Divinity Atlas

Sacred Correspondences
Alphabet Letters

Siddham Tta 𑖘

Siddham Letters

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Origin The Siddhamatrka hand from which Siddham takes its form grows out of the late Brahmi of the Gupta period and is current in Indian inscriptions and manuscripts from about the sixth century CE.

Tta is the eleventh consonant of the Siddham syllabary and the head of the retroflex class, the third of the five. It is a voiceless unaspirated stop made with the tip of the tongue curled back to the roof of the mouth, and the Sanskrit phoneticians call the class murdhanya, formed at the top of the head. Retroflexion is one of the marks that set the Indian languages apart from their Indo-European relatives, and a script that did not distinguish the retroflex series from the dental one could not write Sanskrit at all. Siddham gives the two series separate letters throughout, five against five. Its class stands third in the order, between the palatal and the dental, following the mouth from the palate towards the teeth.

Facts
Origins
Origin Period
The Siddhamatrka hand from which Siddham takes its form grows out of the late Brahmi of the Gupta period and is current in Indian inscriptions and manuscripts from about the sixth century CE. 3Tradition: Indian epigraphy
Place of Origin
Northern India 3Tradition: Indian epigraphy
Origin of the Name
Named by its own sound. Siddham letter names are the sound itself, as in the other Brahmic syllabaries, rather than borrowed words as in the Greek and Semitic alphabets. 1Tradition: Sanskrit phonetics of the grammarians
Sense of the Name
the voiceless retroflex stop; head of the retroflex class 4Tradition: The Siddham syllabary in its traditional order
Identity
Script Type
Consonant sign of a Brahmi-derived abugida; it carries the inherent short a unless a dependent vowel sign is written 1
Position
Twenty-fifth letter of the Siddham order and head of the retroflex class 1Tradition: Sanskrit phonetics of the grammarians
Attributions
Associated Sound
Voiceless unaspirated retroflex stop, made with the tongue tip curled back to the roof of the mouth 2Tradition: Sanskrit phonetics of the grammarians
Attestation
Meaning in the Attesting Source
Preserved in East Asia after the script had ceased to be written in India, and studied in Japan as shittan, the discipline of Sanskrit letter study transmitted through Chinese Buddhist translation. 5Tradition: East Asian esoteric Buddhism
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Tta: The Siddham Letter

Tta heads the retroflex class, the third of the five, and it is made with the tip of the tongue curled back against the roof of the mouth. The Sanskrit phoneticians call the class murdhanya, which means formed at the top of the head, and the name is a description of where they located the closure rather than a metaphor.

Its place in the order follows the same rule as everything else in the consonant section. The classes run from the back of the mouth forwards, so the retroflex class stands between the palatal and the dental, and within the class this letter takes the first slot: voiceless, unaspirated, the plainest treatment of the sound.

In the vocabulary of classical Sanskrit the retroflex stops are noticeably less frequent than the dentals, and a large share of the words containing them are either borrowings, onomatopoeic, or produced by a rule from something else. That skew is one of the standing questions of Indo-Aryan linguistics, since the retroflex series has no counterpart in the languages Sanskrit is related to outside India and does have counterparts in the Dravidian languages spoken alongside it.

On the page the letter behaves ordinarily. It carries the inherent short a, takes the full range of vowel marks, and enters conjuncts freely, most often with the retroflex nasal and with the retroflex sibilant that belongs to the same articulation.

Retroflexion, and What a Script for Sanskrit Must Distinguish

A writing system for Sanskrit has to separate the retroflex consonants from the dental ones, because the language does. Words differ by nothing else, and the difference reaches into the grammar: a rule converts a dental nasal to a retroflex one under stated conditions, and another does the same for the dental sibilant, so the two series are not merely two sets of sounds but two states that the same sound moves between.

Every Brahmic script accordingly carries both series in full, five letters each, and Siddham is no exception. That is one of the design requirements that distinguishes this family of scripts from the alphabets of the Mediterranean, which have one t and one d because the languages they were built for had no reason to want more.

The consequence for anyone reading Sanskrit outside its own script is severe. Latin transliteration marks the retroflex series with a dot under the letter, and where the dots are dropped, which outside specialist publishing they usually are, the two series collapse into one. Words that are distinct in the language become identical on the page, and a reader has no way of telling which was meant.

The atlas records the distinction on the letters themselves for exactly that reason. The plain spellings used for readability cannot carry it, and the letter pages are where it is kept.

Cross-Tradition Connections

Belongs to Tradition

Shingon, Denominations

Shingon writes Sanskrit in Siddham and has done since the school was founded, keeping the script in use in Japan long after it had ceased to be written in India. The letters are studied as a set under the name shittan, and the contemplative practices attached to particular syllables are transmitted by initiation.

Tendai, Denominations

Tendai, the other Japanese school carrying an esoteric transmission, keeps the same letters in liturgical and inscriptional use. Siddham on a Japanese grave marker or a ritual implement may belong to either school, and the letters themselves are common to both.

Source The Princeton Dictionary of BuddhismRobert E. Buswell Jr. and Donald S. Lopez Jr.

Derived From

Siddham continues the Brahmi order letter for letter. The descent runs through the late Brahmi of the Gupta period and the Siddhamatrka hand that grows out of it, so this is a lineage rather than a direct copy of the older shape.

Originates in Language

Sanskrit, Languages

The letter is named by its own Sanskrit sound and holds the place the Sanskrit phoneticians gave that sound in their analysis. Siddham was made to write this language, and the East Asian schools that preserved the script preserved it as a way of writing Sanskrit rather than adapting it to a local tongue.

Source The World's Writing SystemsPeter T. Daniels and William Bright (eds.)

Related To

The same letter of the same order in Devanagari. The two scripts are separate descendants of the same late Brahmi stock rather than one being taken from the other, which is why the sound value and the position agree while the shapes do not.

Sources
1. The World's Writing Systems
Peter T. Daniels and William Bright (eds.), Oxford University Press, 1996View the Source
2. Sanskrit Grammar, Including Both the Classical Language and the Older Dialects of Veda and Brahmana
William Dwight Whitney, Breitkopf and Hartel, 1889View the Source
3. Indian Epigraphy: A Guide to the Study of Inscriptions in Sanskrit, Prakrit, and the Other Indo-Aryan Languages
Richard Salomon, Oxford University Press, 1998View the Source
4. The Unicode Standard
The Unicode Consortium, The Unicode ConsortiumView the Source
5. The Princeton Dictionary of Buddhism
Robert E. Buswell Jr. and Donald S. Lopez Jr., Princeton University Press, 2014View the Source
The Weaving of Mantra: Kukai and the Construction of Esoteric Buddhist Discourse
Ryuichi Abe, Columbia University Press, 1999View the Source
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