Divinity Atlas

Sacred Correspondences
Alphabet Letters

Siddham Sha 𑖫

Siddham Letters

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Origin The Siddhamatrka hand from which Siddham takes its form grows out of the late Brahmi of the Gupta period and is current in Indian inscriptions and manuscripts from about the sixth century CE.

Sha is the first of the three sibilants of the Siddham syllabary, made at the palate, and it opens the last block of the consonant order. Sanskrit has three sibilants where most of its relatives kept one, and the distinction between the palatal and the retroflex is held apart by rule rather than left to the ear, so a script that writes Sanskrit needs all three letters. Sha stands at the head of a large family of religious vocabulary, including the words for peace and for the auspicious, which are frequent in the Buddhist texts copied in Siddham. It is also the first letter of the last block of the consonant order, after which only the retroflex sibilant, the dental sibilant and the aspirate remain.

Facts
Origins
Origin Period
The Siddhamatrka hand from which Siddham takes its form grows out of the late Brahmi of the Gupta period and is current in Indian inscriptions and manuscripts from about the sixth century CE. 3Tradition: Indian epigraphy
Place of Origin
Northern India 3Tradition: Indian epigraphy
Origin of the Name
Named by its own sound. Siddham letter names are the sound itself, as in the other Brahmic syllabaries, rather than borrowed words as in the Greek and Semitic alphabets. 1Tradition: Sanskrit phonetics of the grammarians
Sense of the Name
the palatal sibilant; first of the three sibilants 4Tradition: The Siddham syllabary in its traditional order
Identity
Script Type
Consonant sign of a Brahmi-derived abugida; it carries the inherent short a unless a dependent vowel sign is written 1
Position
Forty-fourth letter of the Siddham order and first of the three sibilants 1Tradition: Sanskrit phonetics of the grammarians
Attributions
Associated Sound
Palatal sibilant, the first of the three sibilants Sanskrit distinguishes 2Tradition: Sanskrit phonetics of the grammarians
Attestation
Meaning in the Attesting Source
Preserved in East Asia after the script had ceased to be written in India, and studied in Japan as shittan, the discipline of Sanskrit letter study transmitted through Chinese Buddhist translation. 5Tradition: East Asian esoteric Buddhism
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Sha: The Siddham Letter

Sha is the palatal sibilant and the first of the three that open the last block of the consonant order. Sanskrit has three sibilants where most of the languages it is related to kept one, and the distinctions between them are held apart by rule rather than left to the ear, so a script that writes Sanskrit needs all three letters and Siddham has them.

The letter stands at the head of a large family of religious vocabulary, including the words for peace and for the auspicious and a great many names built on them, and it is frequent in the Buddhist texts copied in Siddham.

It enters conjuncts readily, and several of its combinations, particularly with the semivowels and with the stops of its own class, are common enough to have settled into shapes a learner acquires as units.

Its place in the order marks a transition. The twenty-five stops are behind it and the four semivowels are behind it, and what remains after this letter is the retroflex sibilant, the dental sibilant and the aspirate: four letters, and then the table closes.

The three sibilants also mark the point where the table stops being a grid. The twenty-five stops are a crossing of five places against five treatments, and the four semivowels are a block paired to four vowels, but the sibilants and the aspirate are a short closing list, classified by place and by nothing else. A learner reciting the order feels the change: the pattern that carried the first two thirds of the table runs out, and the last four letters have to be held individually.

Three Sibilants Where the Relatives Kept One

The three-way sibilant distinction is one of the features that makes Sanskrit valuable as evidence about the history of its language family, and one of the features a script for it cannot do without. A palatal, a retroflex and a dental sibilant are three separate letters, three separate sounds and, in the grammar, three separate behaviours: the dental converts to the retroflex under stated conditions, the palatal does not, and clusters behave differently according to which is present.

Most of the related languages outside India merged them. Greek, Latin and the Germanic languages have one sibilant letter and no framework connecting it to anything, so a scholar working from those alone could not reconstruct what the Indian evidence shows. The Sanskrit table sets the three out explicitly, classified by point of articulation like everything else in it, and that classification is what makes the comparison possible.

Latin transliteration handles them badly. The palatal is usually written with an acute accent, the retroflex with a dot beneath, the dental as plain s, and dropping the diacritics collapses all three. Words that differ in the language become identical, and the grammar that depends on the difference becomes invisible. The letter pages of this atlas keep the distinction where the plain spellings used elsewhere cannot.

Cross-Tradition Connections

Belongs to Tradition

Shingon, Denominations

Shingon writes Sanskrit in Siddham and has done since the school was founded, keeping the script in use in Japan long after it had ceased to be written in India. The letters are studied as a set under the name shittan, and the contemplative practices attached to particular syllables are transmitted by initiation.

Tendai, Denominations

Tendai, the other Japanese school carrying an esoteric transmission, keeps the same letters in liturgical and inscriptional use. Siddham on a Japanese grave marker or a ritual implement may belong to either school, and the letters themselves are common to both.

Source The Princeton Dictionary of BuddhismRobert E. Buswell Jr. and Donald S. Lopez Jr.

Derived From

Siddham continues the Brahmi order letter for letter. The descent runs through the late Brahmi of the Gupta period and the Siddhamatrka hand that grows out of it, so this is a lineage rather than a direct copy of the older shape.

Originates in Language

Sanskrit, Languages

The letter is named by its own Sanskrit sound and holds the place the Sanskrit phoneticians gave that sound in their analysis. Siddham was made to write this language, and the East Asian schools that preserved the script preserved it as a way of writing Sanskrit rather than adapting it to a local tongue.

Source The World's Writing SystemsPeter T. Daniels and William Bright (eds.)

Related To

The same letter of the same order in Devanagari. The two scripts are separate descendants of the same late Brahmi stock rather than one being taken from the other, which is why the sound value and the position agree while the shapes do not.

Sources
1. The World's Writing Systems
Peter T. Daniels and William Bright (eds.), Oxford University Press, 1996View the Source
2. Sanskrit Grammar, Including Both the Classical Language and the Older Dialects of Veda and Brahmana
William Dwight Whitney, Breitkopf and Hartel, 1889View the Source
3. Indian Epigraphy: A Guide to the Study of Inscriptions in Sanskrit, Prakrit, and the Other Indo-Aryan Languages
Richard Salomon, Oxford University Press, 1998View the Source
4. The Unicode Standard
The Unicode Consortium, The Unicode ConsortiumView the Source
5. The Princeton Dictionary of Buddhism
Robert E. Buswell Jr. and Donald S. Lopez Jr., Princeton University Press, 2014View the Source
The Weaving of Mantra: Kukai and the Construction of Esoteric Buddhist Discourse
Ryuichi Abe, Columbia University Press, 1999View the Source
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