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Hildegard of Bingen

Also Known As The Sibyl of the Rhine (English) Title given her by contemporaries.
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Hildegard of Bingen was a Benedictine abbess of the Rhineland who recorded a lifetime of visions, wrote on medicine and the natural world, composed a large body of music, and corresponded with popes and emperors. Her Scivias sets out twenty six visions with her own commentary, and she insisted throughout that she received them awake and in her senses rather than in ecstasy. She founded her own house at Rupertsberg against opposition from her abbot, and she was formally recognised as a saint and named a Doctor of the Church in 2012.

Facts
Origins
Founded
Beyond her visionary and musical works, she devised an entire invented language, the Lingua Ignota, with its own alphabet, the Litterae Ignotae, an unusual undertaking whose exact purpose, whether liturgical, mystical or simply private, scholars still debate. 1
Place of Origin
Born at Bermersheim near Alzey in the Rhineland, she was the tenth child of a noble family who offered her to religious life as a tithe, and at around age eight she entered the household of the anchoress Jutta, who became her first teacher. 1
Identity
Gender
Female 1
Attestation
Historicity
Historically attested 1
Historically attested, with an unusually large surviving correspondence
Life
Lifespan or Floruit
1098 to 1179 1
Office Held
Magistra of her community; declared a Doctor of the Church in 2012 1
Place of Activity
The Rhineland; she founded and led the community at Rupertsberg near Bingen 1
Attributions
Tradition
Roman Catholicism, within whose monastic life as abbess of Rupertsberg she also composed liturgical music, theological visionary writings and one of the earliest surviving morality plays, Ordo Virtutum. 1
Position Profile
Key Text
Scivias, setting out twenty six visions with her own commentary, is her principal visionary work. 1
Publications
Notable Publication
Scivias, the record of her visions, together with medical and natural writings, the morality play Ordo Virtutum and a large body of composed chant 1
Learn More
Scivias, and Permission to Write

Hildegard was given by her family to the church at about eight, enclosed with the anchoress Jutta at the monastery of Disibodenberg, and elected to lead the women's community when Jutta died. She had seen what she called the reflection of the living Light since early childhood, and had told almost nobody.

In 1141 she reports being commanded to write down what she saw, and refusing, and falling ill, and recovering only when she began. That sequence is a convention of the genre and it is also what she says happened. The result is Scivias, know the ways, twenty six visions with her own interpretations attached, composed over ten years. She was careful about authorisation: she wrote to Bernard of Clairvaux for an opinion, the matter reached Pope Eugenius III at the synod of Trier, and he read from the book publicly and told her to continue.

That approval is what made everything else possible. A woman writing theology in the twelfth century needed a warrant, and she had the best one available, granted in public by a pope. She used it for the next forty years, and her surviving correspondence runs to some four hundred letters, addressed to abbots, bishops, an emperor and a pope, in a tone that is respectful, entirely unintimidated, and frequently furious.

Medicine, Music, and a Fight Over a Grave

The visionary is only part of the output. She wrote two works on the natural world and on healing, cataloguing plants, stones, animals and their properties and describing the causes and cures of illness in terms of the balance of humours, in a register with almost no visionary content at all. She composed some seventy seven liturgical songs of a distinctive kind, with enormous melodic leaps and long melismas, and a sung morality play, the Ordo Virtutum, in which the Virtues and the Devil contend for a soul and the Devil, who cannot sing, can only shout. She also invented a private language of about a thousand words, with its own alphabet, whose purpose has never been satisfactorily explained.

She fought her abbot to move her community to a new house at Rupertsberg and won. In her sixties she undertook four preaching tours, addressing clergy and laity publicly, which was not something women did. And at the very end of her life she and her nuns were placed under interdict, cut off from communion and from singing the office, because they had buried a man in their churchyard whom the authorities said had been excommunicated. She refused to have the body dug up, argued that he had been reconciled before death, and endured the silence until the interdict was lifted a few months before she died. She was named a Doctor of the Church in 2012.

Cross-Tradition Connections

Associated With

Rhineland, Regions

Hildegard of Bingen lived and wrote in the Rhineland.

This source names Hildegard of Bingen directly: "Hildegard of Bingen and Her Music Drama Ordo Virtutum: A Critical Review of Scholarship, Eckehard Simon's 2011 peer reviewed article in European Medieval Drama, surveys scholarship on the play's..."

Belongs to Tradition

Depicted In

The engraving's own caption names its subject outright, "Hildegardis," and the British Museum's curatorial description identifies it as a portrait of St Hildegard von Bingen.

Works Attributed

Source Ordo Virtutum (Wikipedia)Wikipedia contributors
Sources
1. The Oxford Dictionary of the Christian Church, 3rd revised edition
F. L. Cross and E. A. Livingstone (eds.), Oxford University Press, 2005View the Source
Hildegard von Bingen, British Museum (William Marshall, 1642)
British MuseumDepicted In: Hildegard von Bingen (British Museum, William Marshall, 1642), British Museum P_1873-0510-327View the Source
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