Divinity Atlas

Sacred Correspondences
Religious Symbols

Sun

Astral

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Origin 500 BCE to 100 BCE

The solar glyph is a circle with a dot at its centre, the circumpunct. This is not the oldest form: in late Classical and medieval manuscripts the Sun is drawn as a circle with a single ray, and the second-century planisphere of Bianchini shows a circlet with rays radiating from it. The centred dot becomes standard only in the Renaissance, and one suggestion is that it represents the golden shield of Apollo with its central boss. The same figure serves in alchemy for gold, the incorruptible solar metal. Read symbolically the circle is the undivided whole and the point at its centre the seed or spark from which it unfolds, which is why the glyph is used for the vital centre of the horoscope: identity, will, purpose, and conscious life. It marks the Sun in every branch of Western astrology and remains one of the two glyphs, with the lunar crescent, that reach back to antiquity in recognisable form.

Facts
Origins
Origin Period
500 BCE to 100 BCE 2
Origin Period
Codified among the seven classical planets of Hellenistic astrology 2
Origin Period
Observed and deified in Mesopotamia across the second and first millennia BCE 2
Place of Origin
Mesopotamia (Babylonia), transmitted through the Hellenistic Greek world. 2
Form
Type of Symbol
Astral figure: sun, moon or planet 1
Geometric Form
A circle with a central dot, the solar disc. 1
Learn More
The Greater Luminary

The Sun is one of the two lights of traditional astrology and the ruler of Leo. As the visible source of day it is central to the horoscope, its place fixing the sign a person is most often said to be "born under." The same round glyph that marks its place in a birth chart also marked gold in the parallel, older sign-system of alchemy, where each of the seven classical planets stood for one of the seven metals then known to European craft: the Sun for gold, the Moon for silver, Mercury for quicksilver, Venus for copper, Mars for iron, Jupiter for tin and Saturn for lead.

The pairing rested on the Hermetic principle "as above, so below," and by the sixteenth century it had stabilised widely enough that a single circular sign could denote a planet in an ephemeris and a metal on an apothecary's shelf to the same trained reader. The correspondence also survives, opaquely, in the calendar: the Romance-language weekday for Sunday descends from the Latin for the Sun's own day, just as Monday preserves the Moon's, part of a seven-day planetary week that late antiquity inherited from the same astrological tradition that fixed the glyph itself. No other classical planet carries quite this dual life, at once the ruling body of a zodiac sign, the namesake of a day, and the sign of a precious metal, three separate symbolic systems reading the identical circle-and-dot mark in three different registers depending on the book in front of the reader.

Cross-Tradition Connections

Associated With

Apollo, Deities

This source names Apollo directly: "it represents the golden shield of Apollo with its central boss."

Symbol Of

Sun, Planets

The symbol's own cited description identifies its glyph as that of this planet.

Source A History of Western AstrologyNicholas Campion
Sources
1. A History of Western Astrology
Nicholas Campion, Continuum, 2009On the seven classical planets in Western astrologyView the Source
2. The Heavenly Writing: Divination, Horoscopy, and Astronomy in Mesopotamian Culture
Francesca Rochberg, Cambridge University Press, 2004On the Mesopotamian observation and deification of the planetsView the Source
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