Ptolemy gives Spica the nature of Venus with a lesser Mars component, and the tradition reads it as one of the two or three most fortunate stars in the sky: wealth, honour, renown, refinement, and a marked gift for the arts and sciences.
The Venus half carries essentially the whole delineation. The Mars component does very little work, and unusually for a mixed nature it is not used to introduce a caveat, most fixed stars with a martial element acquire a warning about violence or a fall, and Spica largely does not. It is read as almost unqualified good fortune, which is rare in a literature that generally prefers omens of disaster.
There is a plausible reason for the benign reading that has nothing to do with the star's physics. Spica is the ear of grain in the hand of the Virgin, and the constellation is associated across Mesopotamian, Greek and later traditions with harvest, agricultural abundance and grain goddesses: Nisaba, Demeter, Ceres, Astraea in various identifications. A star embedded in a harvest figure acquires a harvest character. The astrological nature and the constellation's iconography reinforce each other, and it is not possible to say which came first.
Spica is one of Agrippa's Behenian fifteen, paired with emerald and with sage, another complete star, stone and plant set from a named Renaissance source.
The detailed modern delineations descend, as usual in English, from Robson in 1923. His entry for Spica is among the most positive in his book, and it should be read as a 1923 compilation of earlier material rather than as an ancient text.