Scripture Portions
Vayeshev
Also Known As VayeishevOriginal Term vayeshev (Hebrew, and he settled)
Torah
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The Joseph cycle begins, and it is the longest sustained narrative in the Torah told with almost no divine speech: God acts through circumstance rather than command, which makes it formally unlike everything before it. A favoured son with a coat and a talent for reporting his own dreams is thrown in a pit and sold, and the brothers' deception of their father with a bloodied garment answers Jacob's own deception of Isaac with a garment two portions earlier. Interrupting the cycle is the story of Judah and Tamar, in which a woman denied her levirate right takes it by disguise and forces Judah to say publicly that she was more in the right than he was; the rabbis noted that the line of David runs through her.
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Reckoning
Date RuleIt is the 9th of the fifty-four parashiyot and covers Genesis 37:1-40:23 1 Date RuleOn its appointed Sabbath in the annual Babylonian reading cycle 1 Date RuleRead as the weekly Torah portion (parashat ha-shavua) 1 Identity
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And He Settled: Joseph Sold into Egypt
In the synagogue the Torah is read aloud in a fixed annual cycle of fifty-four weekly portions (parashiyot), one each Shabbat morning, with certain adjacent portions doubled in ordinary years so the sequence fits the calendar. Each portion is named for a distinctive word near its opening and is paired with a haftarah, a reading from the Prophets. The cycle closes and restarts on Simchat Torah. Vayeshev ('And he settled', Genesis 37:1-40:23) begins the Joseph narrative: his dreams and his brothers' envy, his sale into Egypt, the interlude of Judah and Tamar, his refusal of Potiphar's wife and imprisonment, and his interpretation of the dreams of Pharaoh's cupbearer and baker.
The interlude of Judah and Tamar (Genesis 38), interrupting the Joseph narrative at what seems a strange point, is read by rabbinic and later literary commentary as deliberately placed to develop Judah's own moral education in parallel with Joseph's, since Judah's eventual acknowledgement that 'she is more righteous than I' (Genesis 38:26) after wrongly withholding his son from her marks the same character who initiated selling Joseph into slavery beginning to develop the capacity for accountability that culminates, several portions later, in his plea to take Benjamin's place. Joseph's dreams of the sheaves and the sun, moon and eleven stars bowing to him (Genesis 37:5-11), told without evident tact to a family already resentful of his favoured status, are read by commentators including Rashi as narrated by the Torah in a manner that withholds judgement on whether Joseph's telling was wise, leaving readers to weigh his own contribution to his brothers' hostility alongside their disproportionate response.
Composition, a Unified Novella and a Quranic Parallel
Scholars who otherwise divide Genesis among the Yahwist, Elohist and Priestly sources tend to treat the Joseph narrative differently, reading it less as a patchwork of short units than as a comparatively unified novella, closer in style to short biblical narratives such as Ruth or Esther, whose relationship to the older patriarchal sources and mode of combination with them remains debated rather than settled among specialists. Traditional Jewish commentary reads the whole account as a single continuous story authored through Moses, and treats its literary unity as evidence of deliberate design rather than a puzzle to be explained by sources.
Joseph's story is retold at length in the Quran's Surah Yusuf, which the text itself calls the most beautiful of narratives, covering the same sequence of dreams, betrayal, slavery and eventual reconciliation, though with differences of detail and emphasis from the Genesis account; the wife of Potiphar's household, unnamed in the Torah, is not named in the Quranic text either but is called Zulaykha in later Islamic storytelling and commentary rather than in scripture itself. The parallel and divergence between the two accounts has long interested comparative scholars of scripture as an example of a shared narrative figure developed independently within two traditions.
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