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James VI and I

Also Known As James VI
Kings

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James VI of Scotland and I of England reigned in Scotland from 1567 and in England and Ireland from 1603 until his death in 1625, and two of his decisions still shape English-speaking religion. At the Hampton Court Conference in 1604 he authorized a new translation of the Bible, published in 1611, which became the King James Version and held the field in English worship for three centuries. And he was a working theorist of witchcraft, writing Daemonologie in 1597 after taking part personally in the North Berwick trials in Scotland, a book whose arguments stand behind the English witchcraft statute of 1604. He argued the divine right of kings in his own writings, and his rule of thumb for church government was that without bishops there would be no king either.

Facts
Identity
Also Known As
James VI of Scotland; James I of England and Ireland 1
Gender
Male 1
History
Historical Note
He survived the Gunpowder Plot of 1605, an assassination attempt by Catholic conspirators to blow up Parliament during its state opening, and the anniversary is still marked in Britain each year as Guy Fawkes Night, named for the conspirator caught guarding the explosives. 1
Attributions
Tradition
Authorized the English translation published in 1611 that became the King James Version 2Tradition: Church of England
Tradition
Wrote Daemonologie in 1597 defending the reality of witchcraft and the duty of magistrates to punish it 1Tradition: Church of England
Practice
Lineage
Son of Mary, Queen of Scots and her second husband Henry Stuart, Lord Darnley. His mother was executed in 1587 on the order of Elizabeth I of England, whose throne he inherited in 1603. 2
Attestation
Historicity
Historically attested 1
Historically attested; his own published works survive, including Daemonologie, The True Law of Free Monarchies and Basilikon Doron, along with the Hampton Court Conference records
Life
Lifespan or Floruit
1566 to 1625 1
Office Held
King of Scots from 1567 and king of England and Ireland from 1603 to 1625; supreme governor of the Church of England 2Tradition: Church of England
Position Profile
Key Text
Daemonologie, his own 1597 treatise on witchcraft written after the North Berwick trials, stands behind the English witchcraft statute of 1604. 2
Learn More
Hampton Court and the Bible That Followed

James arrived in England in 1603 to find a church settlement that satisfied nobody. Puritan clergy presented him with the Millenary Petition asking for further reform of ceremony and discipline, and he called a conference at Hampton Court in January 1604 to hear both sides. He gave the Puritans almost nothing on ceremony, and when presbyterian church government was raised he answered that no bishop meant no king, since a church without a hierarchy would not long tolerate a monarchy either. One request he did grant, almost in passing, was for a new translation of the Bible.

The scheme he approved was unusually well organized. Roughly fifty scholars worked in six companies at Westminster, Oxford and Cambridge, each taking a portion, and each company's draft was reviewed by the others before a final committee harmonized the whole. The rules of procedure required them to follow the Bishops' Bible where the original allowed, to keep familiar ecclesiastical words rather than replacing them, and to add no marginal notes except for cross references and difficulties of translation. That last rule was pointed. James disliked the Geneva Bible, then the most widely read English version, because its marginal notes told readers when a king might rightly be disobeyed.

The version appeared in 1611. It was not an immediate success and took decades to displace the Geneva Bible in private reading, but by the eighteenth century it was simply the Bible in English, and its cadences entered the language so completely that phrases from it are used daily by people who have never opened it. Its influence on English prose, hymnody and public oratory is broader than that of any other book, and its authorization was the incidental outcome of a conference called to settle something else.

Daemonologie and the North Berwick Trials

In 1589 James sailed to Denmark to collect his bride, Anne, and the return voyage met storms severe enough that the fleet had to shelter in Norway. Danish officials blamed witchcraft, and the accusation crossed to Scotland. The North Berwick trials that followed, running from 1590 into 1591, produced confessions under torture that a coven had met in the kirkyard at North Berwick, sent a familiar to sea to raise the storms, and worked to kill the king because he was the greatest enemy the devil had in the world. James attended examinations in person and questioned suspects himself.

Out of that experience came Daemonologie, printed at Edinburgh in 1597. It is a short dialogue in three books arguing that witchcraft is real, that scripture and reason both establish it, that magistrates have a duty to punish it, and, against the sceptics he names, that denying its existence is itself an error. It distinguishes necromancy from witchcraft, discusses spirits and possession, and argues for the death penalty. Coming from a reigning monarch, it carried a weight no clerical treatise could.

The consequences were legal and cultural. Scotland saw one of the most intense witch prosecutions in Europe over the following century, and in England the first parliament of James's reign passed the Witchcraft Act of 1604, which made invoking spirits a capital felony without benefit of clergy and which remained in force until 1736. Shakespeare, writing Macbeth for a company under royal patronage, drew on the demonology his new king had published, and the play's Scottish setting and its weird sisters are usually read as an address to that interest. Historians have noted that James's own scepticism grew in later life, and he exposed several fraudulent accusations personally.

Cross-Tradition Connections

Associated With

This source names James VI and I directly: "James VI of Scotland's Daemonologie is a primary source, a treatise the king himself wrote defending the reality of witchcraft and justifying its prosecution, composed partly in response to his own..."

Source Daemonologie, in Forme of a DialogueJames VI of Scotland

He authorized it at Hampton Court in 1604 and set the rules the six translating companies worked to; he did not translate any of it himself.

Source Reformation: Europe's House Divided 1490-1700Diarmaid MacCulloch

Raised under the Scottish kirk's presbyterian discipline, he spent his reign restoring bishops to it, holding that a church without hierarchy would not long tolerate a monarchy.

Source Reformation: Europe's House Divided 1490-1700Diarmaid MacCulloch

This source names James VI and I directly: "King James VI and I's The Trew Law of Free Monarchies, Robert Waldegrave, 1598, is a primary political text, a reigning monarch's own treatise on the divine right of kings."

Source The Trew Law of Free MonarchiesJames VI and I

Belongs to Tradition

A Protestant monarch of two kingdoms with different church settlements, who governed both and wrote theology for both.

Source Reformation: Europe's House Divided 1490-1700Diarmaid MacCulloch

Supreme governor from 1603; he refused the Puritan requests at Hampton Court while granting the new translation that came out of the same conference.

Source Reformation: Europe's House Divided 1490-1700Diarmaid MacCulloch

Depicted In

The British Museum's own description, read through two independent secondary sources that agree, names James I as the mezzotint's sitter.

Sources
1. The Oxford Dictionary of the Christian Church, 3rd revised edition
F. L. Cross and E. A. Livingstone (eds.), Oxford University Press, 2005View the Source
2. Reformation: Europe's House Divided 1490-1700
Diarmaid MacCulloch, Allen Lane, 2003View the Source
Encyclopaedia Britannica (online academic reference)
Encyclopaedia Britannica editors, Encyclopaedia Britannica, Inc., 2024View the Source
James I portrait mezzotint, British Museum (1731, Cheylesmore Collection)
British MuseumDepicted In: Portrait of James I (British Museum, mezzotint, 1731), British Museum P_1902-1011-1403View the Source
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