Divinity Atlas

Sacred Correspondences
Alphabet Letters

Brahmi Ca 𑀘

Brahmi Letters

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Origin Mature Brahmi is securely attested in the edicts of Ashoka in the middle of the third century BCE, and the script could be read again only after James Prinsep worked out its values in 1837

Ca is the voiceless unaspirated palatal and the head of the second class, made with the body of the tongue against the hard palate. It is transliterated c and heard by English speakers as the ch of church, though the Indian articulation is further forward and the two are not the same sound. The palatal class stands second in the order because the table runs from the back of the mouth forwards, and the palatals are made just in front of the velars. Like every consonant sign, the letter carries the inherent short a and spells a syllable rather than a single segment. The palatals arose historically from earlier velars before front vowels, a change long complete before anything in these languages was written down.

Facts
Disputed
Origin Period
Many epigraphists derive Brahmi from a Semitic prototype, most often Aramaic, adapted in the centuries before the Mauryan empire 2Tradition: Indian epigraphy
Brahmi's ancestry is disputed among epigraphists. Richard Salomon's Indian Epigraphy (Oxford University Press, 1998) surveys two live positions on the origin of the script attested in the Ashokan inscriptions: one derives Brahmi from a Semitic prototype, most often Aramaic, adapted in the centuries before the Mauryan empire; the other holds that it developed inside India itself. The dispute turns on the corpus, since Brahmi is securely attested only from Ashoka's edicts in the middle of the third century BCE onward, first read again by James Prinsep in 1837, and no earlier specimen on either side is securely dated. Both camps compare Brahmi's letterforms against Aramaic and other Semitic scripts using the same paleographic method, and without an intermediate dated example bridging the gap between any proposed ancestor and the Mauryan era script, neither derivation has been shown to fit the evidence better than the other.
Origin Period
Others argue for a development inside India, and with no securely dated specimen earlier than the edicts the question stays open 2Tradition: Indian epigraphy
Brahmi's ancestry is disputed among epigraphists. Richard Salomon's Indian Epigraphy (Oxford University Press, 1998) surveys two live positions on the origin of the script attested in the Ashokan inscriptions: one derives Brahmi from a Semitic prototype, most often Aramaic, adapted in the centuries before the Mauryan empire; the other holds that it developed inside India itself. The dispute turns on the corpus, since Brahmi is securely attested only from Ashoka's edicts in the middle of the third century BCE onward, first read again by James Prinsep in 1837, and no earlier specimen on either side is securely dated. Both camps compare Brahmi's letterforms against Aramaic and other Semitic scripts using the same paleographic method, and without an intermediate dated example bridging the gap between any proposed ancestor and the Mauryan era script, neither derivation has been shown to fit the evidence better than the other.
Origins
Origin Period
Mature Brahmi is securely attested in the edicts of Ashoka in the middle of the third century BCE, and the script could be read again only after James Prinsep worked out its values in 1837 2Tradition: Indian epigraphy
Place of Origin
The Indian subcontinent. The Ashokan edicts carry the script from the Gangetic plain across the Deccan to the far south, while the northwest of the same empire wrote in Kharosthi instead 2Tradition: Indian epigraphy
Origin of the Name
The letter has no traditional name of its own. It is called by its own sound plus the inherent short a, and the form used here is the name the Unicode Standard gives the character 3Tradition: Modern scholarly naming of the Brahmi letters
Sense of the Name
the voiceless unaspirated palatal; sixth consonant of the Brahmi order 3Tradition: Modern scholarly naming of the Brahmi letters
Attestation
Meaning in the Attesting Source
The letter belongs to the received Brahmi order, and the corresponding sign in the scripts descended from Brahmi across South and Southeast Asia goes back to it 2Tradition: Indian epigraphy
Identity
Script Type
An abugida: every consonant sign carries an inherent short a, which a vowel mark alters and the virama cancels, so the unit written is the syllable rather than the single sound 1Tradition: Comparative writing systems
Position
Sixth consonant of the Brahmi order and head of the palatal class, the second of the five classes 2Tradition: Indian epigraphy
How the Letter Joins
Consonants that meet with no vowel between them are written as a conjunct, the second stacked beneath or ligatured to the first, rather than as two separate signs 1Tradition: Comparative writing systems
Attributions
Associated Sound
Voiceless unaspirated palatal, transliterated c and heard by English speakers as the ch of church, though the Indian articulation is further forward 2Tradition: Indian epigraphy
Transmission
Manuscript Tradition
Attested from the Asokan rock and pillar edicts of the third century BCE, the earliest substantial Brahmi corpus. 2
Learn More
The Commonest Word in Sanskrit Begins Here

This letter alone, with its inherent vowel, is the ordinary word for and. It is an enclitic, placed after the item it joins rather than between the items, so a Sanskrit list runs item, item, and rather than item and item, and the particle is written attached to the end of the preceding word. It is among the most frequent words in the language and one of the first a reader of inscriptions learns to recognise, since a single sign standing at the end of a word is unmistakable once known.

