This source names Parvati directly: "and feminine form of Shiva and Parvati, four-armed and standing beside Nandi; the Nataraja panel, though badly damaged, shows Shiva as the cosmic dancer; and the Gangadhara panel shows Shiva..."
This source names Parvati directly: "(a Tritiya), presided over by Gauri (Parvati)."
This source names Parvati directly: "dialogue between Shiva and the Goddess Parvati on the philosophy, ethics and ritual framework of Kaula practice."
This source names Parvati directly: "of Indra and Chamunda of Chandi or Parvati, each riding her parent god's own vahana and carrying his attributes."
Meenakshi is identified with Parvati, and at Madurai she is the senior of the pair rather than the consort.
This source names Parvati directly: "Wikipedia's article on Parvati, describing her artistic conventions across Hindu sculpture, naming bronze as the chief metal used for her image and stone the next most common, and describing her..."
Shakti, Deities Why this is disputed. Parvati is understood in Shakta theology as a benign form of the one Goddess, of whom Durga and Kali are the fierce forms; whether these are aspects of Shakti or distinct goddesses is answered differently by different schools.
This source names Parvati directly: "an axe and an antelope; his consort Parvati (Uma), mirroring his pose and wearing a marriage cord; and their infant son Skanda, also called Kartikeya, seated on a projecting section of the base..."
This source names Parvati directly: "and an antelope, beside his consort Parvati (Uma), who wears a marriage cord and mirrors his pose, with their infant son Skanda, also called Kartikeya, seated on a projecting section of the base..."
This source names Parvati directly: "depicting Shiva with his consort Uma (Parvati) and their son Skanda (Murugan or Kartikeya) shown as a child between them, confirming the three-figure identification independently of any single..."
This source names Parvati directly: "record for its Standing Uma (Parvati), accession 146:1966, an eleventh century Chola dynasty bronze funded by the Merrill Trust Foundation, showing the goddess in the triple bend pose, adorned with..."
Thaipusam commemorates the spear Parvati gave to her son to destroy the demon Surapadman.
Every major Puranic telling of Ganesha's origin, whatever it says about the exact manner of his creation or how he acquired an elephant head, makes Parvati his mother and the one who brings him into being, whether by shaping him from turmeric paste, clay, or the substance of her own body. Hindu tradition treats the different versions of the story as complementary regional and sectarian tellings rather than as competing claims, and Parvati's role as his mother is common to all of them; what varies between the accounts is the manner of his creation, not the parentage.
This source names Parvati directly: "deity is traditionally Gauri (Parvati); the day is sacred in festivals such as Akshaya Tritiya, held especially auspicious for new beginnings, purchases, and enduring gain."