Divinity Atlas

Sacred Correspondences
Figures

Chaitanya

Also Known As Vishvambhara Mishra (Bengali) His name before he took sannyasa. · Chaitanya Mahaprabhu (Bengali) The honorific form of the name.
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Chaitanya Mahaprabhu was the Bengali ecstatic whose public singing of the names of Krishna gave rise to the Gaudiya Vaishnava tradition. He made congregational chanting the central practice and led it through the streets of Nabadwip and later from Puri, in a way that crossed caste lines and drew official disapproval. His followers hold him to be Krishna and Radha in one body, a claim internal to the tradition; he left almost nothing in writing, and the theology was worked out by the six Goswamis of Vrindavan who came after him.

Facts
Life
Lifespan or Floruit
1486 to 1534 1
Manner of Death Detail
Accounts of his death in Puri in 1533 diverge: some traditions hold he merged bodily into the deity Jagannath while in ecstatic dance, others record a physical injury to his foot that turned gangrenous, and the disagreement is itself treated by scholars as evidence of how quickly devotional legend outpaced plain reporting around him. 1
Identity
Gender
Male 1
Origins
Founded
Credited with popularizing congregational chanting of the names of Krishna, sankirtana, as a central devotional practice, a method that became foundational to Gaudiya Vaishnavism and later spread internationally through the Hare Krishna movement. 1
Place of Origin
Nabadwip in Bengal 1
Attributions
Tradition
Gaudiya Vaishnavism, whose practice of public congregational singing of the divine names he established and whose followers regard him as Krishna and Radha in one body 1
Attestation
Historicity
Historically attested 1
Historically attested, with biographies written by contemporaries and near contemporaries
Traditions Revering This Figure
Hinduism 1
Position Profile
Key Text
The Chaitanya Charitamrita, composed by his follower Krishnadasa Kaviraja, is the principal traditional narrative of his life and teaching, since he himself left almost nothing in writing. 1
Learn More
Sankirtana: Taking the Name Into the Street

Chaitanya was a Sanskrit scholar of Nabadwip in Bengal, known for a sharp intellect and a talent for defeating other scholars in debate, when at about twenty two he went to Gaya to perform the rites for his dead father and came back a different person. Those who had known him described someone unable to complete a sentence about anything else, weeping, fainting, and no longer interested in the grammar school he ran.

What he began doing was public. Congregational singing of the divine names, with drums and cymbals, processing through the streets at night, was not itself new, but the scale and the openness were: anybody could join, the singing crossed caste lines in a town where those lines were policed, and it drew crowds. The local Muslim magistrate, the Kazi, banned it after complaints. Chaitanya's response was to lead a mass procession, said to number in the tens of thousands, to the Kazi's house, and the ban was lifted after an exchange the tradition preserves as a conversation rather than a confrontation.

He took formal renunciation at twenty four, moved to Puri in Orissa, and spent the rest of his life there and on pilgrimage in the south, in states of devotional absorption that his companions describe as physically extreme. He died in 1534, in circumstances the sources do not agree about.

The Theology He Did Not Write

Chaitanya left eight verses. That is the whole of his written output, a short work called the Shikshashtaka, and it says nothing systematic: it is about the effect of the name, the wish to be humbler than a blade of grass, and the pain of separation from Krishna.

The theology of the tradition was therefore written by other people at his direction. He sent six of his most learned followers to Vrindavan to recover the sites associated with Krishna and to compose the doctrinal and ritual literature, and those six Goswamis produced the body of Sanskrit work on which Gaudiya Vaishnavism rests. Its central formulation, inconceivable oneness and difference, holds that the soul and God are simultaneously identical and distinct in a way reason cannot resolve, which preserves both the non-dualist insight and the devotional relationship that requires two parties.

His followers also hold something about him personally: that he is Krishna, having taken the position and the emotional state of Radha in order to taste the love directed at himself from the other side. That claim is internal to the tradition and the atlas records it as the tradition's own.

The lineage continued through the Gaudiya Math in the early twentieth century, and from that root came the movement founded in New York in 1966 that carried the public singing of the name into cities across the world, which is how most people outside Bengal have encountered anything of him at all.

Cross-Tradition Connections

Associated With

Chaitanya, in sixteenth century Bengal, made public congregational singing of it the centre of his movement.

Source Encyclopedia of HinduismDenise Cush, Catherine Robinson and Michael York (eds.)

Belongs to Tradition

Hinduism, Religions

Depicted In

The Cleveland Museum of Art's own description for this Kalighat painting names its Gaur figure, unhedged, as Chaitanya Mahaprabhu.

Related To

A hagiography and doctrinal exposition centered on Chaitanya's life, composed decades after his death by Krishnadasa Kaviraja Goswami.

Source A Survey of HinduismKlaus K. Klostermaier

Traditions Founded

Chaitanya Mahaprabhu, whose teaching and public sankirtana in early sixteenth century Bengal gave Gaudiya Vaishnavism its distinctive theology and practice.

Source A Survey of HinduismKlaus K. Klostermaier
Sources
1. Encyclopedia of Hinduism
Denise Cush, Catherine Robinson and Michael York (eds.), Routledge, 2008View the Source
Nitai and Gaur, Cleveland Museum of Art (2003.154)
Cleveland Museum of ArtDepicted In: Nitai and Gaur (Cleveland Museum of Art), Cleveland Museum of Art 2003.154View the Source
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