The letter has a second life in the history of the language that made it important well beyond Sanskrit. The palatal class arose from an older set of velars that shifted forward before front vowels, and the shift had been complete long before anything in these languages was written. In the later nineteenth century European and Indian scholars working on the comparison of Sanskrit with Greek and Latin realised that the palatals of Sanskrit pointed to front vowels in the parent language that Sanskrit itself had lost, having merged them all into a. That inference, drawn from letters like this one, changed the reconstruction of the whole family, and it was made by reasoning about the Indian writing system rather than by finding any new text.

Frequent in the Edicts, and Not Quite What It Looks Like

The transliteration used for this letter in European scholarship is a plain c, which misleads almost every reader who meets it without warning. The sound is not the c of cat and not exactly the ch of church either: the Indian articulation is made further forward, with the body of the tongue against the hard palate rather than the blade against the ridge behind the teeth, and the two are audibly different to a speaker of either language. The convention is a convenience of the roman alphabet and says nothing about the Brahmi letter, which writes one sound with one sign.

The palatal class is well represented in the Prakrit of the Ashokan edicts because Middle Indo-Aryan generated a great many new palatals of its own. A large family of older consonant clusters resolved into palatal sounds as the language changed, so words that show a cluster in Sanskrit routinely show a palatal in the Prakrit of the third century BCE. The letter is therefore common in the earliest surviving material and gives a palaeographer a good supply of dated examples, which is one of the practical reasons the palatal class is easier to trace through the later hands than the classes whose sounds were rarer.

The letter is also one of those whose value shifted in some of the descendant scripts as the languages changed around them. What Brahmi wrote as a palatal stop is pronounced as an affricate across most of the modern Indo-Aryan area and as something closer to a plain sibilant in parts of the east, while the southern scripts kept values nearer the classical description. A single inherited letter can therefore be read four different ways in four modern languages that all descend from the same sign, which is one of the reasons transliteration conventions differ from region to region.

Cross-Tradition Connections

Derived from This

The Gurmukhi letter Chachcha continues the sign Brahmi Ca writes in the same place of the inherited series. The descent is not direct: it runs through the Sharada script of the northwest and then the Landa hands of the Punjab, and it is stated from position in the order rather than from shape.

Devanagari Ca descends from the Brahmi sign of the same value, through the Gupta and Nagari hands of northern India. The two alphabets align letter for letter because both are laid out in the varnamala order, the arrangement the Sanskrit phoneticians fixed by place of articulation.

Ranjana Ca continues the sign Brahmi Ca writes in the same place of the inherited varnamala. The descent is not direct: it runs through the Gupta and Siddhamatrka stages of the northern Brahmi line and then the scripts of Nepal, and it is stated from position in the order rather than from shape.

Siddham continues the Brahmi order letter for letter. The descent runs through the late Brahmi of the Gupta period and the Siddhamatrka hand that grows out of it, so this is a lineage rather than a direct copy of the older shape.

Tibetan ca continues the Brahmi ca, keeping its value and its place in the inherited order. The descent of the Tibetan script from the Brahmi family is not disputed; which Indic script of that family served as the immediate model in the seventh century is, and this link names the ancestor the atlas holds rather than choosing among the candidates.

Related To

Aspiration partners in the palatal class. The two are the same voiceless stop, and only the breath that follows the release separates them.

Voicing partners in the palatal class. Both are unaspirated stops made with the body of the tongue against the hard palate, and the vocal folds vibrate through the closure of the second.

Opposite corners of the palatal class, the second of the five groups of five. One is voiceless and unaspirated, the other voiced and aspirated, and the class holds all four combinations of the two features.

The nasal of the palatal class, made at the same point as this stop, with the body of the tongue against the hard palate and the breath let out through the nose. Every class in the table closes with its own nasal.

The nasal of the palatal class, made at the same point as this stop, with the body of the tongue against the hard palate. Every class in the table closes with its own nasal, standing after the stop that opens the class.

Ca answers to Brahmi Ca, the same voiceless unaspirated palatal affricate opening the palatal line.

Source The World's Writing SystemsPeter T. Daniels and William Bright (eds.)
Sources
1. The World's Writing Systems
Peter T. Daniels and William Bright (eds.), Oxford University Press, 1996View the Source
2. Indian Epigraphy: A Guide to the Study of Inscriptions in Sanskrit, Prakrit, and the Other Indo-Aryan Languages
Richard Salomon, Oxford University Press, 1998View the Source
3. The Unicode Standard
The Unicode Consortium, The Unicode ConsortiumView the Source
Sanskrit Grammar, Including Both the Classical Language and the Older Dialects of Veda and Brahmana
William Dwight Whitney, Breitkopf and Hartel, 1889View the Source
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