Divinity Atlas

Sacred Correspondences
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Detail, the Same Fixed Pair of Facts and Mystery

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Detail, the Same Fixed Pair of Facts and Mystery

The Juxtaposition Cross of Detail carries the same pair as the Left Angle Cross of Obscuration, Gate 62 and Gate 61. Human Design reads Gate 62, from Hexagram 62, Preponderance of the Small, sitting in the Throat, as detail, the organising of facts and particulars into an order that can be spoken; and Gate 61, from Hexagram 61, Inner Truth, sitting in the Head, as the pressure to know the mystery behind existence. Juxtaposition Crosses stand apart from the other two families, tied only to the four line one profile, and are read as the most fixed direction the system names.

Its design half is Gate 3 and Gate 50, unchanged from the Cross of Obscuration. Gate 3 sits in the Sacral centre and is read as the energy to bring order out of the confusion that attends anything genuinely new; it pairs with Gate 60 in the channel of Mutation. Gate 50 sits in the Spleen and is read as values, the instinctive sense of responsibility that guards a group; it pairs with Gate 27 in the channel of Preservation.

Where the Left Angle reading holds this same pressing after mystery as a role circumstance hands back, the Juxtaposition reading fixes it to the four line one profile instead, the same hard beginning and inherited responsibility beneath it either way. The same four gates also underlie the Juxtaposition Cross of Thinking. The hexagrams are ancient; grouping them into one fixed cross is the modern system's own construction.

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Sources
The Human Design System
Ra Uru Hu (Alan Robert Krakower), Human Design America, 1992View the Source
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