Divinity Atlas

Sacred Correspondences
Alphabet Letters

Devanagari Na न

Devanagari Letters

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Origin Devanagari forms settle between roughly the seventh and the tenth centuries CE, descending from Brahmi through the Gupta and Nagari hands

Na is the twentieth consonant of the varnamala, the dental nasal and the closing member of the fourth varga. It is by a wide margin the commonest of the five nasals, the only one that freely begins words, and the one from which the retroflex nasal is derived by rule in a great many Sanskrit forms. Where the velar and palatal nasals are confined to positions before stops of their own class, the dental nasal behaves as a full consonant in its own right and appears everywhere. Its shape is one of the more distinctive in the script, and it descends through the Nagari hands from a Brahmi letter of the same value.

Facts
Origins
Origin Period
Devanagari forms settle between roughly the seventh and the tenth centuries CE, descending from Brahmi through the Gupta and Nagari hands 3Tradition: Indian epigraphy
Place of Origin
Northern India 3Tradition: Indian epigraphy
Origin of the Name
Named by its own sound plus the inherent short a. Devanagari letter names carry no word meaning, unlike the Greek and Semitic names 1Tradition: Sanskrit phonetics of the grammarians
Sense of the Name
The dental nasal that closes the fourth varga; by far the commonest of the five nasals and the only one that freely begins a word. 2
Attestation
Meaning in the Attesting Source
Counted among the matrika, the fifty little mothers of the letter-garland; the count belongs to the series, not to this letter alone 4Tradition: Hindu Tantra, the garland of letters
A property of the fifty-letter series. Individual schools assign further correspondences that differ between traditions and are not adopted here.
Identity
Script Type
Consonant sign of a Brahmi-derived abugida; it carries the inherent short a unless a dependent vowel sign is written 1
Position
Twentieth consonant of the varnamala, the nasal closing the dental class 1Tradition: Sanskrit phonetics of the grammarians
Attributions
Associated Sound
Dental nasal, the commonest of the five and the only one that freely begins Sanskrit words; the source of most retroflex nasals by rule 2Tradition: Sanskrit phonetics of the grammarians
Learn More
Na: The Nasal That Behaves Like a Full Consonant

Na is the twentieth consonant of the varnamala, the dental nasal and the closing member of the fourth varga. It is by a wide margin the commonest of the five nasals and the only one that freely begins words in Sanskrit. The velar and palatal nasals are confined to positions before stops of their own class; the retroflex nasal appears very largely as the product of a rule converting this letter in certain environments; the labial nasal sits between the two behaviours. The dental nasal alone behaves as a fully independent consonant, occurring at the start, middle and end of words with no conditioning, which is why a reader meets it constantly on a page while three of its four fellows are seldom written on their own. That difference is invisible in a chart showing five equal signs and is worth stating explicitly.

The letter is also the source of most retroflex nasals in written Sanskrit, since the rule that converts it operates over a wide range of forms and applies across the internal boundaries of compounds. A reader who sees the retroflex nasal is generally looking at this letter after the rule has applied. Its combining form is one of the commonest signs on a Devanagari page, because clusters of the dental nasal with a following dental stop run through the noun and verb endings and therefore through every sentence. A learner who has mastered the independent letter and not the combining form will stall on entirely ordinary words, which is why primers teach the two together rather than in sequence.

Nasals, the Anusvara, and What a Dot Stands For

Sanskrit writes a nasal in more than one way, and the choice carries information. Where the nasal is followed by a stop, its quality is fixed by the class of that stop, so the script offers the anusvara, a dot above the headline, as a shorthand: the dot says a nasal is present and leaves the reader to supply the one the following letter requires. Where the nasal is not so conditioned, it is written out as a letter. Manuscripts and printed editions differ in how far they use the dot, and editors have to adopt a policy, which is one of the small ways in which two editions of the same Sanskrit text can differ on the page without differing in the text.

The anusvara is counted separately from the five nasal letters in the Tantric reckoning of the alphabet as a garland of matrika, and it is one of the two additional marks that bring that count to fifty alongside the visarga. This atlas records the dental nasal's place in the varnamala, its articulation, its distribution and its role as the source of the retroflex nasal, and records its membership of the fifty-letter series. What individual schools attribute to it beyond that belongs to those schools and is described in the scholarly literature as theirs.

Cross-Tradition Connections

Derived From

Devanagari Na descends from the Brahmi sign of the same value, through the Gupta and Nagari hands of northern India. The two alphabets align letter for letter because both are laid out in the varnamala order, the arrangement the Sanskrit phoneticians fixed by place of articulation.

Related To

Devanagari Na and the Gurmukhi letter Nanna answer to the same sound and to the same slot of the varnamala. Gurmukhi descends from Sharada rather than from the Nagari line, so the agreement is inherited from a shared Brahmi ancestor rather than borrowed from Devanagari.

Nanna and the Devanagari letter Na answer to the same sound and to the same slot of the varnamala. Gurmukhi descends from Sharada rather than from the Nagari line, so the agreement is inherited from a shared Brahmi ancestor rather than borrowed from Devanagari.

Ranjana Na and Devanagari Na hold the same position in the inherited varnamala and write the same sound, as separate northern Brahmi descendants rather than as variants of one script. Devanagari is the relative most readers know, so the two charts can be read against each other.

Source The World's Writing SystemsPeter T. Daniels and William Bright (eds.)

The same letter of the same order in Devanagari. The two scripts are separate descendants of the same late Brahmi stock rather than one being taken from the other, which is why the sound value and the position agree while the shapes do not.

Sources
1. The World's Writing Systems
Peter T. Daniels and William Bright (eds.), Oxford University Press, 1996View the Source
2. Sanskrit Grammar, Including Both the Classical Language and the Older Dialects of Veda and Brahmana
William Dwight Whitney, Breitkopf and Hartel, 1889View the Source
3. Indian Epigraphy: A Guide to the Study of Inscriptions in Sanskrit, Prakrit, and the Other Indo-Aryan Languages
Richard Salomon, Oxford University Press, 1998View the Source
4. Vac: The Concept of the Word in Selected Hindu Tantras
Andre Padoux, State University of New York Press, 1990View the Source
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