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Susanoo

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Expelled from heaven for his rampages against Amaterasu, Susanoo descended to Izumo, where he came upon an old couple weeping over their last surviving daughter, Kushinada hime; a monstrous eight headed, eight tailed serpent, Yamata no Orochi, had devoured her seven sisters one by one and was due to take her too. Susanoo turned the girl into a comb and hid her in his hair, then had the couple brew eight vats of strong sake set behind an eight gated fence. The serpent drank from each head, grew drunk, and Susanoo cut it to pieces; in the tail he found a great sword, which he sent to Amaterasu as a peace offering and which became one of the three imperial regalia. He married Kushinada hime and settled in Izumo as its founding god.

Facts
Identity
Symbol
The sword Kusanagi, recovered from the tail of the slain serpent Yamata no Orochi and given to Amaterasu, later became one of the three sacred imperial regalia of Japan, alongside the mirror and the jewel, symbols of legitimate imperial rule. 1
Canonical Reference
His expulsion from Takamagahara after offending Amaterasu and his subsequent slaying of the eight headed serpent Yamata no Orochi in Izumo province are both narrated in the Kojiki, one of the mythology's best known episodes and the source of the sword Kusanagi. 1
Gender
Male 1
Attributions
Mythic Association
Born from Izanagi's nose; a deity of contradictions, wild and destructive in heaven but a heroic, agricultural figure once exiled to earth. 1
Position Profile
Key Text
Kojiki 1
Attestation
Historicity
Not a historical person: a divine or other-than-human being 1
Life
Office HeldSourced to the subject's own account
God of storms and the sea, youngest of the Three Noble Children, later a culture hero in Izumo 2
Place of Activity
After his exile from heaven he settled in Izumo, on the Sea of Japan coast of western Honshu, a region the Kojiki and Nihon Shoki treat as a separate mythic center of its own, with its own line of land-shaping deities, distinct from the heavenly line descending through Amaterasu. 1
Origins
Origin of the Name
His name is read variously as deriving from a word for raging or desolate, fitting his early destructive conduct, or from Suga, the place name where the Kojiki has him settle and compose Japan's first recorded waka poem after his marriage. 1
History
Historical NoteSourced to the subject's own account
His rampage against Amaterasu, destroying her rice fields, defiling her palace and flaying a sacred horse into her weaving hall, drove her into hiding and cost him his beard, nails and a divine expulsion from heaven. Exiled to Izumo, he slew the eight-headed serpent Yamata no Orochi by intoxicating it with sake, recovered the sword Kusanagi from its tail, and gave it to Amaterasu as reconciliation. 2
Scholarship
How Its Legacy Is Contested
The Kojiki recounts that his destructive rampage through his sister Amaterasu's rice fields and sacred weaving hall, including flinging a flayed horse through the roof, so alarmed her that she withdrew into the cave Amano Iwato and plunged the world into darkness, the crisis that provoked the other gods to lure her back out. 1
Practice
Lineage
Son of Izanagi, born from his nose in his purification; brother of Amaterasu and Tsukuyomi; husband of Kushinada hime 1
Learn More
The Storm God Who Slew the Eight-Headed Serpent: Susanoo and Kusanagi

Susanoo is the storm kami of Japanese mythology, born from Izanagi's nose during the same purification ritual that produced his sisters Amaterasu and Tsukuyomi. Assigned to rule the sea, Susanoo instead spent his time weeping for his dead mother Izanami and behaving so destructively, flooding rice paddies and desecrating his sister Amaterasu's sacred hall, that he was ultimately banished from Takamagahara, the heavenly realm. Descending to earth in the land of Izumo, Susanoo encountered an elderly couple weeping because the eight headed, eight tailed serpent Yamata no Orochi was about to devour their last remaining daughter, Kushinada hime. Susanoo agreed to fight the serpent on condition he could marry her, then tricked the monster into drinking eight vats of strong rice wine set out on eight platforms, and slew the drunken serpent while it slept. In the serpent's tail he discovered a great sword, which he presented to Amaterasu, and which later became one of the three sacred imperial regalia of Japan under the name Kusanagi. Even his exile carries its own strange dignity in the myth: rather than remaining a purely destructive figure, Susanoo arrives in Izumo as an outsider who rescues a mortal family and earns his place in a new land through exactly the kind of decisive, protective action that had been entirely absent from his behavior in heaven.

