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Sacred Correspondences
Alphabet Letters

Siddham Pha 𑖣

Siddham Letters

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Origin The Siddhamatrka hand from which Siddham takes its form grows out of the late Brahmi of the Gupta period and is current in Indian inscriptions and manuscripts from about the sixth century CE.

Pha is the second letter of the labial class of the Siddham syllabary, a voiceless aspirated labial stop. It is a p with breath released after it and not an f, a sound classical Sanskrit does not have, and the two-letter transliteration has caused the same confusion here as with the aspirated dental. Later Indic scripts added a dot beneath the corresponding letter to write a borrowed f, a convention that arrived after Siddham had ceased to be written in India. Reading Siddham therefore means reading the sound inventory of the classical language without the later additions to it. In the table it holds the second place of its class, the aspirate slot, in the same position the aspirate holds in each of the other four.

Facts
Origins
Origin Period
The Siddhamatrka hand from which Siddham takes its form grows out of the late Brahmi of the Gupta period and is current in Indian inscriptions and manuscripts from about the sixth century CE. 3Tradition: Indian epigraphy
Place of Origin
Northern India 3Tradition: Indian epigraphy
Origin of the Name
Named by its own sound. Siddham letter names are the sound itself, as in the other Brahmic syllabaries, rather than borrowed words as in the Greek and Semitic alphabets. 1Tradition: Sanskrit phonetics of the grammarians
Sense of the Name
the aspirated voiceless labial stop; second of the labial class 4Tradition: The Siddham syllabary in its traditional order
Identity
Script Type
Consonant sign of a Brahmi-derived abugida; it carries the inherent short a unless a dependent vowel sign is written 1
Position
Thirty-sixth letter of the Siddham order, second of the labial class 1Tradition: Sanskrit phonetics of the grammarians
Attributions
Associated Sound
Voiceless aspirated labial stop; a p with breath released after it. Classical Sanskrit has no f 2Tradition: Sanskrit phonetics of the grammarians
Attestation
Meaning in the Attesting Source
Preserved in East Asia after the script had ceased to be written in India, and studied in Japan as shittan, the discipline of Sanskrit letter study transmitted through Chinese Buddhist translation. 5Tradition: East Asian esoteric Buddhism
Learn More
Pha: The Siddham Letter

Pha is the aspirated voiceless labial, a p with breath released after it, and it takes the second slot of the labial class. It is not an f. Classical Sanskrit has no f, and the two-letter Latin spelling used for this letter invites the same wrong reading as the spelling used for the aspirated dental.

The letter is not especially frequent. Sanskrit uses the voiceless aspirates less than their plain partners throughout, and this one is among the rarer of them, occurring chiefly in a limited set of roots and their derivatives.

Later Indic scripts added a dot beneath the corresponding letter to write a borrowed f, a convention that arrived with the Persian and Arabic vocabulary that entered the languages of northern India, long after Siddham had ceased to be written there. Siddham has no such mark, so reading it means reading the sound inventory of the classical language without the later additions to it.

In the table the letter holds the aspirate slot, second in its class, in the same position the aspirate holds in each of the other four. A reader who has the rule can place it without having seen it, and can predict its sound from where it stands.

The letter is a useful test of a modern rendering. Where a Siddham text produced today writes an f, it is either using the classical letter for a sound that letter does not represent or has borrowed a convention from a later script, and either way it is doing something the tradition itself never did.

Sounds the Classical Language Did Not Have

It is as informative to notice what the Sanskrit letter table lacks as to notice what it contains. There is no f and no v as English uses them, no z, no distinct sound for the English w, no short e or short o, and no letters for the sounds that later entered the northern Indian languages from Persian and Arabic. The table is closed around the inventory the grammarians described, and it was designed to be complete for that and nothing else.

Scripts that stayed in use in India dealt with the gaps by adding marks, usually a dot beneath an existing letter, so the new sounds could be written without disturbing the inherited order. That is a common solution across the family and it keeps the original table intact while extending what can be written.

Siddham never faced the problem. It stopped being used for living Indian languages before any of the new sounds arrived, and in East Asia it was needed only for Sanskrit, so nothing was ever added. Its inventory is the classical one, unmodified, which is precisely what makes it a good witness.

That also sets a boundary on what the script can honestly be used for now. Writing a modern name or a foreign word in Siddham means either approximating it with the classical letters or inventing something the tradition never had, and the second is not a neutral act.

Cross-Tradition Connections

Belongs to Tradition

Shingon, Denominations

Shingon writes Sanskrit in Siddham and has done since the school was founded, keeping the script in use in Japan long after it had ceased to be written in India. The letters are studied as a set under the name shittan, and the contemplative practices attached to particular syllables are transmitted by initiation.

Tendai, Denominations

Tendai, the other Japanese school carrying an esoteric transmission, keeps the same letters in liturgical and inscriptional use. Siddham on a Japanese grave marker or a ritual implement may belong to either school, and the letters themselves are common to both.

Source The Princeton Dictionary of BuddhismRobert E. Buswell Jr. and Donald S. Lopez Jr.

Derived From

Siddham continues the Brahmi order letter for letter. The descent runs through the late Brahmi of the Gupta period and the Siddhamatrka hand that grows out of it, so this is a lineage rather than a direct copy of the older shape.

Originates in Language

Sanskrit, Languages

The letter is named by its own Sanskrit sound and holds the place the Sanskrit phoneticians gave that sound in their analysis. Siddham was made to write this language, and the East Asian schools that preserved the script preserved it as a way of writing Sanskrit rather than adapting it to a local tongue.

Source The World's Writing SystemsPeter T. Daniels and William Bright (eds.)

Related To

The same letter of the same order in Devanagari. The two scripts are separate descendants of the same late Brahmi stock rather than one being taken from the other, which is why the sound value and the position agree while the shapes do not.

Sources
1. The World's Writing Systems
Peter T. Daniels and William Bright (eds.), Oxford University Press, 1996View the Source
2. Sanskrit Grammar, Including Both the Classical Language and the Older Dialects of Veda and Brahmana
William Dwight Whitney, Breitkopf and Hartel, 1889View the Source
3. Indian Epigraphy: A Guide to the Study of Inscriptions in Sanskrit, Prakrit, and the Other Indo-Aryan Languages
Richard Salomon, Oxford University Press, 1998View the Source
4. The Unicode Standard
The Unicode Consortium, The Unicode ConsortiumView the Source
5. The Princeton Dictionary of Buddhism
Robert E. Buswell Jr. and Donald S. Lopez Jr., Princeton University Press, 2014View the Source
The Weaving of Mantra: Kukai and the Construction of Esoteric Buddhist Discourse
Ryuichi Abe, Columbia University Press, 1999View the Source
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