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Xuanzang

Also Known As Hsuan-tsang (Chinese) Latin script. Wade-Giles romanization. · Hiuen Tsiang (Chinese) Latin script. Older English spelling used in nineteenth-century translations. · Tang Sanzang (Chinese) Latin script. "Tripitaka Master of the Tang," his honorific and his name in Journey to the West. · Tripitaka (English) Latin script. The title by which he is best known in the West through the novel. · Chen Hui (Chinese) Latin script. His secular given name before ordination. · Mokshadeva (Sanskrit) Latin script. The Sanskrit name of honour given him by Indian monks.Original Term 玄奘 (Chinese) Han script. The name in Chinese characters.
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A Chinese Buddhist monk, pilgrim and translator of the early Tang dynasty (602-664 CE), whose seventeen-year overland journey to India and prodigious translation work reshaped East Asian Buddhism. Dissatisfied with the inconsistencies in the Chinese versions of Buddhist scripture then available, he left **Chang'an** around 629, travelled the Silk Road across Central Asia in defiance of an imperial ban on foreign travel, studied for years at the great monastic university of **Nalanda** in India, and returned in 645 with hundreds of Sanskrit manuscripts, relics and images. The emperor Taizong received him as a celebrity. For the rest of his life he directed a state-sponsored translation bureau that rendered some seventy-five works into Chinese, including the vast **Yogacara** corpus on which he founded the **Faxiang** ("Consciousness-Only") school; his 650 translation of the **Bhaishajyaguru** (Medicine Buddha) Sutra carried that healing cult across East Asia. His travelogue, the **Great Tang Records on the Western Regions** (646), is still a primary source for the historical geography of seventh-century Central Asia and India, and his legend was later spun into the classic novel *Journey to the West*. His skull, venerated as the **Skull Relic of Xuanzang**, survives in fragments dispersed across China, Japan, Taiwan and India.

Facts
Life
Lifespan or Floruit
602 to 664 CE 2
Manner of Death
Died of natural causes 1
Died of natural causes at Yuhua Palace monastery, 664 CE
Position Profile
Key Text
The Great Tang Records on the Western Regions, his own 646 travelogue, is still a primary source for the historical geography of seventh century Central Asia and India. 2
Attestation
Historicity
Historically attested 1
Traditions Revering This Figure
Buddhism 2Tradition: Buddhism
Identity
Gender
Male 2
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The Pilgrim Who Defied an Imperial Ban

Xuanzang became a monk young and rose quickly as a scholar, but he was troubled by the contradictions he found in the Chinese translations of Buddhist texts, especially on questions of the mind and consciousness that the Yogacara school addressed, and concluded that he would have to go to India and read the scriptures in their own language. The Tang court refused him a travel permit. Around 629 he left Chang'an anyway, slipping west past the frontier garrisons and across the deserts of the Gobi and the Taklamakan, nearly dying of thirst on the way.

In the oasis kingdom of Turfan he found a devout Buddhist king, Qu Wentai, who tried to keep him and, when Xuanzang held out with a hunger strike, instead furnished him with escorts, letters and gold for the road ahead. He crossed the Tian Shan, skirted the Central Asian khanates, passed through Gandhara and Kashmir, and reached the Buddhist heartland of the Ganges plain. His goal was Nalanda, the greatest monastic university of the age, where he studied for several years under the aged master Silabhadra, learned Sanskrit deeply, and debated the philosophical schools of India. When he turned for home in the 640s he carried, by the traditional count, some 657 texts, along with relics and images: having travelled, over roughly seventeen years, a distance usually reckoned in the thousands of miles.

The Translation Bureau and the Consciousness-Only School

Xuanzang returned in 645 to a hero's welcome. The emperor Taizong, who had once forbidden his journey, now wanted him as an adviser; Xuanzang declined office and asked instead for the means to translate what he had brought back. The state gave him a bureau of scholar-monks, and for the last two decades of his life he ran one of the most productive translation projects in the history of religion, rendering on the order of seventy-five works and well over a thousand fascicles of Sanskrit text into Chinese.

His translations were prized for a new precision, and some reshaped Chinese Buddhism. He produced the version of the short Heart Sutra that East Asia still chants, and in 650 the Bhaishajyaguru (Medicine Buddha) Sutra that carried that healing cult through China, Korea and Japan. From the Yogacara texts he assembled the Cheng weishi lun and founded the Faxiang, or "Consciousness-Only," school, the most rigorously philosophical of the Chinese Buddhist traditions. Alongside the scriptures he dictated the Great Tang Records on the Western Regions (646), a survey of the roughly one hundred and thirty countries he had seen or heard of, a work later used by archaeologists to relocate lost Buddhist sites in India, and the seed of the fantastical Ming novel Journey to the West.

A Skull That Keeps Travelling: The Relic of Xuanzang

Xuanzang died in 664 and was buried near Chang'an; his remains were later moved, and at some point a portion of his skull came to rest at a temple in Nanjing. There the trail goes quiet for centuries, until the Second World War. In late 1942 Japanese troops occupying Nanjing, digging near the ruins of the Grand Bao'en Temple to build a shrine, turned up a stone casket whose inscription identified the bone inside as a parietal-bone relic of Xuanzang.

