Divinity Atlas

Sacred Correspondences
Lords of the Night

Centeotl

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Origin Attested in the central Mexican books of fate painted before and shortly after the Spanish conquest

The fourth of the nine Lords of the Night (Yohualteuctin), the deities who accompany the days of the tonalpohualli in an unending rotation of nine, each lending his or her character to the fate read for a birth. Centeotl is the maize god, the ripened ear personified, child of Tlazolteotl in the myths and the sustenance of every table. His watch lays the maize field over the day he accompanies, and the tonalamatl painters drew him crowned with ears of corn.

Facts
Origins
Origin Period
Attested in the central Mexican books of fate painted before and shortly after the Spanish conquest 1
Place of Origin
Central Mexico. The painted books that carry the sequence come from the Basin of Mexico and the Mixteca-Puebla region. 1
Origin of the Name
Nahuatl centli, the dried ear of maize, with teotl, god. 2
Language
Nahuatl 2
Identity
Position
4 of 9 1
Sources
Primary Source
The nine accompany the day count in the central Mexican divinatory books, among them the Codex Borbonicus and the Codex Borgia. 1
Attestation
Meaning in the Attesting Source
The maize god, the ripened ear personified, sustenance itself. 1Tradition: Aztec
Status
Standing as a Comparative Category
A standard analytic category in the study of religion 1
Learn More
Centeotl, the Ripened Ear of Maize

Centeotl is the maize god, the personification of the ripened ear that sustained central Mexican life, and the fourth of the nine Lords of the Night. Sahagun's Florentine Codex treats Centeotl as young and vigorous, closely tied to Xilonen, the goddess of the young green maize, and to Chicomecoatl, seven serpent, the older and more matronly grain goddess, the three figures together tracing maize through its life from tender shoot to harvested ear, though the sources vary on whether Centeotl is read as male, as gender was not always kept sharply apart in maize deity iconography.

The great agricultural festivals of the Mexica ritual year, Hueytozoztli in the growing season and the harvest observances folded into Ochpaniztli, centred on maize deities of this cluster, and Centeotl's cult reflects how completely the crop underwrote Mexica subsistence, since a poor maize year was a crisis reaching every household rather than an abstract concern.

In the parentage myth recorded in the Anales de Cuauhtitlan, Centeotl is the child of Piltzintecuhtli and Xochiquetzal, the night lord immediately before him in the nine fold sequence, so that dawn and flower together are read as bringing forth the grain, a lineage that ties three consecutive night lords into a single family story even though Sahagun's calendar chapters record the nine simply as a list with no explicit narrative connecting them.

Sources Florentine Codex: General History of the Things of New SpainBernardino de Sahagun; translated by Arthur J. O. Anderson and Charles E. Dibble with History and Mythology of the Aztecs: The Codex ChimalpopocaJohn Bierhorst (trans.)

Centeotl's Turn in the Nine-Night Cycle

Centeotl holds the fourth position among the Yohualteuctin, recurring every ninth day of the tonalpohualli starting from day four, a rotation that runs independently of the twenty day signs and the thirteen trecena numbers and realigns with them only once every 2340 days. A date under Centeotl's night was read, following the tonalpouhque's layered method that Sahagun describes, as adding the maize god's character of growth, sustenance and patient increase to whatever the day sign and trecena already indicated, a favourable colouring for undertakings tied to planting, provisioning, or the raising of children, though the surviving sources give no complete reading by reading manual and much of this inference follows from Centeotl's known character rather than a preserved liturgy for night lord readings specifically.

The night lord cycle's independence from the day sign cycle means Centeotl's dates fall under every one of the twenty signs and every trecena in turn across a full 2340 day period before the pattern repeats, so there was no single fixed maize day in the tonalpohualli; the calendar priests read Centeotl's turn wherever it fell, in the codices' tonalamatl tables that lay the nine lord row beneath the twenty day sign row for direct reference, work Duran also describes the priesthood performing to advise on the timing of both private and civic undertakings.

Sources Cycles of Time and Meaning in the Mexican Books of FateElizabeth Hill Boone with Florentine Codex: General History of the Things of New SpainBernardino de Sahagun; translated by Arthur J. O. Anderson and Charles E. Dibble, Book of the Gods and Rites and The Ancient CalendarDiego Duran; translated by Fernando Horcasitas and Doris Heyden

Cross-Tradition Connections

Associated With

The Lords of the Night are a cycle of nine deities that accompanies the Aztec Tonalpohualli, the 260 day sacred calendar.

Xilonen, Deities

Xilonen and Centeotl together represent the young and mature stages of the maize deity complex.

Patron Of

Huey Tozoztli's ruling deity is recorded as Centeotl and Chicomecoatl; Centeotl exists in this atlas as a lordofthenight entity, linked as such. Chicomecoatl has no live entity yet.

Source The Aztecs (Smith, 3rd edition)Michael E. Smith
Tozoztontli, Veintenas

Tozoztontli's ruling deity is recorded as Tlaloc, Coatlicue and Centeotl; Centeotl exists in this atlas as a lordofthenight entity, linked as such.

Source The Aztecs (Smith, 3rd edition)Michael E. Smith
Sources
1. Cycles of Time and Meaning in the Mexican Books of Fate
Elizabeth Hill Boone, University of Texas Press, 2007View the Source
2. An Illustrated Dictionary of the Gods and Symbols of Ancient Mexico and the Maya
Mary Miller and Karl Taube, Thames and Hudson, 1993View the Source
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