopian law.
Source Ethiopia and the Bible (The Schweich Lectures 1967)Edward Ullendorff
The Ge'ez national epic names her Makeda and builds the Ethiopian claim to the Ark and to a Solomonic monarchy on her journey.
Source Ethiopia and the Bible (The Schweich Lectures 1967)Edward Ullendorff
Belongs to Tradition
Source The Queen of Sheba and Her Only Son Menyelek (Kebra Nagast)E. A. Wallis Budge (trans.)
The Kebra Nagast, the Ethiopian account of Solomonic descent, underwrites Rastafari's reading of Haile Selassie as standing in the line of Solomon and Sheba.
Source Wikipedia: RastafariWikipedia contributors
In Language
Originated In
Source Kebra Nagast (Wikipedia)
Originates in Language
Source The Queen of Sheba and Her Only Son Menyelek (Kebra Nagast)E. A. Wallis Budge (trans.)
Related To
Source The Queen of Sheba and Her Only Son Menyelek (Kebra Nagast)E. A. Wallis Budge (trans.)
Sources
1. Kebra Nagast (Wikipedia)
Wikimedia FoundationWikipedia: Kebra Nagast, lead section
is a 14th-century national epic of Ethiopia, written in Ge'ez by Nebure Id Yeshaq of Aksum.
Lead section
The Kebra Nagast (Ge'ez: ክብረ ነገሥት, Kəbrä Nägäśt), or The Glory of the Kings, is a 14th-century national epic of Ethiopia, written in Geʽez by Nebure Id Yeshaq of Aksum
Originated In: Ethiopia, Lead
is a 14th-century national epic of Ethiopia
View the Source 2. The Queen of Sheba and Her Only Son Menyelek (Kebra Nagast)
E. A. Wallis Budge (trans.), The Medici Society, 1922
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