Practices
Bhajan
Devotional Practices
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Origin 1200 to 1700
A bhajan is a devotional song, sung to a deity in a regional language rather than in Sanskrit, and the practice of singing them, alone or in company, is among the warmest and most widespread forms of Hindu devotion. Where a bhajan is a song, kirtan, and its intensified congregational form sankirtana, is the call-and-response chanting of divine names by a gathering, led by a singer and answered by the group, often building through the evening into collective absorption; the Gaudiya Vaishnava tradition of Chaitanya made sankirtana of the names of Krishna its central practice. (This is distinct from the Sikh kirtan the atlas records separately.) The whole practice belongs to the bhakti movements that carried devotion into the vernaculars from the medieval centuries on, and its songs are those of poet-saints such as Mirabai, Surdas, Tulsidas and Tukaram, sung still.
Facts
Practice
Category of PracticeA devotional song sung to a deity in a regional vernacular rather than Sanskrit; its intensified congregational form, kirtan and sankirtana, is call and response chanting of divine names led by a singer and answered by the gathering. 1 Who Performs ItAll adherents of the tradition 1 FrequencyAs the occasion requires 1 Solitary or CommunalPerformed by a gathered group 1 Attributions
TraditionHinduism, devotional songs sung in praise of a deity, prominent within bhakti traditions such as Vaishnavism. 3 Origins
Origin Period Place of OriginThe Indian subcontinent 2 Belongs to the bhakti movements that carried devotion into the vernaculars from the medieval centuries on. Form
Implements and MaterialsSourced to the subject's own accountA bhajan gathering is customarily accompanied by percussion, tabla, dholak or a tambourine, with handheld cymbals called kartals keeping the beat. 4 Status
Status TodaySourced to the subject's own accountLiving tradition, practised today 4 Identity
AttributionBhajans as sung today carry forward the vernacular compositions of medieval poet-saints such as Mirabai, Surdas, Tulsidas and Tukaram, whose songs remain part of the living repertoire rather than historical artifacts. 3 Scholarship and Forensics
Scholarly NoteSourced to the subject's own accountBhajan singing travelled with Indian workers sent under colonial era indenture schemes to Trinidad, Fiji and South Africa in the nineteenth and twentieth centuries, and it became one of the ways those diaspora communities organised themselves. 4 Learn More
The Devotional Song
A bhajan is a Hindu devotional song, a hymn of love and praise addressed to a deity, and by extension the practice of singing such songs, whether alone or in a gathering. Where the related kirtan is characteristically the responsive chanting of divine names, the bhajan is more often a composed song with verses, expressing longing, surrender, praise or the poet-saint's intimate relationship with the divine. Bhajans are typically simple in melody and open in form, admitting improvisation and the free addition of verses, and they are sung in the languages of the people rather than in Sanskrit, which is central to their character and their reach.
The bhajan is the everyday music of Hindu devotion, sung in homes, at roadside shrines, in temples and at communal gatherings, requiring neither priest nor prescribed ritual. Its purpose is to cultivate bhakti, loving devotion, and to draw the singer and hearers into the felt presence of the deity through the emotion of the song.
The Poet-Saints and the Living Repertoire
The great body of bhajan poetry was composed by the devotional saints of medieval and early-modern India, whose songs remain the living repertoire today. Mirabai's songs of longing for Krishna, the verses of Surdas, Tulsidas and Kabir, the Marathi abhangas of the Varkari saints, and the Tamil and Kannada devotional poetry of the south are sung across the subcontinent centuries after their composition. Because many of these saints came from outside the priestly and learned elite, some from low castes, some women, one at least a Muslim weaver by tradition, the bhajan carried an implicit levelling: devotion, not birth or Sanskrit learning, was made the measure of a worshipper.
Sung communally the practice is often called a satsang, a gathering in the company of truth, and it may run for hours, building through repetition toward an absorbed collective feeling. The tradition holds that the divine name and praise, sung with love, purifies the singer and is itself a form of the presence it invokes.
Cross-Tradition Connections
Belongs to Tradition
Related To
Sources
1. Encyclopedia of Hinduism
Denise Cush, Catherine Robinson and Michael York (eds.), Routledge, 2008View the Source 2. An Introduction to Hinduism
Gavin Flood, Cambridge University Press, 1996On the bhakti movementsView the Source 3. A Survey of Hinduism
Klaus K. Klostermaier, State University of New York Press, 2007On bhakti song and sankirtanaView the Source 4. Bhajan (Wikipedia)
Wikipedia contributors, Wikipedia, 2026on bhajan instrumentation and its spread with the nineteenth and twentieth century Indian diasporaView the Source Encyclopedia of Religion
Mircea Eliade (ed.); Lindsay Jones (ed., 2nd ed.), Macmillan Reference, 2005View the Source Reader Challenges (0 open reader challenges)
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