Kyoto's Great Summer Festival Traces to Him: Susanoo at Yasaka Shrine

Susanoo's disgrace in myth stands in sharp contrast to the scale of his living cult. He is the chief kami of Yasaka Shrine in Kyoto's Gion district, formerly called Gion Shrine, where he is enshrined alongside his wife Kushinada hime and eight child deities, and the shrine remains one of the most visited in Japan. The Gion tradition of worship historically centered on a distinct deity, Gozu Tenno, a syncretic figure blending Shinto and Buddhist elements, and it was the Meiji era policy separating Buddhism from Shinto that formally reoriented Gion worship around Susanoo as its central kami. Kyoto's Gion Matsuri, one of Japan's largest and most famous annual festivals, traces its origins to this same cult and continues to draw enormous crowds each July. Beyond Kyoto, major shrines dedicated to Susanoo include Hiromine Shrine in Hyogo Prefecture and Tsushima Shrine in Aichi Prefecture, both historically linked to the Gion tradition, along with shrines in the Izumo region of his mythological exile itself. Few kami show as wide a gap between a myth of expulsion and the scale of the worship a community actually built around them. The shrine's connection to Izumo, the very region of Susanoo's mythical exile and his slaying of the serpent, gives his cult an unusually direct link between the geography of the myth and the geography of ongoing worship, a continuity many kami with more heavenly origin stories do not share.

Cross-Tradition Connections

Associated With

This source names Susanoo directly: "Arts, Boston, showing the storm god Susanoo, identified in the print by the syncretic name Gozu Tenno, slaying the eight headed serpent Yamata no Orochi."

This source names Susanoo directly: "Tsukioka Yoshitoshi's 1887 triptych "Susanoo no Mikoto Slays Yamata-no-Orochi in Izumo," from Nippon Ryakushi, published by Izawa Genjiro, a physically distinct comparable print read here to..."

This source names Susanoo directly: "plate sits among plates for Amaterasu, Susanoo and the deity's fellow primordial kami, reflecting Tsukuyomi's place as the second of the three noble children born to Izanagi."

This source names Susanoo directly: "on Yamata no Orochi, recounting Susanoo's defeat of the eight headed serpent by intoxicating it with sake set in eight vats before cutting it apart, discovering the sword Kusanagi no Tsurugi in its..."

Belongs to Tradition

Shinto, Religions
Source KojikiDonald L. Philippi (translator)

Depicted In

The Metropolitan Museum's own title, "Fireman's Jacket (Hikeshi-Banten) with Susanoo-no-mikoto Deity Scene," names the deity outright as the jacket's protective lining scene.

Same Figure Other Register

Susanoo, Deities
Sources
1. Kojiki
Donald L. Philippi (translator), University of Tokyo Press, 1968on Susanoo's exile and the slaying of Yamata no OrochiView the Source
1. Kojiki
Donald L. Philippi (translator), University of Tokyo Press, 1968on Susanoo's birth from Izanagi's noseView the Source
2. Susanoo (Wikipedia)
Wikipedia contributors, Wikipedia, 2026on the rampage against Amaterasu, the exile, and the slaying of Yamata no OrochiView the Source
Fireman's Jacket with a Susanoo-no-mikoto Deity Scene, accession 1983.158a to c (Metropolitan Museum of Art)
Metropolitan Museum of ArtDepicted In: Fireman's Jacket with a Susanoo-no-mikoto Deity Scene (Metropolitan Museum of Art, 1983.158a to c), accession 1983.158a to cView the Source

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