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Sacred Correspondences
Alphabet Letters

Siddham Ai 𑖋

Siddham Letters

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Origin The Siddhamatrka hand from which Siddham takes its form grows out of the late Brahmi of the Gupta period and is current in Indian inscriptions and manuscripts from about the sixth century CE.

Ai is the twelfth letter of the Siddham order, a diphthong and, like the other three vowels that close the vowel series, always long. The grammarians place it one degree beyond e on the strengthening ladder, calling that second grade vrddhi, so e and ai stand to i as two successive stages of one operation rather than as unrelated sounds. In metre it is always heavy. The vowel is frequent in derived nouns and in the vrddhi forms that make a word mean something belonging to or descended from its base, which is why a letter that looks marginal in the table is not marginal on the page. Like the three other long vowels that close the vowel series it has no short partner in the table, and none is expected.

Facts
Origins
Origin Period
The Siddhamatrka hand from which Siddham takes its form grows out of the late Brahmi of the Gupta period and is current in Indian inscriptions and manuscripts from about the sixth century CE. 3Tradition: Indian epigraphy
Place of Origin
Northern India 3Tradition: Indian epigraphy
Origin of the Name
Named by its own sound. Siddham letter names are the sound itself, as in the other Brahmic syllabaries, rather than borrowed words as in the Greek and Semitic alphabets. 1Tradition: Sanskrit phonetics of the grammarians
Sense of the Name
the diphthong ai, always long; the twelfth letter 4Tradition: The Siddham syllabary in its traditional order
Identity
Script Type
Independent vowel letter of a Brahmi-derived abugida, written where a word begins with the vowel; a dependent sign is used where it follows a consonant 1
Position
Twelfth letter of the Siddham order, second of the four vowels that are always long 1Tradition: Sanskrit phonetics of the grammarians
Attributions
Associated Sound
Always long; the second strengthening grade of i, one degree beyond e on the ladder the grammarians call guna and vrddhi 2Tradition: Sanskrit phonetics of the grammarians
Attestation
Meaning in the Attesting Source
Preserved in East Asia after the script had ceased to be written in India, and studied in Japan as shittan, the discipline of Sanskrit letter study transmitted through Chinese Buddhist translation. 5Tradition: East Asian esoteric Buddhism
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Ai: The Siddham Letter

Ai is a diphthong, always long, and the second of the two grades by which the grammarians describe the strengthening of i. Where e is the first step, ai is the second, so the three sounds i, e and ai stand as one series produced by a single operation applied once and then again, rather than as three unrelated vowels that happen to sit near each other in the table.

That gives the letter a job in the vocabulary out of proportion to how ordinary it looks. The second grade is what Sanskrit uses to make a word mean something belonging to, descended from, or derived from its base, so a large family of adjectives and abstract nouns is formed by raising the first vowel of a word to this grade. The names of doctrines, schools and lineages are full of them, which is why a letter that looks peripheral in the table is not peripheral on a page of Buddhist philosophy.

Like the three other long vowels that close the vowel series it has no short partner, and none is expected. In metre it is always heavy. Its independent form appears only at the start of a word, and after a consonant it is written as a mark, which is the same arrangement every vowel in the script follows.

The independent form is uncommon, since relatively few words open on the diphthong, and a reader is more likely to meet the letter as a mark attached to a consonant than as a character standing on its own. That is true of most of the vowels after the first two, and it is why the independent series is easier to learn from a chart than from a text.

Guna and Vrddhi, the Two Grades of Strengthening

Sanskrit builds a great deal of its vocabulary by raising a vowel through two fixed steps, which the grammarians call guna and vrddhi. The basic vowels i, u and the vocalic r each have a first grade and a second: i gives e and then ai, u gives o and then au, and the vocalic r gives ar and then ar with a long vowel. The system is regular enough that a reader who knows it can often see the underlying root inside a form that no longer shows it.

The letter table records this without saying so. The four vowels that close the vowel series, e, ai, o and au, are exactly the products of the operation, which is why they have no short partners and why they sit together at the end. Their arrangement is not a list of leftovers but two matched pairs, each pair being one vowel taken up two steps.

The point matters for reading Siddham because it makes the script partly predictable. Buddhist Sanskrit generates terms constantly by this route, and the second grade in particular marks the words that name a school, a doctrine, a class of being or a quality abstracted from something concrete. A reader who recognises the vowel at the front of a word already knows a good deal about what kind of word it is, before working out what its root means.

Cross-Tradition Connections

Belongs to Tradition

Shingon, Denominations

Shingon writes Sanskrit in Siddham and has done since the school was founded, keeping the script in use in Japan long after it had ceased to be written in India. The letters are studied as a set under the name shittan, and the contemplative practices attached to particular syllables are transmitted by initiation.

Tendai, Denominations

Tendai, the other Japanese school carrying an esoteric transmission, keeps the same letters in liturgical and inscriptional use. Siddham on a Japanese grave marker or a ritual implement may belong to either school, and the letters themselves are common to both.

Source The Princeton Dictionary of BuddhismRobert E. Buswell Jr. and Donald S. Lopez Jr.

Derived From

Siddham continues the Brahmi order letter for letter. The descent runs through the late Brahmi of the Gupta period and the Siddhamatrka hand that grows out of it, so this is a lineage rather than a direct copy of the older shape.

Originates in Language

Sanskrit, Languages

The letter is named by its own Sanskrit sound and holds the place the Sanskrit phoneticians gave that sound in their analysis. Siddham was made to write this language, and the East Asian schools that preserved the script preserved it as a way of writing Sanskrit rather than adapting it to a local tongue.

Source The World's Writing SystemsPeter T. Daniels and William Bright (eds.)

Related To

The same letter of the same order in Devanagari. The two scripts are separate descendants of the same late Brahmi stock rather than one being taken from the other, which is why the sound value and the position agree while the shapes do not.

Sources
1. The World's Writing Systems
Peter T. Daniels and William Bright (eds.), Oxford University Press, 1996View the Source
2. Sanskrit Grammar, Including Both the Classical Language and the Older Dialects of Veda and Brahmana
William Dwight Whitney, Breitkopf and Hartel, 1889View the Source
3. Indian Epigraphy: A Guide to the Study of Inscriptions in Sanskrit, Prakrit, and the Other Indo-Aryan Languages
Richard Salomon, Oxford University Press, 1998View the Source
4. The Unicode Standard
The Unicode Consortium, The Unicode ConsortiumView the Source
5. The Princeton Dictionary of Buddhism
Robert E. Buswell Jr. and Donald S. Lopez Jr., Princeton University Press, 2014View the Source
The Weaving of Mantra: Kukai and the Construction of Esoteric Buddhist Discourse
Ryuichi Abe, Columbia University Press, 1999View the Source
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