Divinity Atlas

Sacred Correspondences
Esoteric Texts

The Heptameron (Elementa Magica)

Also Known As Heptameron · Elementa Magica
Grimoire Texts

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A short, practical manual of conjuration organised by the seven days of the week, giving for each day its angel, the presiding spirits, the colours, perfumes and the words of the circle. It is angelic and planetary rather than goetic in emphasis, and it circulated most widely bound together with the spurious Fourth Book of Occult Philosophy attributed to Agrippa, whose method it closely follows.

Facts
Text
Literary Form
Grimoire / manual of magical operations 1
Open Questions
Attributed Author / Compiler
Attributed to Pietro d'Abano 1
The ascription to Pietro d'Abano is rejected on chronological grounds, which removes an author without supplying one. The text first appears in print in 1559, appended to the pseudo-Agrippan Fourth Book, and no manuscript witness earlier than the sixteenth century has been identified for it. Its angelic hours resemble material in fifteenth-century ritual manuscripts, but resemblance is not descent. Who wrote it is not established.
Origins
Era of Composition
1400 to 1600 1
Language
Latin 1
Attributions
Tradition
Solomonic and Angelic 1
Scholarship and Forensics
Scholarly Note
Its attribution to the thirteenth century physician and astrologer Pietro d'Abano is not supported by any manuscript predating the sixteenth century printed edition, so historians of magic treat the ascription as traditional rather than documented. 1
Transmission
Manuscript Tradition
First printed bound together with editions of the spurious Fourth Book of Occult Philosophy attributed to Agrippa, a pairing that shaped how early modern readers encountered and classified both texts together. 1
Sources
Textual Note
First printed bound together with editions of Agrippa's Fourth Book of Occult Philosophy, a pairing that shaped how early modern readers encountered and classified the two texts together. 1
Learn More
Angelic Magic by the Days of the Week

The Heptameron, or Elementa Magica, is a short and practical manual of conjuration organised around the seven days of the week, giving for each day its ruling angel, the presiding spirits, and the colours, perfumes, seals and words of the magic circle, angelic and planetary in emphasis rather than demonic. It is attributed to Pietro d'Abano (Peter of Abano, c. 1250-1316), the Paduan physician and philosopher, but the attribution is doubtful: d'Abano was long dead when the text surfaces, and it is usually regarded as pseudonymous, a later work fathered on a famous name with a reputation for magic. It was printed in the late fifteenth or sixteenth century and is most often found appended to the spurious Fourth Book of Occult Philosophy ascribed to Agrippa, with which it travelled as a practical companion. Its careful, hour-by-hour, day-by-day tabulation of angelic correspondences made it a much-used working handbook and a direct source for the ceremonial magic of later centuries, including the Golden Dawn revival.

A Timetable for Angels

The Heptameron is short and it is organised as a timetable. Each day of the week has its angel, its planet, its colour, its perfume, its sigil and its conjuration, and the day is further divided into planetary hours each with its own ruling angel. The text supplies the circle to be drawn, the words to be said, and the correspondences to be observed, for each of the seven days in turn.

Its practical value is exactly that completeness. Where the Three Books of Occult Philosophy explain why angelic magic should work, the Heptameron tells an operator what to do on a Tuesday. That is why it travelled bound with the pseudo Agrippa Fourth Book and why the two are often treated as one work: between them they supply the missing operative layer of a philosophical system.

The angels named here, and the days and hours scheme, pass more or less unchanged into the Golden Dawn material and from there into modern ceremonial practice, so this small text has an influence out of proportion to its length.

The attribution to Pietro d'Abano, a fourteenth century physician and astrologer condemned by the Inquisition, is not sustained by the manuscript evidence.

Its scheme of planetary hours, in which the hours of daylight and darkness are each divided into twelve unequal parts that lengthen and shorten with the season, is the same one used across medieval astrology, and it is the part of the book still in general use.

Cross-Tradition Connections

Associated With

Angelic and planetary in emphasis, giving for each day its angel and presiding spirits.

A practical manual of conjuration organised by the seven days of the week.

Attributed To

Pietro d'Abano, Historical Figures

Why this is corrected. The Heptameron carries his name on its title page.

Source Grimoires: A History of Magic BooksOwen Davies

Originates in Language

Latin, Languages
Source Grimoires: A History of Magic BooksOwen Davies
Sources
1. Grimoires: A History of Magic Books
Owen Davies, Oxford University Press, 2009On the Heptameron and the Fourth Book corpusView the Source
Three Books of Occult Philosophy
Heinrich Cornelius Agrippa, Llewellyn, 1533the associated pseudo-Agrippa materialView the Source
Open Questions (1 open question)
Who wrote the Heptameron, and does it rework any material older than its sixteenth-century printing?

The ascription to Pietro d'Abano is rejected on chronological grounds, which removes an author without supplying one. The text first appears in print in 1559 appended to the pseudo-Agrippan Fourth Book, and no manuscript witness earlier than the sixteenth century has been identified for it. Its angelic hours and weekday conjurations resemble material circulating in fifteenth-century ritual manuscripts, but resemblance is not descent.

What would resolve this A dated manuscript of the text or of a recognisable portion of it from before 1559, or a securely dated source that the printed text can be shown to be copying. Collation of the Heptameron against the surviving fifteenth-century angel magic manuscripts, done systematically rather than by impression, would establish whether it is compiled from them.
History of the book and early printing, Latin palaeography, and the study of late medieval ritual magic manuscriptsOwen Davies, Grimoires: A History of Magic Books
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