Divinity Atlas

Sacred Correspondences
Dreamspell Kins

Blue Night (Seal 3)

Also Known As Blue Night

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Origin 1987 to 1990

MODERN INVENTION. Blue Night is the third Solar Seal in the MODERN Dreamspell system of Jose Arguelles (1987), a New Age construct rather than an authentic Maya day sign. Its keywords are Abundance, Intuition and Dreams; it dreams abundance through intuition. It loosely echoes the Maya day Akbal.

Facts
Origins
Origin Period
1987 to 1990 1Tradition: Dreamspell (José Argüelles, 1987)
Origin Period
Announced by Jose Arguelles around the Harmonic Convergence of August 1987 and published in its fully worked out Dreamspell form by 1990, a modern New Age construction rather than a traditional Maya day count. 1
Place of Origin
The United States. The system was announced around the Harmonic Convergence of August 1987 and published in worked-out form in 1990. 1Tradition: Dreamspell (José Argüelles, 1987)
Creator / Originator
Jose Arguelles (1939-2011), the American art historian and New Age author who devised the system and promoted it through The Mayan Factor and the Harmonic Convergence of 1987. 1Tradition: Dreamspell (José Argüelles, 1987)
Origin of the Name
Blue Night is Arguelles substitution of 1987. The Maya day it stands in for is Akbal in Yucatec, Aq'ab'al among the daykeepers of highland Guatemala, and the seal name is not a translation of either. 1Tradition: Dreamspell (José Argüelles, 1987)
Language
English 1
Contested Use
Contested or Appropriated Modern Use
Maya organisations and daykeepers in Guatemala have objected publicly to this system being taught and sold as Maya tradition, because it displaces the 260-day count their own communities keep. That count is still kept, and it is not this one. 1
Status
Standing as a Comparative Category
Used, but its validity as a comparative category is disputed 1Tradition: Dreamspell (José Argüelles, 1987)
Learn More
Blue Night in the Dreamspell Scheme

Blue Night is the third Solar Seal. Blue seals, at positions 3, 7, 11, 15 and 19, are placed in the west in Arguelles's rotation and carry the quality of transformation. Its stated triad is abundance as its power, dreaming as its action and intuition as its essence, and it is one of the seals most emphasised in Dreamspell practice, since the system as a whole is presented as a recovery of dreaming and of a natural timing. The blue for west is a departure from the Mesoamerican colour scheme, in which the west is black, ek', and blue-green, yax, belongs to the centre; the substitution is Arguelles's and appears to be aesthetic.

In the Dreamspell tradition, Blue Night, Solar Seal 3, is described as governing abundance, dreaming and the intuitive, interior life Arguelles read outward from Akbal's borrowed association with night and enclosed space. Blue Night belongs to the Dreamspell's Blue colour family, alongside Blue Hand, Blue Monkey, Blue Eagle and Blue Storm, a group Dreamspell teaching glosses as "transforming." Note that this Blue grouping has no basis in the traditional Tzolk'in's own direction-colour scheme, which assigns Akbal's position to black, not blue; the substitution is original to Arguelles's twentieth-century system.

Akbal, the Day Sign Behind It

The corresponding Maya day is Ak'b'al, meaning darkness or night, and by extension the interior of the earth and the underworld. Its glyph is one of the standard signs for darkness, and it is linked to the jaguar as a creature of the night sun, to caves, and to the passage of the sun through the underworld between setting and rising. In the divinatory readings recorded from colonial and modern sources it can carry both the shelter and the danger of the dark. The Dreamspell reading of dreaming and intuition is a plausible modern extension of night symbolism but is not what the Maya sources say; they are concerned with darkness as a place, the underworld and the cave, rather than with dreaming as a psychological faculty.

Akbal is the third of the twenty authentic Tzolk'in day signs, its imagery night, darkness and the interior of a dwelling, a sign the living K'iche' daykeeping tradition knows as Aq'ab'al. In the directional scheme carried by the twenty signs, Akbal belongs to the west and the colour black, not blue; Arguelles's Dreamspell substitutes Blue for this third colour group, one of the clearer points at which the Dreamspell's own colour scheme departs from the traditional Maya direction-colour assignment even while preserving its underlying four-group, five-seal structure. Solar Seal 3, Blue Night, borrows Akbal's name and its association with dreams and the interior, unconscious life.

Cross-Tradition Connections

Attributed To

Devised by Jose and Lloydine Arguelles in 1990 as part of the Dreamspell calendar. The specific artwork for each Kin is gated to the Arguelleses and the Foundation for the Law of Time.

Source The Mayan Factor: Path Beyond TechnologyJose Arguelles

Derived From

Akbal, Tzolkin Day Signs

Why this is disputed. Jose Arguelles presented Blue Night (Solar Seal 3) of his 1980s Dreamspell system as a rediscovery of the Maya day sign Akbal. Maya daykeepers who have kept the traditional 260 day count continuously reject that equivalence, since the Dreamspell count runs on a fixed Gregorian cycle out of step with the living, unbroken count, and Arguelles's own name, image and meaning for Blue Night are his invention layered onto Akbal rather than a transmission of its traditional meaning.

Disciplines That Use This

The Dreamspell kins, a modern system that departs from the classical Tzolkin count.

Source Maya Hieroglyphic Writing: An IntroductionJ. Eric S. Thompson

Originates in Language

Sources
1. The 2012 Phenomenon: New Age Appropriation of an Ancient Mayan Calendar
Robert K. Sitler, University of California Press (Nova Religio 9:3, pp. 24-38), 2006on contemporary Maya and the 2012 phenomenon
Dreamspell: The Journey of Timeship Earth 2013
Jose Arguelles, Chelsea Pacific, 1990
Maya Hieroglyphic Writing: An Introduction
J. Eric S. Thompson, University of Oklahoma Press, 1962the day Akbal, darknessView the Source
The Mayan Factor: Path Beyond Technology
Jose Arguelles, Bear and Company, 1987View the Source
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