Divinity Atlas

Sacred Correspondences
Dreamspell Kins

Blue Hand (Seal 7)

Also Known As Blue Hand

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Origin 1987 to 1990

MODERN INVENTION. Blue Hand is the seventh of the 20 Solar Seals in the MODERN Dreamspell system devised by Jose Arguelles (1987), not a traditional Maya day sign in its Dreamspell form. Its keywords are Accomplishment, Knowing and Healing; its action is to know, its power is accomplishment, and its essence is healing. It corresponds loosely to the Maya day Manik.

Facts
Origins
Origin Period
1987 to 1990 1Tradition: Dreamspell (José Argüelles, 1987)
Origin Period
Announced by Jose Arguelles around the Harmonic Convergence of August 1987 and published in its fully worked out Dreamspell form by 1990, a modern New Age construction rather than a traditional Maya day count. 1
Place of Origin
The United States. The system was announced around the Harmonic Convergence of August 1987 and published in worked-out form in 1990. 1Tradition: Dreamspell (José Argüelles, 1987)
Creator / Originator
Jose Arguelles (1939-2011), the American art historian and New Age author who devised the system and promoted it through The Mayan Factor and the Harmonic Convergence of 1987. 1Tradition: Dreamspell (José Argüelles, 1987)
Origin of the Name
Blue Hand is Arguelles substitution of 1987. The Maya day it stands in for is Manik in Yucatec, Kej among the daykeepers of highland Guatemala, and the seal name is not a translation of either. 1Tradition: Dreamspell (José Argüelles, 1987)
Language
English 1
Contested Use
Contested or Appropriated Modern Use
Maya organisations and daykeepers in Guatemala have objected publicly to this system being taught and sold as Maya tradition, because it displaces the 260-day count their own communities keep. That count is still kept, and it is not this one. 1
Status
Standing as a Comparative Category
Used, but its validity as a comparative category is disputed 1Tradition: Dreamspell (José Argüelles, 1987)
Learn More
Blue Hand in the Dreamspell Scheme

Blue Hand is the seventh Solar Seal, blue and therefore of the west and of transformation in Arguelles's rotation. Its stated triad is accomplishment as its power, knowing as its action and healing as its essence, and in Dreamspell practice it is the seal most associated with healing work and with the hands as instruments. It stands second in the second wavespell. The healing emphasis is one of the elements that has given the system its use in workshop and therapeutic settings, which is the context in which most people encounter it.

In the Dreamspell tradition, Blue Hand, Solar Seal 7, is described as governing healing, knowledge and skilled accomplishment, built outward from the borrowed imagery of the Tzolk'in day sign Manik. Blue Hand belongs to the Dreamspell's Blue colour family, alongside Blue Night, Blue Monkey, Blue Eagle and Blue Storm, a group with no basis in the traditional Tzolk'in's own black-coded third directional set; Arguelles substituted blue for black across this entire family when he built the Dreamspell's colour scheme in the 1980s. Its Dreamspell wavespell is the seventh of twenty, and, as with every wavespell in the system, its thirteen-day span runs on Arguelles's own fixed correlation to the Gregorian calendar rather than on the count kept by working Maya daykeepers.

Manik, the Day Sign Behind It

The corresponding Maya day is Manik', whose glyph is a hand in the gesture of grasping, and which is generally associated with the deer; the Aztec equivalent day is Mazatl, deer, which supports the identification. In the colonial Yucatec sources it is a day connected with hunting and with the forest, and in some highland readings with strength and with the four points that hold the world. The Dreamspell reading of knowing, accomplishment and healing draws on the hand glyph and sets the deer aside entirely. That is a fair summary of how the system works: the Maya sign supplies an image, and the meaning attached to it is Arguelles's.

Manik is the seventh of the twenty authentic Tzolk'in day signs, its imagery the deer and, by extension, the hand as an instrument of skilled work and healing; the living K'iche' daykeeping tradition knows the corresponding day as Kej, the K'iche' word for deer. In the directional scheme, Manik belongs to the west and the colour black. Arguelles's Solar Seal 7, Blue Hand, borrows only the hand half of Manik's paired imagery, dropping the deer association entirely, another example of how the Dreamspell selectively adapts rather than translates the Tzolk'in day-sign meanings it draws on.

Cross-Tradition Connections

Attributed To

Devised by Jose and Lloydine Arguelles in 1990 as part of the Dreamspell calendar. The specific artwork for each Kin is gated to the Arguelleses and the Foundation for the Law of Time.

Source The Mayan Factor: Path Beyond TechnologyJose Arguelles

Derived From

Manik, Tzolkin Day Signs

Why this is disputed. Jose Arguelles presented Blue Hand (Solar Seal 7) of his 1980s Dreamspell system as a rediscovery of the Maya day sign Manik. Maya daykeepers who have kept the traditional 260 day count continuously reject that equivalence, since the Dreamspell count runs on a fixed Gregorian cycle out of step with the living, unbroken count, and Arguelles's own name, image and meaning for Blue Hand are his invention layered onto Manik rather than a transmission of its traditional meaning.

Disciplines That Use This

The Dreamspell kins, a modern system that departs from the classical Tzolkin count.

Source Maya Hieroglyphic Writing: An IntroductionJ. Eric S. Thompson

Originates in Language

Sources
1. The 2012 Phenomenon: New Age Appropriation of an Ancient Mayan Calendar
Robert K. Sitler, University of California Press (Nova Religio 9:3, pp. 24-38), 2006on contemporary Maya and the 2012 phenomenon
Dreamspell: The Journey of Timeship Earth 2013
Jose Arguelles, Chelsea Pacific, 1990
Maya Hieroglyphic Writing: An Introduction
J. Eric S. Thompson, University of Oklahoma Press, 1962the day Manik and the deerView the Source
The Mayan Factor: Path Beyond Technology
Jose Arguelles, Bear and Company, 1987View the Source
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