What followed says as much about modern politics as about medieval piety. Under public pressure the occupation authorities and the collaborationist Wang Jingwei government negotiated, and the relic was divided into portions sent to Japan, to Beijing and back to Nanjing. Over the decades since, it has been subdivided more than a dozen times as a diplomatic and devotional gift, so that fragments identified with the original are now enshrined at multiple sites across mainland China, in Japan, in Taiwan, the portion once in Japan was given to the Xuanzang Temple at Sun Moon Lake, and in India, at the site of Nalanda where he once studied. This atlas records that dispersed relic as the Skull Relic of Xuanzang, an artifact whose modern history is nearly as remarkable as the monk's own journey: a seventh-century pilgrim who, in fragments, went on travelling.

Cross-Tradition Connections

Associated With

Chang'an, Cities

Xuanzang returned to Chang'an in 645 and directed the translation of the sutras he had carried from India.

Daoxuan worked alongside Xuanzang at the imperial translation bureau in Chang'an, helping edit completed translations, and later wrote about Xuanzang's life and journey in his own historical compilation.

Source The Princeton Dictionary of BuddhismRobert E. Buswell Jr. and Donald S. Lopez Jr.

This source names Xuanzang directly: "own collection record for "Portrait of Xuanzang (Genjo) with Attendant," a hanging scroll in ink and color on silk, Japan, Kamakura period, 14th century, in the style of the early eleventh century..."

This source names Xuanzang directly: "A companion statue of the Chinese Buddhist monk Xuanzang (Hiuen Tsang) was unveiled the same day."

This source names Xuanzang directly: "The Silk Road Journey with Xuanzang, Sally Hovey Wriggins's 2004 revised edition from Westview Press, is a scholarly narrative account of the seventeen year pilgrimage of the Chinese Buddhist monk..."

Source The Silk Road Journey with XuanzangSally Hovey Wriggins

This source names Xuanzang directly: "A Wikipedia article on Xuanzang, the seventh-century Chinese Buddhist monk, scholar and translator whose overland pilgrimage to India brought back the texts underlying the Yogacara school."

This source names Xuanzang directly: "Benjamin Brose's Xuanzang: China's Legendary Pilgrim and Translator, Shambhala Publications, 2021, is a scholarly biography."

Yijing and Xuanzang are the two great Chinese Buddhist pilgrim-translators of the Tang era and are regularly discussed together in scholarship, though they traveled a generation apart by different routes, Xuanzang overland and Yijing by sea via Srivijaya.

Source The Princeton Dictionary of BuddhismRobert E. Buswell Jr. and Donald S. Lopez Jr.

Belongs to Tradition

Buddhism, Religions
Source Encyclopedia of ReligionMircea Eliade (ed.); Lindsay Jones (ed., 2nd ed.)

Depicted In

The scroll's directly named subject per the museum's own title, tagged by the museum as a portrait of a monk, matching the corroborating Wikipedia record's account of Xuanzang's Kamakura-period portrait tradition.

Additional Source Xuanzang (Wikipedia)

Relics

Why this is disputed. Unlike relics attributed to the Buddha, the Skull Relic of Xuanzang honors a historical, well-documented seventh century monk, so the dispute is narrower: whether the specific parietal bone fragment recovered in Nanjing in 1942 and later divided among temples in China, Japan, Taiwan and India is genuinely his, a claim resting on the relic's accompanying inscriptions and temple tradition from its wartime recovery rather than on independent scientific confirmation.

Source Xuanzang Temple, Nanjing (Wikipedia)Wikipedia contributors
Sources
1. The Silk Road Journey with Xuanzang
Sally Hovey Wriggins, Westview Press, 2004the pilgrimage and its stages along the Silk Road
2. The Princeton Dictionary of Buddhism
Robert E. Buswell Jr. and Donald S. Lopez Jr., Princeton University Press, 2014s.v. Xuanzang; s.v. Faxiang zong; s.v. Da Tang xiyu jiView the Source
Xuanzang: China's Legendary Pilgrim and Translator
Benjamin Brose, Shambhala Publications, 2021the life, the translations, and the posthumous travels of the relic
Xuanzang's posthumous journey (Taipei Times)
Taipei Times, Taipei Times, 2015the modern dispersal of the parietal-bone relicView the Source
Encyclopedia of Religion
Mircea Eliade (ed.); Lindsay Jones (ed., 2nd ed.), Macmillan Reference, 2005View the Source
Xuanzang (Wikipedia)
WikipediaDepicted In: Portrait of Xuanzang (Genjo) with Attendant (Japan, Metropolitan Museum of Art, 29.160.29)
Quote, Depicted In: Portrait of Xuanzang (Genjo) with Attendant (Japan, Metropolitan Museum of Art, 29.160.29)
14th-century painting of Xuanzang, Japan, Kamakura period
View the Source
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