Divinity Atlas

Sacred Correspondences
Geomantic Figures

Via

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Origin 1100 to 1300

Via (The Way, also called Iter) is one of the sixteen figures of geomancy, the medieval art of divination by making sixteen marks in earth or on paper and reducing them to figures of four rows of single or double points. Via is unique in being all single points: Fire, Air, Water, and Earth are each active, making it the figure of pure movement with nothing held back. It is attributed to the element Water, the planet the Moon, and the sign Cancer. Its meaning is change, journeys, and the road: things in motion, coming and going, a way opening or a turning point reached. It is favorable for questions of travel, change, and progress but ill for anything that requires stability, permanence, or staying put, for Via never stands still.

Facts
Origins
Origin Period
1100 to 1300 3Tradition: Latin geomancy, translated from the Arabic
Origin PeriodSourced to the subject's own account
1533 4Tradition: Agrippa, Three Books of Occult Philosophy
Origin Period
800 to 1200 CE 1Tradition: Arabic ilm al-raml, the science of the sand
Origin PeriodSourced to the subject's own account
Via belongs to the sixteen figure system of geomantic divination whose figures took shape in the Arabic tradition of raml, attested there and in North Africa from the eighth to the twelfth century; the technique reached Latin Europe by the eleventh to thirteenth century, and Cornelius Agrippa set the figures into their now standard planetary and zodiacal correspondences in his Three Books of Occult Philosophy, published in 1533. 4
Place of Origin
North Africa and the wider Islamic world; carried into Latin Europe through the twelfth-century translation movement, chiefly in Spain. 1
Attributed Author / Compiler
No single author. The Latin geomantic corpus is anonymous and pseudonymous, circulating under the names of Hermes, Aristotle, Ptolemy and others, none of whom wrote any part of it. Having no author is itself the fact about this tradition worth recording. 3
Language
Classical Arabic 1
Language
Latin 3
Attributions
Mode (Stable / Mobile)
Mobile 2
Modern mainstream Stable/Mobile classification; exact page locator not confirmed against the primary text this pass.
Ruling Planet
Moon 1
Zodiac Sign
Cancer 1
Figure Points
Fire single, Air single, Water single, Earth single 1
Reading Keys
Keywords
Change, movement, journeys 1
Identity
English Name
The Way 1
Element
Water 1
Partially Attested
Exaltation House (Attributed)
3rd house (exaltation) 5
Sourced to the subject's own accountReported exaltation house, attributed to Pietro d'Abano, sourced only through a secondary blog summary, not a direct reading of d'Abano's primary treatise. This is NOT a ruling-house claim: the primary sources (Agrippa; Cattan via Mathers) describe astrological houses as populated positionally per cast chart, not owned by a figure's identity.
Learn More
Why There Are Sixteen Figures and Not Seventeen

Geomancy is the most mathematically transparent of the divinatory systems, and the number sixteen is not a choice anyone made. It is forced.

Generating a figure

The practitioner makes a line of marks, traditionally poked into sand or earth with a stick, later dots on paper, without counting them. The line is then counted, and only one thing about it is retained: whether the total is odd or even.

Odd gives a single point. Even gives a double point.

Four such lines produce a figure of four rows, each row either single or double. The four rows are read as Fire, Air, Water and Earth, from the top down.

The arithmetic

Four rows, two possible states each, gives two to the fourth power: sixteen. That is every figure that can exist. There is no seventeenth, and no figure has been left out of the tradition by oversight.

This is why Via and Populus are the two extremes of the set, all singles and all doubles, and why every other figure is a mixture. It is also why each figure has exactly one inverse, obtained by flipping every row, and why the sixteen fall naturally into eight inverse pairs.

The system is a four-bit binary code with an interpretation attached to each of its sixteen values, arrived at several centuries before anyone described it in those terms.

Where the figures came from

The names in use here are Latin (Via, Populus, Acquisitio, Carcer), because the system reached Europe through Latin translation. The Arabic tradition had its own names, and behind those the individual figures are older than any of the naming systems.

What the attributions are not

Each figure carries an element, a planet and a zodiacal sign, and this atlas records them. Those attributions were added to the figures, not derived from them, and the sources do not entirely agree with one another. Agrippa, Cattan and the later English handbooks differ on several assignments.

The point structure is intrinsic and can be checked. The astrological correspondences are a tradition, and a contested one in its details.

The Figure via and Its Attributions

Via is one of the two extremes of the geomantic set. Every one of its four rows holds a single point, which makes it the lightest figure in the system at four points in total, and the only one whose rows are all alike apart from Populus.

Reading the four rows

The rows are read from the top down as Fire, Air, Water and Earth. In the common reading a single point marks that element as active in the figure and a double point marks it as passive. Authors differ on the wording, but not on which rows are single, so Via reads as all four elements active at once.

What flipping it produces

Turn every row of Via from single to double and you get Populus, its opposite in the set. The two figures are the poles between which the other fourteen sit, and no third figure has rows that are all alike. Sources use different terms for this operation, so the atlas describes the operation rather than adopting one author's vocabulary.

The attributions

This atlas records Via under the Moon, the sign Cancer and the element Water. Those attributions came to the figure from the astrological tradition rather than out of the point structure, and the handbooks do not agree with one another in every case. The point pattern can be checked by anyone who counts; the planetary and zodiacal assignments are a tradition with variants, and this atlas records the common set without claiming it is the only one.

The Latin name means the road or the way, and the figure has been read since the Latin handbooks as movement, travel and a situation that will not stay still.

Cross-Tradition Connections

Originates in Language

Sources
1. Islamic Geomancy and a Thirteenth-Century Divinatory Device
Emilie Savage-Smith and Marion B. Smith, Undena Publications, 1980On ilm al-raml and the sixteen figures before their Latin transmission
2. John Michael Greer, The Art and Practice of Geomancy (2009)
John Michael Greer, 2009
3. Recherches sur une technique divinatoire: la geomancie dans l'Occident medieval
Therese Charmasson, Librairie Droz, 1980On the Latin figure names and the medieval tradition
4. Three Books of Occult Philosophy
Heinrich Cornelius Agrippa, Llewellyn, 1533Book II, on the geomantic figures and their planetary and zodiacal attributionsView the Source
5. Nick Farrell, "Geomancy Aspects, Dignity, Occupation, Conjunction, Mutation and Translation" (nickfarrell.it)
Nick Farrell
The Geomancie of Maister Christopher Cattan, Gentleman
Christopher Cattan, John Wolfe, 1591On the figure Via and its significations
Fourth Book of Occult Philosophy: Of Geomancy
Pseudo-Agrippa; Robert Turner (trans.), J. C. for John Harrison, 1655On the planetary and zodiacal attribution of ViaView the Source
Geomancy in Theory and Practice
Stephen Skinner, Golden Hoard Press, 2011On the generation of the figures and the binary structure

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