These entries on the sixteen Diloggun signs are built to one shape, and it is worth saying at the close of the set what that shape is.
They describe the frame: how the sixteen shells are cast and counted, how two throws combine to produce one of the two hundred fifty six compound signs the tradition actually interprets, which parent names are shared with Ifa and which are not, who reads the oracle and under what initiation, how the practice reached Cuba and travelled from there, what the scholarly record contains, who made it, and under what conditions. Every one of those statements can be checked against the published literature.
They do not give the proverbs, the myth narratives, the readings or the prescribed works. Those are conferred on initiated diviners and applied to individual people, and they are not the atlas's to publish.
Merindilogun, the throw in which all sixteen shells land mouth up, closes the sequence and gives the system its name. What it says when it falls belongs to the diviners who hold it, and the absence of that material here is a decision rather than a gap.
A reader who wants more than this should go to a religious house rather than to a longer article. That is not a deflection. It is where the material lives, and it is the only route by which anyone comes to hold it. What a reference work can offer is an accurate account of the outside of the practice and an honest statement of where its own account ends.