Religious Symbols
Triquetra
Interlace
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Origin 600 to 1100 CE
Three interlaced arcs forming a closed triple loop. The figure is decorative before it is doctrinal: it occurs in Insular manuscript art, on Anglo-Saxon and Norse metalwork and runestones, and on Pictish stones, generally as pattern within a larger field rather than as a captioned emblem. No early source explains it, so nothing about its original meaning is established. The reading of it as the Trinity is a Christian gloss applied to a form already in use, and it is common in Celtic revival and modern church design on that basis. Its twentieth-century career as a pagan and Wiccan sign for a threefold goddess is later still, and owes much to popular fiction and television.
Facts
Origins
Origin Period Place of OriginInsular Britain and Ireland, and Scandinavia. 1 Adopted as an EmblemIt is common on that basis in Celtic Revival and modern church design 2Tradition: Christianity Adopted as an EmblemThe reading of it as the Trinity is a Christian gloss applied to a form already in use 2Tradition: Christianity Form
Type of Symbol Geometric FormThree interlaced arcs forming a closed triple loop, sometimes set within a circle. 1 Learn More
A Knot of Three Arcs
The triquetra is a symmetrical figure of three interlaced arcs forming a three-cornered knot, sometimes enclosed in a circle. As ornament it is ancient and widespread, appearing on Germanic and Scandinavian objects and on Insular manuscripts, and like most interlace it carried no fixed doctrinal meaning where it was first drawn. Its best-known early appearances are in Insular Christian art of the early medieval British Isles, in illuminated gospel books such as the Book of Kells, where a triquetra recurs among the trumpet-spirals and interlaced bands of the elaborate monogram page at folio 34 recto, and on carved stone crosses, where triple knotwork was congenial to a Christian culture that could read three-in-one designs in the light of the Trinity, though the artists rarely tell us they intended that.
Manuscript scholars generally treat the figure, in this period, as one interlace unit among many rather than as a captioned symbol set apart for special meaning, a caution worth keeping given how confidently later tradition reads doctrine back into it. Geometrically the shape is also described as three overlapping vesica piscis lens-shapes, the same lens formed by two intersecting circles that underlies a great deal of medieval compass-drawn ornament, which is part of why closely similar interlace patterns recur independently in artistic traditions that had no contact with one another.
Trinity, Revival, and Modern Reinvention
From the medieval period the triquetra was increasingly read explicitly as a symbol of the Christian Trinity, three equal, distinct, inseparable arcs sharing one continuous line, and it is used in that sense in churches today, often labelled the Trinity knot. The nineteenth-century Celtic Revival recovered Insular knotwork as a marker of Irish and Scottish identity, and from the later twentieth century the triquetra was adopted by modern Pagan and Wiccan currents as a sign of a triple goddess or of threefold nature. Its single most concentrated push into wider recognition came from broadcast fiction rather than any Pagan text: the American television series Charmed, which ran from 1998 to 2006, used a triquetra within a circle as the emblem on its central prop, the Book of Shadows, and tied it to the show's central magical device, the Power of Three shared by its three witch protagonists, a fictional framing that nonetheless sent large numbers of viewers looking for the symbol's real-world Celtic and Wiccan associations. These modern meanings are genuine to the communities that hold them but are not continuous with the medieval usage; the claim that the triquetra is an ancient Celtic goddess symbol reads a recent interpretation back onto ornament that did not carry it.
Cross-Tradition Connections
Associated With
This source names Anglo-Saxons directly: "Three interlaced arcs forming a closed triple loop."
The triquetra runs through insular Celtic art, later adopted as a Christian Trinity emblem.
This source names Norse directly: "manuscript art, on Anglo-Saxon and Norse metalwork and runestones, and on Pictish stones, generally as pattern within a larger field rather than as a captioned emblem."
This source names Saxons directly: "Three interlaced arcs forming a closed triple loop."
Belongs to Tradition
Symbol Of
The triquetra (triple knot) appears in Insular Celtic art and in Celtic-derived modern paganism.
Sources
1. A Dictionary of Celtic Mythology
James MacKillop, Oxford University Press, 1998on Insular interlace and Celtic RevivalView the Source 2. Encyclopedia of Religion
Mircea Eliade (ed.); Lindsay Jones (ed., 2nd ed.), Macmillan Reference, 2005s.v. Trinity; knotworkView the Source 2. Encyclopedia of Religion
Mircea Eliade (ed.); Lindsay Jones (ed., 2nd ed.), Macmillan Reference, 2005Entry on Celtic religion and Insular art: interlace ornament and its later interpretationQuote, Entry on Celtic religion and Insular art: interlace ornament and its later interpretation
The triple interlace occurs as ornament in Insular, Norse and Pictish art without accompanying explanation; its reading as a Trinity emblem is a later Christian application to an existing form.
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